The garden today

Some lovely pink petunias have appeared in the garden recently!!

Caroline Lucas to stand down as Green Party Leader

Caroline Lucas Opens Door to New Green Party Leaders

13 MAY 2012

In September 2012, Caroline Lucas MP will reach the end of her second term as national Leader of the Green Party of England and Wales, and has announced today that she will not be seeking re-election for another two-year term, in order to broaden opportunities for the range of talent in the Party and to raise the profiles of others aspiring to election.

Caroline Lucas said: "I'm hugely honoured to have served as the first Leader of the Green Party and I'm proud that during the four years of my term, we've moved Green politics forward to a higher level, with the Party by far the most influential it has ever been. We've seen significant breakthroughs in winning our first seat at Westminster and gaining our first ever local council in Brighton and Hove. These were followed by further breakthroughs onto new Councils in the recent local elections, which were among the most successful we've ever had, as well as establishing ourselves as the third party, ahead of the LibDems, in the elections for London Mayor.

"I look forward to continuing to do all I can in my very demanding role as the MP for Brighton Pavilion, representing my constituents and defending them against the Coalition Government's disastrous economic policies and its refusal to accept its environmental and social responsibilities. I will also be able to dedicate even more of my work to the political frontline, putting the Green case for change in Parliament and in all circles of national political debate."

Cllr Darren Johnson, London Assembly Member, said: "Caroline has made a huge impact in her time as Green Party Leader and has helped shift Green politics from the margins to the mainstream of British political life. She will be an extremely hard act to follow but this is an ideal time to allow new talent to come forward."

Jenny Jones, London Assembly Member and recent Green Mayoral Candidate said:
"The Green Party has made some massive breakthroughs in the past two years, since having Caroline as our Leader, in Parliament, in Brighton and most recently in London, where we are now the third party behind the Conservatives and Labour. Caroline's decision not to seek re-election at this point is entirely in keeping with Green principles: it's a strong move, allowing other talented people to come through and to take the Green Party even further forward. She has set a superb example of how to lead. Whoever is elected in her place has a tough act to follow."

Nominations for leadership candidates are now open within the Party and will close towards the end of June. The new Leader (or Co-leaders) will take up the two year post in early September. No nominations have yet been received.

Caroline Lucas added: "We're lucky to have a wealth of capability and experience in our Party. Now feels like the right time to step aside, to allow more of that ability to come forward and help the party to grow. I offer my very best wishes to the next Leader, whoever they may be." 

The Garden Today

Very busy in the garden recently, now the rain seems to be holding off for a bit!! (My partner said that gardeners always moan about the weather...why aren't we ever satisfied???!!! Well, because if it becomes waterlogged, the roots of the plants are in danger of rotting.....!!)

I am very proud of my black violas!!!

I also have some lovely blue and white violas, they are known as Blackcurrant Sorbet.

In the vegetable garden, the radishes, garlic chives (images here of garlic chives!) and rocket are flourishing, so I can have some salad for my lunch.  The potatoes are not yet ready, but am looking forward to my first ever potatoes!

May Day, International Workers' Day, 2012

May Day is International Workers' Day!! Let's celebrate it!!

A poem by William  Morris to encourage us!

by William Morris

9. MAY DAY, 1894

Clad is the year in all her best,
The land is sweet and sheen;
Now Spring with Summer at her breast,
Goes down the meadows green. 

Here are we met to welcome in
The young abounding year,
To praise what she would have us win
Ere winter draweth near. 

For surely all is not in vain,
This gallant show she brings;
But seal of hope and sign of gain,
Beareth this Spring of springs. 

No longer now the seasons wear
Dull, without any tale
Of how the chain the toilers bear
Is growing thin and frail. 

But hope of plenty and goodwill
Flies forth from land to land,
Nor any now the voice can still
That crieth on the hand. 

A little while shall Spring come back
And find the Ancient Home
Yet marred by foolish waste and lack,
And most enthralled by some. 

A little while, and then at last
Shall the greetings of the year
Be blent with wonder of the past
And all the griefs that were. 

A little while, and they that meet
The living year to praise,
Shall be to them as music sweet
That grief of bye-gone days. 

So be we merry to our best,
Now the land is sweet and sheen,
And Spring with Summer at her breast
Goes down the meadows green. 

Wagner, THE FLYING DUTCHMAN, Coliseum, 28 April 2012

Richard Wagner, THE FLYING DUTCHMAN.

English National Opera, London Coliseum, 28 April 2012

Cast:
Daland, a Norwegian Sailor                      CLIVE BAYLEY

Senta, his daughter                                    ORLA BOYLAN

Erik, in love with Senta                              STUART SKELTON

Mary, works supervisor                             SUSANNA TUDOR-THOMAS

The Steersman                                         ROBERT MURRAY

The Dutchman                                         JAMES CRESSWELL

The child Senta                                       AOIFE CHECKLAND


Chorus and orchestra of English National Opera

Conductor                                                                             EDWARD GARDNER
Director                                                                                 JONATHAN KENT


The performance opened with a very thrilling account of the overture, conveying a vivid sense of the storm battering the ships on the sea (except the Dutchman's, of course!) and waves crashing on the shore...moving on to the poignancy of Senta's motif. The ENO under Edward Gardner (this is his first time conducting Wagner) gave of their best.


