Here is Beardsley's vision of the Venusberg - rather different from the minimalist setting of the current Covent Garden production!
......on quaint pedestals and Terminal Gods and gracious pilasters of every sort, were shell-like vases of excessive fruits and flowers that hung about and burst over the edges and could never be restrained. The orange-trees and myrtles, looped with vermilion sashes, stood in frail porcelain pots, and the rose-trees were wound and twisted with superb invention over trellis and standard.
Upon one side of the terrace, a long gilded stage for the comedians was curtained off with Pagonian tapestries, and in front of it the music stands were placed. The tables arranged between the fountain and the flight of steps to the sixth terrace were all circular, covered with white damask, and strewn with irises, roses, kingcups, columbines, daffodils, carnations and lilies;
and the couches, high with soft cushions and spread with more stuffs than could be named, had fans thrown upon them, and little amorous surprise packages.