<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-3597330275162483561</id><updated>2012-02-02T01:36:30.305-08:00</updated><category term='Tristan und Isolde'/><category term='TUC'/><category term='Housing Benefit'/><category term='Tosca'/><category term='Erich Wolfgang Korngold'/><category term='Brighton Pavillion'/><category term='violas'/><category term='Tobias Abse'/><category term='Cuts to Arts Funding'/><category term='John Horler'/><category term='Canadian Opera Company'/><category term='Honeybees'/><category term='garden'/><category term='Don Carlo'/><category term='Camden Council'/><category term='Weimar'/><category term='Benjamin Britten'/><category term='Guerrilla Gardening'/><category term='Alternative Arts'/><category term='Helmut Deutsch'/><category term='Schubert'/><category term='Regent&apos;s Park'/><category term='Alban Berg'/><category term='chillies'/><category term='Election 2010'/><category term='anti-Fascism'/><category term='wisteria'/><category term='Counterfire'/><category term='Kings Place'/><category term='Rigoletto'/><category term='Hugo Blanco'/><category term='radishes'/><category term='Waltraud Meier'/><category term='Indigenous Communities'/><category term='blackcurrant sage'/><category term='Public Sector Workers'/><category term='Cable Street Group'/><category term='Battle of Cable Street'/><category term='Terry Conway'/><category term='petunias'/><category term='roses'/><category term='Edinburgh International Festival'/><category term='Death in Venice'/><category term='apple tree'/><category term='Water Resources'/><category term='Lucia di Lammermoor'/><category term='Italy'/><category term='Garibaldo Benifei'/><category term='Philharmonia Orchestra'/><category term='Joseph Calleja'/><category term='David Cameron'/><category term='Antonio Pappano'/><category term='Simon Keenlyside'/><category term='Strike'/><category term='Thomas Hampson'/><category term='Benefit Claimants'/><category term='Usher Hall'/><category term='Walter Crane'/><category term='Camden Green Fair'/><category term='Der Ring des Nibelungen'/><category term='Incapacity Benefit'/><category term='Jewish'/><category term='Jonas Kaufmann'/><category term='Royal Weeding Day'/><category term='Libraries Campaign'/><category term='Catherine Malfitano'/><category term='Royal Opera House'/><category term='Versification'/><category term='Alexander Knapp'/><category term='Peru'/><category term='Hans Gal'/><category term='Ian Angus'/><category term='Jonathan Miller'/><category term='Wolfgang Wagner'/><category term='Sarah Connolly'/><category term='John Ruskin'/><category term='nasturtium'/><category term='Ben Heppner'/><category term='tomatoes'/><category term='Vilna'/><category term='Caroline Lucas'/><category term='David Owen Norris'/><category term='Mexico City'/><category term='Joyce DiDonato'/><category term='Doric String Quartet'/><category term='Daniel Barenboim'/><category term='peas'/><category term='Yiddish'/><category term='Socialist League'/><category term='Royal College of Music'/><category term='Nugola'/><category term='Socialist Resistance'/><category term='Venusberg'/><category term='Holocaust Memorial Day'/><category term='May Day'/><category term='Coalition of Resistance'/><category term='Philip Langridge'/><category term='International Workers&apos; Day'/><category term='Donizetti'/><category term='Giuseppe Verdi'/><category term='Election'/><category term='rosemary'/><category term='Jazz'/><category term='Partisans'/><category term='George Osborne'/><category term='Hanns Eisler'/><category term='Nina Stemme'/><category term='Sigurd the Volsung'/><category term='Anthony Michaels-Moore'/><category term='Poetry'/><category term='Semyon Bychkov'/><category term='Green Party'/><category term='Wagner'/><category term='Atos Origin'/><category term='John Tomlinson'/><category term='Tim Albery'/><category term='Climate and Capitalism'/><category term='Feed the world'/><category term='Vaughan Williams'/><category term='lilies'/><category term='Protests'/><category term='Winterreise'/><category term='Liam Mac Uaid'/><category term='Aubrey Beardsley'/><category term='Renee Fleming'/><category term='Peter Grimes'/><category term='Christian Immler'/><category term='black violas'/><category term='Sir Walter Scott'/><category term='Ferruccio Furlanetto'/><category term='Mark Glanville'/><category term='lavender'/><category term='French symbolists'/><category term='Giacomo Puccini'/><category term='bumblebee'/><category term='Ecosocialism'/><category term='Pensions'/><category term='Christof Loy.'/><category term='rocket'/><category term='William Morris'/><category term='Harrison Birtwistle'/><category term='Livorno'/><category term='Basil'/><category term='Wozzeck'/><category term='WIgmore Hall'/><category term='Beethoven'/><category term='La Traviata'/><category term='Thomas Carlyle'/><category term='English National Opera'/><category term='Commonweal'/><category term='Benefit Cuts'/><category term='David Zobel'/><category term='People&apos;s History Museum'/><category term='Esa-Pekka Salonen'/><category term='Green Left'/><category term='Fidelio'/><category term='Edward Gardner'/><category term='Big Society'/><category term='Disability Allowances'/><category term='Courtauld Institute'/><category term='Bail-in'/><category term='Tannhauser'/><category term='leaves'/><category term='Vienna'/><title type='text'>Diary of an opera fanatic, gardener and ecosocialist</title><subtitle type='html'>In between visits to the opera, I find time for my organic garden, and for Ecosocialst campaigning...which does make for a rather eclectic choice of subject matter, I admit!</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://leonora-opera.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://leonora-opera.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>leonora</name><uri>http://www.blogger.com/profile/09432898647945296611</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://2.bp.blogspot.com/_O_KPHqLSb04/Srd4_ICcJMI/AAAAAAAAAAs/SLc-amlBsgU/S220/theodoracat.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>54</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-3597330275162483561.post-5557263641616434606</id><published>2011-11-01T10:13:00.000-07:00</published><updated>2011-11-01T10:13:15.470-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Socialist Resistance'/><category scheme='http://www.blogger.com/atom/ns#' term='Feed the world'/><category scheme='http://www.blogger.com/atom/ns#' term='Green Left'/><title type='text'>Feed the World without destroying the Planet</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #38761d; font-family: Arial, Helvetica, sans-serif; font-size: large;"&gt;&lt;u&gt;&lt;strong&gt;Feed the world without destroying the planet&lt;/strong&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: red; font-family: Arial, Helvetica, sans-serif; font-size: large;"&gt;&lt;u&gt;&lt;strong&gt;A seminar on food sovereignty&lt;/strong&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #38761d; font-family: Arial, Helvetica, sans-serif; font-size: large;"&gt;&lt;u&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&amp;nbsp;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-rVkQkzGT3TM/TrAjPsWpmVI/AAAAAAAAApY/gWaW3bSdddI/s1600/timthumb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="160" ida="true" src="http://2.bp.blogspot.com/-rVkQkzGT3TM/TrAjPsWpmVI/AAAAAAAAApY/gWaW3bSdddI/s320/timthumb.