Wednesday, 9 June 2021
Saturday, 1 May 2021
William Morris: May Day 1892
CHANTS FOR SOCIALISTS
by
WILLIAM MORRIS
THE WORKERS
O Earth, once again cometh Spring to deliver
Thy winter-worn heart, O thou friend of the Sun;
Fair blossom the meadows from river to river
And the birds sing their triumph o'er winter undone.
O Earth, how a-toiling thou singest thy labour
And upholdest the flower-crowned cup of thy bliss,
As when in the feast-tide drinks neighbour to neighbour
And all words are gleeful, and nought is amiss.
But we, we, O Mother, through long generations,
We have toiled and been fruitful, but never with thee
Might we raise up our bowed heads and cry to the nations
To look on our beauty, and hearken our glee.
Unlovely of aspect, heart-sick and a-weary
On the season's fair pageant all dim-eyed we gaze;
Of thy fairness we fashion a prison-house dreary
And in sorrow wear over each day of our days.
THE EARTH.
O children! O toilers, what foemen beleaguer
The House I have built you, the Home I have won?
Full great are my gifts, and my hands are all eager
To fill every heart with the deeds I have done.
THE WORKERS.
The foemen are born of thy body, O Mother,
In our shape are they shapen, their voice is the same;
And the thought of their hearts is as ours and no other;
It is they of our own house that bring us to shame.
THE EARTH.
Are ye few? Are they many? What words have ye spoken
To bid your own brethren remember the Earth?
What deeds have ye done that the bonds should be broken,
And men dwell together in good-will and mirth?
THE WORKERS.
They are few, we are many: and yet, O our Mother,
Many years were we wordless and nought was our deed,
But now the word flitteth from brother to brother:
We have furrowed the acres and scattered the seed.
THE EARTH.
Win on then unyielding, through fair and foul weather,
And pass not a day that your deed shall avail.
And in hope every spring-tide come gather together
That unto the Earth ye may tell all your tale.
Then this shall I promise, that I am abiding
The day of your triumph, the ending of gloom,
And no wealth that ye will then my hand shall be hiding
And the tears of the spring into roses shall bloom.
Tuesday, 27 April 2021
Richard Wagner, PARSIFAL, Wiener Staatsoper, April 2021
In this scene, as before, it is the younger Parsifal whom she tries to seduce, while the older Parsifal watches.......as the scene reaches its climax, he does obviously become very angry.
Whether we agree that Kundry survives at the end and is reconciled with Amfortas, as the image above suggests, must remain open to question......perhaps it is not entirely impossible.
Sunday, 18 October 2020
Tuesday, 9 April 2019
LA FORZA DEL DESTINO, Royal Opera House, 2 April 2019
Giuseppe Verdi LA FORZA DEL DESTINO,
Royal Opera House, 2 April 2019 (Cinema Relay)
CAST
Marchese di Calatrava..........................................ROBERT LLOYD
Leonora di Vargas................................................ANNA NETREBKO
Curra, a maid.......................................................ROBERTA ALEXANDER
Don Alvaro..........................................................JONAS KAUFMANN
Don Carlo di Vargas............................................LUDOVIC TEZIER
Alcalde................................................................MICHAEL MOFIDIAN
Maestro Trabucco...............................................CARLO BOSI
Preziosilla............................................................VERONICA SIMEONI
Padre Guardiano................................................FERRUCCIO FURLANETTO
Fra Melitone......................................................ALESSANDRO CORBELLI
Surgeon...............................................................JONATHAN FISHER
Chorus and Orchestra of the Royal Opera House
Conductor....................................................... ANTONIO PAPPANO
Producer............................................................CHRISTOF LOY
A great triumph for the Royal Opera House in every respect. This opera has not in the past been one of my favourites, although I have always loved the music. This production, however, managed to turn this rather daft Victorian melodrama into a thing of beauty. I wonder if there will ever again be such a fortunate conjunction of cast, conductor (Antonio Pappano) and orchestra? I will never forget this as long as I live.
It may be the best performance that Anna Netrebko has given.
It can't be an easy role to play.....poor Leonora never has one moment of happiness....well, perhaps a fleeting few seconds before their flight is thwarted by her father and the inevitable tragedy ensues. I loved the soaring high notes in 'Pace, pace, mio Dio' and the passion and commitment she brought to this tragic character. Whatever she tries to do, however sincerely penitent she is, she can't find peace, so tormented by the memories the death of her father and the loss of Alvaro.
However, this wasn't a case of the the star soprano dominating the scene, the connections between the characters were truly reciprocal.....the relationship between Carlo and Alvaro has a lot of sub-text, I think, depicted with great intensity by Jonas Kaufmann and .Ludovic Tezier.
The performance of 'Solenne in quest'ora' broke my heart........almost a thwarted bromance!! There is no better pairing than Kaufmann and Tezier, and in this performance they took the scene to heights of sublimity.
And their later confrontation is even more intense and tragic because of what came before.......Alvaro's fate is tied up with the whole Calatrava family, not just Leonora...it's almost as if Alvaro is thinking.....I have to kill you, but that's not really what I want to do.....
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