When the curtain rises,  about a third of the way through the overture, we see the child Senta in her bedroom - typical little girl's bedroom, decorated in pink!! (I would imagine the designer, Paul Brown, has daughters....) She tries on her father's sea-boots...then when he comes to say goodnight to her before going to sea, he gives her a portrait of the Dutchman.

I liked this way of depicting the 'back-story' of the drama, but wasn't sure at first  whether it was appropriate to depict the entire first Scene (it was performed without an interval) as the child Senta's dream.  As the image illustrates, the violence of the storm was depicted almost realistically on the stage, while the child sits up in bed brooding over the image of the Dutchman. It all takes place in her dream, then - the Dutchman is a projection of her needs, just  .as she is a projection of his.




Clive Bayley as Daland perhaps slightly overdid the characterisation of the bluff, hearty sailor, but this worked well in contrast with the figure of the Dutchman - James Cresswell as a Byronic hero with brooding, saturnine good looks!

Because this is Senta's dream, the Dutchman first appears curled up on her bed, and then rises to deliver his monologue.

 Creswell's voice is well-suited to the role of the mysterious outsider - perhaps he looks more like a 'romantic' hero than one might expect of the Flying Dutchman, but it fits with the overall concept, and he sounded beautifully lyrical in the scene with Daland.....who is often criticised for being willing to 'sell his daughter for money', but one could turn this on its head and argue that he wants to make an advantageous match for her, as any prudent father would (like Giorgio Germont, for instance!!) 
Wagner gives Daland an abrupt, jerky melody (Wie? Hoert' ich recht? Meine Tochter sein Weib?), while the Dutchman's lament for his fate (Ach, ohne Weib, ohne Kind bin ich...) soars lyrically over this.

At the end of the scene, the child finally disappears and the adult Senta (Orla Boylan) replaces her on the bed. She gets up and gets dressed, then she goes to join the other girls in the factory, where they are making ships in bottles. Why not? The Spinning Chorus is only a device to set the scene and prepare for Senta's Ballad. I loved the idea of Mary (Susanna Tudor-Thomas) as a brassy works supervisor! Senta doesn't get on with the other girls, they mock her obsession with the picture of the mysterious stranger, and even while she sings the ballad they are making faces behind her back or just ignoring her. She sings it with fierce commitment, I think Wagner needs the soprano sound to be piercing here, and then more mellow in the scene with the Dutchman.

Meanwhile, Stuart Skelton succeeded admirably in the thankless task of trying to make Erik interesting. In this production he's a security guard, referred to disparagingly by the girls as an 'office boy'.

He sings with heartfelt sincerity and beautiful phrasing -  but who is going to listen to the office boy she's known all her life when she can dream about a mysterious stranger, who has suffered and whom she can perhaps save!!

And then - her dream comes true! She hardly notices her father, she and the Dutchman are mesmerised, staring at each other - and Daland finally notices and takes himself off. The scene between them is the heart of the matter, of course.....each sees in the other the fulfilment they have been dreaming of. The emphasis has been on the Dutchman as a figment of Senta's imagination - but, as I indicated above, it could equally well be that she is a projection of his needs. What they are expressing is  his need for redemption and her need to redeem him.

When Daland returns, he does a little dance of triumph while bright, cheerful, jolly (er, trivial?!) music breaks in on the brooding solemnity of the duet - they have been in another, 'inner' world and now they are - or at least Senta is - brought back to everyday life again. (I don't suppose the Dutchman has much recollection of what everyday life is!) A wedding ceremony takes place and then the scene changes to a drunken party...during which the sailors (most of them in fancy dress) bully Senta and almost come to the point of raping her. The girls do nothing to help her. (The Dutchman has disappeared by this time).

Why would they do this? Why would they bully their captain's daughter, as they seem to have quite a good relationship with him? It doesn't make much sense dramatically in the light of what has gone before - but when the Dutchman's crew start their spine-chilling song (we never see them, just hear the ghostly chorus), Daland's sailors run away and Senta is left alone on the stage, doing an ecstatic dance - so it seems as though she regards her marriage to the mysterious stranger as HER redemption as well.


The staging of the ending was rather disappointing - the Dutchman disappears through a trapdoor and Senta  breaks a bottle and stabs herself with a shard of glass and - that's it!  But the music contradicts this and tells us that both Senta and the Dutchman have achieved the redemption they sought.

National Gardening Week, 16-22 April 2012

I am doing my bit for National Gardening Week !!


Yesterday I planted Spinach and Sweetcorn.


Today - the rain has stopped and the sun has come out just in time for me to plant the fuchsias before lunch!


Really delighted to say that the Apple Blossom is coming out on the trees......

And the blackberry blossom too!

Soil Association : Save the honeybee : Household pesticides

Read this article by the Soil Association about household pesticides that are dangerous to bees.

Soil Association : Save the honeybee : Household pesticides