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #38761d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;November 12, 11- 5.30&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #38761d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;University of London Union, &lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #38761d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Malet Street, London WC1&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;strong&gt;&lt;span style="color: #38761d; font-family: Arial;"&gt;Organised by &lt;a href="http://socialistresistance.org/"&gt;Socialist Resistance&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;img border="0" height="25" ida="true" src="http://3.bp.blogspot.com/-8waLFwivMJ4/TrAiqQWA7QI/AAAAAAAAApI/K4uURLdNACI/s320/websitebanner.bmp" width="320" /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;and&amp;nbsp; &lt;/strong&gt;&lt;/span&gt;&lt;a href="http://greenleft.blogspot.com/"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Green Left&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-im6Tuhi8y7I/TrAk8vqJ-MI/AAAAAAAAApg/sVHTj5MOjVY/s1600/grelbanner.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="123" ida="true" src="http://4.bp.blogspot.com/-im6Tuhi8y7I/TrAk8vqJ-MI/AAAAAAAAApg/sVHTj5MOjVY/s200/grelbanner.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Speakers include &lt;span style="color: #cc0000;"&gt;Maria Neri Pampilo&lt;/span&gt; of CONZARRD, &lt;span style="color: #cc0000;"&gt;Graciela Romero&lt;/span&gt; of&amp;nbsp;&lt;a href="http://www.waronwant.org/"&gt;War on Want&lt;/a&gt; &lt;span style="color: #cc0000;"&gt;Rehad Desai&lt;/span&gt;, South African climate change activist, &lt;span style="color: #cc0000;"&gt;Derek Wall&lt;/span&gt; of Green Left, &lt;span style="color: #cc0000;"&gt;Pierre &lt;/span&gt;&lt;span style="color: #cc0000;"&gt;Rousset&lt;/span&gt; of&amp;nbsp;&lt;a href="http://www.npa209.org/"&gt;Nouveau Parti Anticapitaliste&lt;/a&gt; and &lt;span style="color: #cc0000;"&gt;Terry Conway&lt;/span&gt; of the Socialist Resistance editorial Board &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;u&gt;Agenda&lt;/u&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;11- 1.30 Introductory plenary &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;1.30-2.30 Lunch&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="color: #38761d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;u&gt;2.30-4.00 Workshops&lt;/u&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;ol style="text-align: left;"&gt;&lt;li&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Women and Food Sovereignty&lt;/strong&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Agribusiness and the supermarkets&lt;/strong&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Land rights not Land grabs &lt;/strong&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Food Sovereignty and Climate change&lt;/strong&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;4.15-5.30 Closing Plenary&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;with &lt;span style="color: red; font-size: large;"&gt;Maria Neri Pampilo&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Maria has worked for CONZARRD since the mid 1990’s.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;CONZARRD is a grouping of popular and non-governmental organisations working on agrarian reform and rural development in Mindanao, in the Philippines. For CONZARRD organic farming is not a luxury – but essential to the survival of the famers.Organic rice for example is more resilient against both disease and flooding as well as cheaper. Organic fertiliser, produced locally enriches the soil rather than depleting it in the way chemical fertiliser does.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;/span&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Other principal speakers include: Graciela Romero War on Want International Programme Director and author of their &lt;a href="http://www.waronwant.org/overseas-work/food-sovereignty/17323-war-on-want-food-sovereignity-briefing"&gt;Report on Food Sovereignty&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt; &lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;/span&gt;&amp;nbsp; &lt;br /&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Rehad Desai: South African climate change activist and documentary film maker, visiting Britain to build support for the climate justice protests in Durban to coincide with the COP 17 summit in December&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Derek Wall, Green Left – former principal speaker of the Green Party, author of the No Nonsense Guide to Green politics &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Pierre Rousset : Noveau Parti Anticapalist (NPA), France, and Europe-Asia social forums – Editor of www.europesolidaire.com, has written extensively on Asia particularly the Philippines, Vietnam and Japan&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Terry Conway: Socialist Resistance Editorial Board&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="color: #cc0000; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Food sovereignty not `food security’ is answer to world hunger&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;One and a half billion people are at risk from rising food prices. This is the dramatic conclusion of the report by UN food agencies; The state of food insecurity in the World today. The report talks of a triple crisis of food, climate change and depleted natural resources, which could affect 1.5 billion people across 10 countries. It says: “having 600 million people suffering from hunger on a daily basis is never acceptable”&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;But the way the UN agencies focus on the concept of “food security” is fundamentally flawed. They promote private investment and increased agricultural productivity – both of which are part of the problem. They have contributed to the development of widespread hunger, rising food prices and small producers being forced off the land by increasing power of agribusiness and the supermarkets.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Socialist Resistance and Green Left say that the answer is food sovereignty; that is the right of the people who produce food to determine their own agricultural policies, free from interference from either multinationals or from international institutions such as the World Bank and the IMF. The promotion of neo-liberal deregulation by these institutions has been one of the key factors leading to today’s food crisis.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;We say no to the power of the supermarkets. Food producers are at the mercy of the supermarkets who dictate what is grown and what price they will pay. Tesco makes two thirds of its sales and profits in Britain. In the second quarter of this financial year like for like sales in British stores fell by 0.7% while profits increased by 12% in the first half of the year! &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;These are not issues that the left in Britain often addresses – we hope you will join us to hear Maria and other speakers discuss why they are vital to us all&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;--------------------------------------------------------------------------------------------------------------------&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;I want to register for the Feed the world without destroying the planet seminar&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Name---------------------------------------------------- &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Address-------------------------------------------------------------------------------------- &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Email-----------------------------------------------------------&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Phone ---------------------------------------------------&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Send £7 or £4 unwaged to PO Box 62732, London SW2 9CQ or by paypal.com to pay resistance@sent.com&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/font&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3597330275162483561-5557263641616434606?l=leonora-opera.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://leonora-opera.blogspot.com/feeds/5557263641616434606/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://leonora-opera.blogspot.com/2011/11/feed-world-without-destroying-planet.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/5557263641616434606'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/5557263641616434606'/><link rel='alternate' type='text/html' href='http://leonora-opera.blogspot.com/2011/11/feed-world-without-destroying-planet.html' title='Feed the World without destroying the Planet'/><author><name>leonora</name><uri>http://www.blogger.com/profile/09432898647945296611</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://2.bp.blogspot.com/_O_KPHqLSb04/Srd4_ICcJMI/AAAAAAAAAAs/SLc-amlBsgU/S220/theodoracat.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-rVkQkzGT3TM/TrAjPsWpmVI/AAAAAAAAApY/gWaW3bSdddI/s72-c/timthumb.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3597330275162483561.post-4646827685706115302</id><published>2011-09-10T07:52:00.000-07:00</published><updated>2011-09-10T07:52:02.255-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Battle of Cable Street'/><category scheme='http://www.blogger.com/atom/ns#' term='Cable Street Group'/><category scheme='http://www.blogger.com/atom/ns#' term='Alternative Arts'/><title type='text'>Battle of Cable Street, 75th Anniversary</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-MTcVLexi9GE/Tmt2aQ32rjI/AAAAAAAAAnc/GDsKaQdWdzg/s1600/Cable-Street-Cover1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" nba="true" src="http://2.bp.blogspot.com/-MTcVLexi9GE/Tmt2aQ32rjI/AAAAAAAAAnc/GDsKaQdWdzg/s320/Cable-Street-Cover1.jpg" width="225" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-44cDGgaJdkI/Tmt2jTrgVNI/AAAAAAAAAng/5lo54tabYW8/s1600/Cable-St-75-Cover2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" nba="true" src="http://2.bp.blogspot.com/-44cDGgaJdkI/Tmt2jTrgVNI/AAAAAAAAAng/5lo54tabYW8/s320/Cable-St-75-Cover2.jpg" width="231" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="color: #660000; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;There is a whole series of events taking place to commemorate the 75th anniversary of the Battle of Cable Street in the East End of London, when Jewish and local people got together to prevent Oswald Moseley's Fascists from marching through a predominantly Jewish area. Many organisations are joined together to commemorate the heroic actions of the opponents of the Fascists. &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #660000; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;I have added a list of some of the events that are taking place during this period.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;*****************************************************************&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #660000; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;u&gt;2 October, 11.30am-1pm&lt;/u&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Cable Street 75 March and Rally &lt;/strong&gt;&lt;a href="http://www.cablestreet75.org.uk/"&gt;&lt;strong&gt;www.cablestreet75.org.uk&lt;/strong&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Assemble: 11.30am Aldgate East (junction of Braham Street and Leman Street)&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Rally: 1.00pm St George-in-the-East Gardens (off Cable Street)&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;*********************************************************************&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;u&gt;2 October, 12 noon – 10 pm&lt;/u&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Cable Street Group. Produced by Alternative Arts &lt;a href="http://www.battleofcablestreet.org.uk/"&gt;http://www.battleofcablestreet.org.uk/&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;A programme of events and exhibitions to celebrate and commemorate the Battle of Cable Street. &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="color: #351c75;"&gt;Wilton’s Music Hall&lt;/span&gt;&lt;/em&gt; 1 Graces Alley E1 8JB, Aldgate and Aldgate East tube, Shadwell station&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Admission Free&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;u&gt;12 noon – 6pm&lt;/u&gt; Stalls along Graces Alley by campaigning groups, local organisations and supporters with street theatre and music by La Columna, The Lost Marbles, The Fairly Fresh Fish Co, Klezmania and The Cockney Awkestra. &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;span style="color: #cc0000;"&gt;12 noon – 10pm&lt;/span&gt; &lt;u&gt;Protest &amp;amp; Survive Exhibition&lt;/u&gt; with photography documenting the Battle, posters from the Spanish Civil War, images recording the past 25 years of protest against racial discrimination by Phil Maxwell and portraits of the diverse communities of the East End today by documentary photographers Kalin Coromina, Ned Dyke-Coomes, Zane Mellupe, Lydia Polzer, Ben Speck and Neil White. &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;span style="color: #cc0000;"&gt;1pm&lt;/span&gt; Grand Union Youth Orchestra of East London &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Specially commissioned concert by 30 diverse talented young under the leadership of Tony Haynes, director of the Grand Union Orchestra.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;span style="color: red;"&gt;3pm&lt;/span&gt; &lt;u&gt;Book launch and Reception &lt;/u&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Five Leaves is publishing five books to celebrate the anniversary. There will be readings and signings followed by a panel discussion. All the books will be on sale directly from the publisher: &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;em&gt;The Battle of Cable Street&lt;/em&gt; by Cable Street Group; &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;em&gt;October Day&lt;/em&gt; by Frank Griffin; &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;em&gt;Street of Tall People&lt;/em&gt; by Alan Gibbons; &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;em&gt;Battle for the East End&lt;/em&gt; by David Rosenberg;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&amp;nbsp;&lt;em&gt;Everything Happens in Cable Street&lt;/em&gt; by Roger Mills.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;span style="color: #cc0000;"&gt;4pm&lt;/span&gt; rebels in the 1930s – working class writers Panel discussion with: &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Andy Croft author of Red Letter Days, &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Ken Worpole author of Dockers and Detectives, &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Mary Joannou author of Ladies, Please Don’t Smash These Windows: Women’s Writing, Feminism and Social Change 1918-1938. &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Chaired by Ross Bradshaw of Five Leaves Publishing.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;span style="color: red;"&gt;5pm&lt;/span&gt; Song &amp;amp; Dance With Sandra Kerr, Leon Rosselson and Udichi Shilpi Gosthi.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;span style="color: #cc0000;"&gt;7pm&lt;/span&gt; &lt;u&gt;Sunday Night at Wilton’s Music Hall ‘They Shall Not Pass’&lt;/u&gt;. Star spangled evening with poets, singers, choirs, comics and bands including Billy Bragg, Shappi Khorsandi, Mike Rosen, Ninia Benjamin, Raised Voices and The Men They Couldn’t Hang (acoustic).&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;********************************************************&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-fFpk8umnQTE/Tmt5PEUj_WI/AAAAAAAAAnk/B7zZaJTGzBo/s1600/Battle-of-Cable-Street-red-plaque.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="299" nba="true" src="http://4.bp.blogspot.com/-fFpk8umnQTE/Tmt5PEUj_WI/AAAAAAAAAnk/B7zZaJTGzBo/s320/Battle-of-Cable-Street-red-plaque.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3597330275162483561-4646827685706115302?l=leonora-opera.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://leonora-opera.blogspot.com/feeds/4646827685706115302/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://leonora-opera.blogspot.com/2011/09/battle-of-cable-street-75th-anniversary.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/4646827685706115302'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/4646827685706115302'/><link rel='alternate' type='text/html' href='http://leonora-opera.blogspot.com/2011/09/battle-of-cable-street-75th-anniversary.html' title='Battle of Cable Street, 75th Anniversary'/><author><name>leonora</name><uri>http://www.blogger.com/profile/09432898647945296611</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://2.bp.blogspot.com/_O_KPHqLSb04/Srd4_ICcJMI/AAAAAAAAAAs/SLc-amlBsgU/S220/theodoracat.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-MTcVLexi9GE/Tmt2aQ32rjI/AAAAAAAAAnc/GDsKaQdWdzg/s72-c/Cable-Street-Cover1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3597330275162483561.post-4466254376584476219</id><published>2011-07-19T09:09:00.000-07:00</published><updated>2011-07-19T09:09:32.940-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='lavender'/><category scheme='http://www.blogger.com/atom/ns#' term='lilies'/><category scheme='http://www.blogger.com/atom/ns#' term='rosemary'/><category scheme='http://www.blogger.com/atom/ns#' term='radishes'/><category scheme='http://www.blogger.com/atom/ns#' term='garden'/><title type='text'>The garden today</title><content type='html'>&lt;span class="Apple-style-span" style="color: #351c75; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;I have some wonderful lilies this year - the scent is amazing!! Unfortunately I can't reproduce it here! I brought some in from the garden and they are scenting the entire flat! And the yellow lilies are absolutely HUGE!!&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-n-Rcws7zLT8/TiWpU7kU7vI/AAAAAAAAAm4/Vo8hOSaEMoM/s1600/yellowlily1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-n-Rcws7zLT8/TiWpU7kU7vI/AAAAAAAAAm4/Vo8hOSaEMoM/s1600/yellowlily1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #351c75; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #351c75; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;There are also pink lilies, with an even stronger scent.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-w4vUsp1MMfE/TiWpqKjhk6I/AAAAAAAAAm8/aJQltyIJzdE/s1600/pinklily1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-w4vUsp1MMfE/TiWpqKjhk6I/AAAAAAAAAm8/aJQltyIJzdE/s1600/pinklily1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;I have also been fortunate with the salad veg, especially the radishes. They are so crisp and delicious!!&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-lVK9LjQAMo0/TiWquIObpaI/AAAAAAAAAnA/Xk5SnT5dpC4/s1600/radishes3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-lVK9LjQAMo0/TiWquIObpaI/AAAAAAAAAnA/Xk5SnT5dpC4/s320/radishes3.jpg" width="137" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #351c75; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #351c75; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;I can hardly bear to tear myself away to go to Italy tomorrow, were it not for the fact that I have a garden there to look after as well. We have a beautiful rosemary hedge, that my mother-in-law planted 30 years ago&lt;/b&gt;&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-JtmU3lY3UHw/TiWrU5sjZUI/AAAAAAAAAnE/c-rWA1jX2to/s1600/rosemary2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-JtmU3lY3UHw/TiWrU5sjZUI/AAAAAAAAAnE/c-rWA1jX2to/s1600/rosemary2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #351c75; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #351c75; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;I have started growing lavender there, and when we arrive we are greeted by the beautiful scent and sight of these wonderful herbs.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-lvW9QY-Ve4E/TiWr9vmsK1I/AAAAAAAAAnI/hrLu24EbU-0/s1600/LavandeStoechades2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-lvW9QY-Ve4E/TiWr9vmsK1I/AAAAAAAAAnI/hrLu24EbU-0/s320/LavandeStoechades2.jpg" width="248" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3597330275162483561-4466254376584476219?l=leonora-opera.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://leonora-opera.blogspot.com/feeds/4466254376584476219/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://leonora-opera.blogspot.com/2011/07/garden-today.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/4466254376584476219'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/4466254376584476219'/><link rel='alternate' type='text/html' href='http://leonora-opera.blogspot.com/2011/07/garden-today.html' title='The garden today'/><author><name>leonora</name><uri>http://www.blogger.com/profile/09432898647945296611</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://2.bp.blogspot.com/_O_KPHqLSb04/Srd4_ICcJMI/AAAAAAAAAAs/SLc-amlBsgU/S220/theodoracat.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-n-Rcws7zLT8/TiWpU7kU7vI/AAAAAAAAAm4/Vo8hOSaEMoM/s72-c/yellowlily1.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3597330275162483561.post-7780844023711080809</id><published>2011-06-29T06:48:00.000-07:00</published><updated>2011-06-29T06:49:22.354-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Benefit Claimants'/><category scheme='http://www.blogger.com/atom/ns#' term='Strike'/><category scheme='http://www.blogger.com/atom/ns#' term='Public Sector Workers'/><category scheme='http://www.blogger.com/atom/ns#' term='Atos Origin'/><category scheme='http://www.blogger.com/atom/ns#' term='Pensions'/><title type='text'>Public Sector Workers' Strike 30 June</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-kjlMXAmo4yg/TgsrGp4yOdI/AAAAAAAAAms/QmnYk2ASfws/s1600/DontworkBadge.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" i$="true" src="http://4.bp.blogspot.com/-kjlMXAmo4yg/TgsrGp4yOdI/AAAAAAAAAms/QmnYk2ASfws/s320/DontworkBadge.gif" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: #38761d; font-family: Arial, Helvetica, sans-serif;"&gt;Public Sector Workers are striking against pension cuts on 30 June. There are many and varied ways to show solidarity!&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-c1i-TJvrcnQ/TgsrxhxF0XI/AAAAAAAAAmw/wDFBTXvP7K8/s1600/benefitclaimantsfightback.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" i$="true" src="http://2.bp.blogspot.com/-c1i-TJvrcnQ/TgsrxhxF0XI/AAAAAAAAAmw/wDFBTXvP7K8/s320/benefitclaimantsfightback.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #38761d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Benefit claimants, disabled people and supporters will be joining the PCS picket line at HMRC, Euston Tower from 8.30am.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #38761d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-KzMsWhd0Ecw/TgstCTN-_2I/AAAAAAAAAm0/qD1A2FSfyyc/s1600/pcs1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" i$="true" src="http://2.bp.blogspot.com/-KzMsWhd0Ecw/TgstCTN-_2I/AAAAAAAAAm0/qD1A2FSfyyc/s1600/pcs1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: #38761d;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #38761d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;We will be standing in solidarity with all striking workers on the day, and in particular public sector workers who know only too well what the result of this government's savage welfare policies will be.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: #38761d;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #38761d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Join us at Euston Tower, where speeches will begin at 9am. At 10am we will be paying a short visit to noto...rious poverty pimps Atos Origin, the IT company responsible for carrying out the disastrous Work Capability Assessments which have driven sick and disabled claimants to suicide.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: #38761d;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: #38761d;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: #38761d;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;span style="color: #38761d;"&gt;Many of us then will make our way to the Trade Union march and Striker's Assembly, both being held in central London. For full details&lt;/span&gt; &lt;span style="color: #38761d;"&gt;of all events, pickets and actions taking place in London on the day please visit: &lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;a href="http://www.j30strike.org/location/london/"&gt;http://www.j30strike.org/location/london/&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3597330275162483561-7780844023711080809?l=leonora-opera.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://leonora-opera.blogspot.com/feeds/7780844023711080809/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://leonora-opera.blogspot.com/2011/06/public-sector-workers-strike-30-june.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/7780844023711080809'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/7780844023711080809'/><link rel='alternate' type='text/html' href='http://leonora-opera.blogspot.com/2011/06/public-sector-workers-strike-30-june.html' title='Public Sector Workers&apos; Strike 30 June'/><author><name>leonora</name><uri>http://www.blogger.com/profile/09432898647945296611</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://2.bp.blogspot.com/_O_KPHqLSb04/Srd4_ICcJMI/AAAAAAAAAAs/SLc-amlBsgU/S220/theodoracat.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-kjlMXAmo4yg/TgsrGp4yOdI/AAAAAAAAAms/QmnYk2ASfws/s72-c/DontworkBadge.gif' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3597330275162483561.post-1273413770353752569</id><published>2011-05-01T04:34:00.000-07:00</published><updated>2011-05-01T08:43:34.716-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='William Morris'/><category scheme='http://www.blogger.com/atom/ns#' term='Walter Crane'/><category scheme='http://www.blogger.com/atom/ns#' term='May Day'/><category scheme='http://www.blogger.com/atom/ns#' term='International Workers&apos; Day'/><title type='text'>May Day (International Workers' Day) 2011</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-qP67sEW8ePs/Tb1EuA9ICYI/AAAAAAAAAmE/C0VlVW90C6w/s1600/may-day-crane11.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://2.bp.blogspot.com/-qP67sEW8ePs/Tb1EuA9ICYI/AAAAAAAAAmE/C0VlVW90C6w/s640/may-day-crane11.jpg" width="440" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-sdJvy62Sffk/Tb1_jQJx-aI/AAAAAAAAAmM/6ASdV0DALE8/s1600/crane-may-day-13.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://2.bp.blogspot.com/-sdJvy62Sffk/Tb1_jQJx-aI/AAAAAAAAAmM/6ASdV0DALE8/s640/crane-may-day-13.jpg" width="382" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-Gj0QkGDU0qg/Tb1FGT5KsEI/AAAAAAAAAmI/C2NsrU48t5U/s1600/may_day_poster_2011.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://2.bp.blogspot.com/-Gj0QkGDU0qg/Tb1FGT5KsEI/AAAAAAAAAmI/C2NsrU48t5U/s640/may_day_poster_2011.jpg" width="448" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: darkred; font-family: Verdana, Lucida, Arial, Helvetica, sans-serif;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;h1 style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: darkred; font-family: Verdana, Lucida, Arial, Helvetica, sans-serif;"&gt;CHANTS FOR SOCIALISTS&lt;/h1&gt;&lt;h2 style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: darkred; font-family: Verdana, Lucida, Arial, Helvetica, sans-serif;"&gt;by William Morris&lt;/h2&gt;&lt;h2 style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: darkred; font-family: Verdana, Lucida, Arial, Helvetica, sans-serif;"&gt;&lt;a href="http://www.blogger.com/post-edit.g?blogID=3597330275162483561&amp;amp;postID=1273413770353752569" id="chap-8" name="chap-8"&gt;&lt;/a&gt;&lt;a href="http://www.marxists.org/archive/morris/works/1885/chants/poems/index.htm" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #473c8b;"&gt;8.&lt;/a&gt;&amp;nbsp;MAY DAY, 1892&lt;/h2&gt;&lt;h3 style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: darkred; font-family: Verdana, Lucida, Arial, Helvetica, sans-serif;"&gt;THE WORKERS&lt;/h3&gt;&lt;div class="verse" style="font-style: italic;"&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: darkred; font-family: Verdana, Lucida, Arial, Helvetica, sans-serif; line-height: 22px;"&gt;O Earth, once again cometh Spring to deliver&lt;br /&gt;Thy winter-worn heart, O thou friend of the Sun;&lt;br /&gt;Fair blossom the meadows from river to river&lt;br /&gt;And the birds sing their triumph o'er winter undone.&amp;nbsp;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: darkred; font-family: Verdana, Lucida, Arial, Helvetica, sans-serif; line-height: 22px;"&gt;O Earth, how a-toiling thou singest thy labour&lt;br /&gt;And upholdest the flower-crowned cup of thy bliss,&lt;br /&gt;As when in the feast-tide drinks neighbour to neighbour&lt;br /&gt;And all words are gleeful, and nought is amiss.&amp;nbsp;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: darkred; font-family: Verdana, Lucida, Arial, Helvetica, sans-serif; line-height: 22px;"&gt;But we, we, O Mother, through long generations,&lt;br /&gt;We have toiled and been fruitful, but never with thee&lt;br /&gt;Might we raise up our bowed heads and cry to the nations&lt;br /&gt;To look on our beauty, and hearken our glee.&amp;nbsp;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: darkred; font-family: Verdana, Lucida, Arial, Helvetica, sans-serif; line-height: 22px;"&gt;Unlovely of aspect, heart-sick and a-weary&lt;br /&gt;On the season's fair pageant all dim-eyed we gaze;&lt;br /&gt;Of thy fairness we fashion a prison-house dreary&lt;br /&gt;And in sorrow wear over each day of our days.&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;h3 style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: darkred; font-family: Verdana, Lucida, Arial, Helvetica, sans-serif;"&gt;THE EARTH.&lt;/h3&gt;&lt;div class="verse" style="font-style: italic;"&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: darkred; font-family: Verdana, Lucida, Arial, Helvetica, sans-serif; line-height: 22px;"&gt;O children! O toilers, what foemen beleaguer&lt;br /&gt;The House I have built you, the Home I have won?&lt;br /&gt;Full great are my gifts, and my hands are all eager&lt;br /&gt;To fill every heart with the deeds I have done.&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;h3 style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: darkred; font-family: Verdana, Lucida, Arial, Helvetica, sans-serif;"&gt;THE WORKERS.&lt;/h3&gt;&lt;div class="verse" style="font-style: italic;"&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: darkred; font-family: Verdana, Lucida, Arial, Helvetica, sans-serif; line-height: 22px;"&gt;The foemen are born of thy body, O Mother,&lt;br /&gt;In our shape are they shapen, their voice is the same;&lt;br /&gt;And the thought of their hearts is as ours and no other;&lt;br /&gt;It is they of our own house that bring us to shame.&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;h3 style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: darkred; font-family: Verdana, Lucida, Arial, Helvetica, sans-serif;"&gt;THE EARTH.&lt;/h3&gt;&lt;div class="verse" style="font-style: italic;"&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: darkred; font-family: Verdana, Lucida, Arial, Helvetica, sans-serif; line-height: 22px;"&gt;Are ye few? Are they many? What words have ye spoken&lt;br /&gt;To bid your own brethren remember the Earth?&lt;br /&gt;What deeds have ye done that the bonds should be broken,&lt;br /&gt;And men dwell together in good-will and mirth?&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;h3 style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: darkred; font-family: Verdana, Lucida, Arial, Helvetica, sans-serif;"&gt;THE WORKERS.&lt;/h3&gt;&lt;div class="verse" style="font-style: italic;"&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: darkred; font-family: Verdana, Lucida, Arial, Helvetica, sans-serif; line-height: 22px;"&gt;They are few, we are many: and yet, O our Mother,&lt;br /&gt;Many years were we wordless and nought was our deed,&lt;br /&gt;But now the word flitteth from brother to brother:&lt;br /&gt;We have furrowed the acres and scattered the seed.&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;h3 style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: darkred; font-family: Verdana, Lucida, Arial, Helvetica, sans-serif;"&gt;THE EARTH.&lt;/h3&gt;&lt;div class="verse" style="font-style: italic;"&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: darkred; font-family: Verdana, Lucida, Arial, Helvetica, sans-serif; line-height: 22px;"&gt;Win on then unyielding, through fair and foul weather,&lt;br /&gt;And pass not a day that your deed shall avail.&lt;br /&gt;And in hope every spring-tide come gather together&lt;br /&gt;That unto the Earth ye may tell all your tale.&amp;nbsp;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: darkred; font-family: Verdana, Lucida, Arial, Helvetica, sans-serif; line-height: 22px;"&gt;Then this shall I promise, that I am abiding&lt;br /&gt;The day of your triumph, the ending of gloom,&lt;br /&gt;And no wealth that ye will then my hand shall be hiding&lt;br /&gt;And the tears of the spring into roses shall bloom.&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3597330275162483561-1273413770353752569?l=leonora-opera.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://leonora-opera.blogspot.com/feeds/1273413770353752569/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://leonora-opera.blogspot.com/2011/05/may-day-international-workers-day-2011.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/1273413770353752569'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/1273413770353752569'/><link rel='alternate' type='text/html' href='http://leonora-opera.blogspot.com/2011/05/may-day-international-workers-day-2011.html' title='May Day (International Workers&apos; Day) 2011'/><author><name>leonora</name><uri>http://www.blogger.com/profile/09432898647945296611</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://2.bp.blogspot.com/_O_KPHqLSb04/Srd4_ICcJMI/AAAAAAAAAAs/SLc-amlBsgU/S220/theodoracat.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-qP67sEW8ePs/Tb1EuA9ICYI/AAAAAAAAAmE/C0VlVW90C6w/s72-c/may-day-crane11.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3597330275162483561.post-986040701846877965</id><published>2011-04-20T09:53:00.000-07:00</published><updated>2011-04-20T09:53:38.021-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Royal Weeding Day'/><category scheme='http://www.blogger.com/atom/ns#' term='Guerrilla Gardening'/><title type='text'>Royal Weeding Day</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Invitation from &amp;nbsp;&lt;a href="http://www.guerrillagardening.org/"&gt;Guerrilla Gardening&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-0XVaNoH-llA/Ta8PffNHh-I/AAAAAAAAAmA/fory2XAFy4Q/s1600/gglogo.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="30" src="http://1.bp.blogspot.com/-0XVaNoH-llA/Ta8PffNHh-I/AAAAAAAAAmA/fory2XAFy4Q/s400/gglogo.gif" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-XFmRQ7ng83Q/Ta8O4vz5wXI/AAAAAAAAAl8/evAMeCkalzU/s1600/RoyalWeedingDay.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-XFmRQ7ng83Q/Ta8O4vz5wXI/AAAAAAAAAl8/evAMeCkalzU/s1600/RoyalWeedingDay.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: white; font-family: Georgia, 'Times New Roman', Times, serif;"&gt;&lt;img alt="Location: Anywhere in the UK or beyond Guerrilla Gardening: Friday 29 April 2011 On this day HRH Prince William and Kate will wed, and to celebrate Britain has been given a public  holiday. What better way to spend a little of our time with a weeding of our own where ever we are. It’s time to bow down and show some love to your local  landscape, pluck a weed or more from the ground and start thinking about what you could sow there instead. Imagine the nation out in the streets, sprucing up their area and starting new loving partnerships with the land. " height="250" src="http://www.guerrillagardening.org/guerrillagardening/gg399d.gif" width="425" /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: white; font-family: Georgia, 'Times New Roman', Times, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3597330275162483561-986040701846877965?l=leonora-opera.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://leonora-opera.blogspot.com/feeds/986040701846877965/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://leonora-opera.blogspot.com/2011/04/royal-weeding-day.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/986040701846877965'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/986040701846877965'/><link rel='alternate' type='text/html' href='http://leonora-opera.blogspot.com/2011/04/royal-weeding-day.html' title='Royal Weeding Day'/><author><name>leonora</name><uri>http://www.blogger.com/profile/09432898647945296611</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://2.bp.blogspot.com/_O_KPHqLSb04/Srd4_ICcJMI/AAAAAAAAAAs/SLc-amlBsgU/S220/theodoracat.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-0XVaNoH-llA/Ta8PffNHh-I/AAAAAAAAAmA/fory2XAFy4Q/s72-c/gglogo.gif' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3597330275162483561.post-6284836634415795142</id><published>2011-04-10T09:35:00.000-07:00</published><updated>2011-04-10T09:52:58.633-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Incapacity Benefit'/><category scheme='http://www.blogger.com/atom/ns#' term='Protests'/><category scheme='http://www.blogger.com/atom/ns#' term='Atos Origin'/><category scheme='http://www.blogger.com/atom/ns#' term='Coalition of Resistance'/><category scheme='http://www.blogger.com/atom/ns#' term='Benefit Cuts'/><title type='text'>3rd National Day of Protest against Benefit Cuts</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;div class="mtl" id="event_info_pagelet" style="color: #333333; margin-top: 20px;"&gt;&lt;table class="uiInfoTable mvm profileInfoTable" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; border-bottom-width: 0px; border-collapse: collapse; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 10px; margin-top: 10px; width: 493px;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="data" style="padding-bottom: 1px; padding-left: 0px; padding-right: 0px; padding-top: 3px; text-align: left; vertical-align: top;"&gt;&lt;div class="description summary" style="line-height: 15px;"&gt;&lt;div class="text_exposed_root text_exposed" id="id_4d9ee7432cb128929544311" style="display: inline;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; line-height: 15px; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-JPSiSGdgvUQ/TZ7qkEI0i6I/AAAAAAAAAlc/nKu23KaWQ9I/s1600/coaltionlogo_200.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;i&gt;&lt;img border="0" height="156" src="http://1.bp.blogspot.com/-JPSiSGdgvUQ/TZ7qkEI0i6I/AAAAAAAAAlc/nKu23KaWQ9I/s320/coaltionlogo_200.png" width="320" /&gt;&lt;/i&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="description summary" style="line-height: 15px;"&gt;&lt;div class="text_exposed_root text_exposed" id="id_4d9ee7432cb128929544311" style="display: inline;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="description summary" style="line-height: 15px;"&gt;&lt;div class="text_exposed_root text_exposed" id="id_4d9ee7432cb128929544311" style="display: inline;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="description summary" style="line-height: 15px;"&gt;&lt;div class="text_exposed_root text_exposed" id="id_4d9ee7432cb128929544311" style="display: inline;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;The 3rd National Day of Protest Against Benefit Cuts has&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;been called for&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="description summary" style="line-height: 15px;"&gt;&lt;div class="text_exposed_root text_exposed" id="id_4d9ee7432cb128929544311" style="display: inline;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="description summary"&gt;&lt;div style="line-height: 15px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: red; font-family: Georgia, 'Times New Roman', serif; font-size: large;"&gt;&lt;b&gt;&lt;i&gt;April 14th 2011.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="text_exposed_root text_exposed" id="id_4d9ee7432cb128929544311" style="display: inline;"&gt;&lt;div style="font-style: italic; text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-weight: bold; line-height: 15px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-style: italic; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-RB3r2d0hpd4/TZ7zza7Ln6I/AAAAAAAAAlk/ZlTje-aVFlY/s1600/anticuts5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-RB3r2d0hpd4/TZ7zza7Ln6I/AAAAAAAAAlk/ZlTje-aVFlY/s1600/anticuts5.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-style: italic; text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-weight: bold; line-height: 15px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic; text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-weight: bold; line-height: 15px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="description summary"&gt;&lt;div class="text_exposed_root text_exposed" id="id_4d9ee7432cb128929544311" style="display: inline;"&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Millions are set to be affected by savage cuts to&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;housing, disability, sickness and welfare&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;benefits.&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;People with&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;disabilities, illness, the unemployed,&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;single parents, carers,&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;the low waged, part time&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;students,&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;volunteers, homeless&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;people&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;and college&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;students&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;are all&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;likely to see a&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;devastating drop in&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;disposable income&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;with many&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;slipping e&lt;/span&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;ven further&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;below the&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;poverty &lt;/span&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;lin&lt;/span&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif; font-style: italic;"&gt;e.&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="font-style: italic;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="description summary"&gt;&lt;div class="text_exposed_root text_exposed" id="id_4d9ee7432cb128929544311" style="display: inline;"&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-Jt7oenfMMCM/TZ7zlLQ53cI/AAAAAAAAAlg/7TeDdxKcadE/s1600/anticuts4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;i&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-Jt7oenfMMCM/TZ7zlLQ53cI/AAAAAAAAAlg/7TeDdxKcadE/s1600/anticuts4.jpg" /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="description summary"&gt;&lt;div class="text_exposed_root text_exposed" id="id_4d9ee7432cb128929544311" style="display: inline;"&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="description summary"&gt;&lt;div class="text_exposed_root text_exposed" id="id_4d9ee7432cb128929544311" style="display: inline;"&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;i&gt;&lt;br /&gt;&lt;br /&gt;The poorest and most vulnerable are being asked to pay for&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;i&gt;&amp;nbsp;the mistakes and extravagances of the richest.&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;i&gt;&lt;/i&gt; Meanwhile poverty pimps like Atos Origin and A4e&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;are set to rake in hundreds of millions on government&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;contracts to bully&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;and intimidate people from claiming&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;the pittance handed&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;out in benefit payments.&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;Many disabled people have&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;threatened suicide if&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;these&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;cuts are allowed to continue.&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;Some have tragically already carried out that threat.&lt;br /&gt;&lt;br /&gt;The first two days of protest against benefit cuts&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;have&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;seen demonstrations, meetings, unemployed&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;discos,&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;public pantomimes and occupations in cities&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;across the UK. Atos&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;Origin have been forced to close&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;offices, protesters&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;have gathered inside and outside&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;workfare&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;sharks A4e&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;and demonstrations have&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;taken place from&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;Downing&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;Street&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;to local town centres such as&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;Lydney and Crawley.&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt; &lt;br /&gt;This time we have two months to organise for the&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;biggest&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;day yet.&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;We call on all claimants, as groups or individuals,&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;to organise and take action around the country on&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;April 14th.&lt;br /&gt;&lt;br /&gt;If you are planning an event in your town or city&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;please&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;add details on the wall below to be added&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;to this page&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="line-height: 15px;"&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;and the website at:&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="description summary" style="line-height: 15px;"&gt;&lt;div class="text_exposed_root text_exposed" id="id_4d9ee7432cb128929544311" style="display: inline;"&gt;&lt;b&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;&lt;a href="http://benefitclaimantsfightback.wordpress.com/" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank"&gt;http://benefitclaimantsfig&lt;wbr&gt;&lt;/wbr&gt;&lt;span class="word_break" style="display: block; float: left; margin-left: -10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;/span&gt;htback.wordpress.com/&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-G5cgtteI5fw/TaHbZpaFbKI/AAAAAAAAAl0/QNhRxPtKdYQ/s1600/benefitclaimants1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="57" src="http://4.bp.blogspot.com/-G5cgtteI5fw/TaHbZpaFbKI/AAAAAAAAAl0/QNhRxPtKdYQ/s320/benefitclaimants1.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;a href="http://benefitclaimantsfightback.wordpress.com/" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank"&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;You can also send details to&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;notowelfarecuts@yahoo.co.u&lt;wbr&gt;&lt;/wbr&gt;&lt;/span&gt;&lt;span class="word_break" style="display: block; float: left; margin-left: -10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;k&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;If you would like to see action locally, set up a group, event&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;page or ask below. We will do out best to promote and&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;co-ordinate all activity.&lt;br /&gt;&lt;br /&gt;We are fighting for our homes, our livelihoods, our very&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;survival. It's time to show these public school parasites&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;and their poverty pimp collaborators we mean business.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="description summary" style="line-height: 15px;"&gt;&lt;div class="text_exposed_root text_exposed" id="id_4d9ee7432cb128929544311" style="display: inline;"&gt;&lt;b&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-qaHhrrhQ2MA/TZ70BaacXkI/AAAAAAAAAlo/EH-YfI0_Q-g/s1600/anticuts3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-qaHhrrhQ2MA/TZ70BaacXkI/AAAAAAAAAlo/EH-YfI0_Q-g/s1600/anticuts3.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="description summary" style="line-height: 15px;"&gt;&lt;div class="text_exposed_root text_exposed" id="id_4d9ee7432cb128929544311" style="display: inline;"&gt;&lt;b&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;br /&gt;Confirmed events so far:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Brighton&lt;br /&gt;&lt;br /&gt;Thursday April 14th 2-5pm&lt;br /&gt;&lt;br /&gt;Churchill Square Brighton&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.facebook.com/event.php?eid=210782635605158" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank"&gt;http://www.facebook.com/ev&lt;wbr&gt;&lt;/wbr&gt;&lt;span class="word_break" style="display: block; float: left; margin-left: -10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;/span&gt;ent.php?eid=21078263560515&lt;wbr&gt;&lt;/wbr&gt;&lt;span class="word_break" style="display: block; float: left; margin-left: -10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;/span&gt;8&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Bristol&lt;br /&gt;&lt;br /&gt;Thursday April 14 · 12:00pm - 5:00pm&lt;br /&gt;&lt;br /&gt;Benefit Cuts Hurt Protest - 3rd National Day of Protest&lt;br /&gt;&lt;br /&gt;Government Buildings, Flowers Hill, Bristol, BS4 5LA&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.facebook.com/event.php?eid=199413500079998" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank"&gt;http://www.facebook.com/ev&lt;wbr&gt;&lt;/wbr&gt;&lt;span class="word_break" style="display: block; float: left; margin-left: -10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;/span&gt;ent.php?eid=19941350007999&lt;wbr&gt;&lt;/wbr&gt;&lt;span class="word_break" style="display: block; float: left; margin-left: -10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;/span&gt;8&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Leeds&lt;br /&gt;&lt;br /&gt;Thursday, April 14 · 10:30am - 2:00pm&lt;br /&gt;&lt;br /&gt;Meeting @ Leeds Train Station 10am before moving to picket ATOS from 10:30 for an hour then move onto A4e/BEST for a couple of hours. The last picket was a great success and we hope to have another good day. Bring banners, flags etc.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.facebook.com/event.php?eid=155593464493862" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank"&gt;http://www.facebook.com/ev&lt;wbr&gt;&lt;/wbr&gt;&lt;span class="word_break" style="display: block; float: left; margin-left: -10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;/span&gt;ent.php?eid=15559346449386&lt;wbr&gt;&lt;/wbr&gt;&lt;span class="word_break" style="display: block; float: left; margin-left: -10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;/span&gt;2&lt;/a&gt;&amp;amp;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;London&lt;br /&gt;&lt;br /&gt;Thursday, April 14 - 2pm&lt;br /&gt;Protest Outside The Daily Mail - Stop the Defamation - Stop the Lies&lt;br /&gt;&lt;br /&gt;Daily Mail Headquarters, Young Street (off Kensington High Street), London W8 5TT&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.facebook.com/event.php?eid=161556473898500" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank"&gt;http://www.facebook.com/ev&lt;wbr&gt;&lt;/wbr&gt;&lt;span class="word_break" style="display: block; float: left; margin-left: -10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;/span&gt;ent.php?eid=16155647389850&lt;wbr&gt;&lt;/wbr&gt;&lt;span class="word_break" style="display: block; float: left; margin-left: -10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;/span&gt;0&lt;/a&gt;&amp;amp;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-wm2JSXFmYqg/TZ71e8u8vOI/AAAAAAAAAls/PZJZHwd0BLs/s1600/DailyMail1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-wm2JSXFmYqg/TZ71e8u8vOI/AAAAAAAAAls/PZJZHwd0BLs/s1600/DailyMail1.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="description summary" style="line-height: 15px;"&gt;&lt;div class="text_exposed_root text_exposed" id="id_4d9ee7432cb128929544311" style="display: inline;"&gt;&lt;b&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="description summary" style="line-height: 15px;"&gt;&lt;div class="text_exposed_root text_exposed" id="id_4d9ee7432cb128929544311" style="display: inline;"&gt;&lt;b&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="description summary" style="line-height: 15px;"&gt;&lt;div class="text_exposed_root text_exposed" id="id_4d9ee7432cb128929544311" style="display: inline;"&gt;&lt;b&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;Protest Outside Westminster City Hall &amp;amp; Mass Food Give Away!&lt;br /&gt;&lt;br /&gt;Thursday, April 14 · 5:00pm - 9:00pm&lt;br /&gt;&lt;br /&gt;Westminster City Hall, 64 Victoria Street, London, SW1E 6QP&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-KdG9_XGcO1w/TaHcKWk2Y1I/AAAAAAAAAl4/VjWOwFu1lBY/s1600/westminster1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-KdG9_XGcO1w/TaHcKWk2Y1I/AAAAAAAAAl4/VjWOwFu1lBY/s1600/westminster1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.facebook.com/event.php?eid=186039361439862" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank"&gt;http://www.facebook.com/ev&lt;wbr&gt;&lt;/wbr&gt;&lt;span class="word_break" style="display: block; float: left; margin-left: -10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;/span&gt;ent.php?eid=18603936143986&lt;wbr&gt;&lt;/wbr&gt;&lt;span class="word_break" style="display: block; float: left; margin-left: -10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;/span&gt;2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Poole&lt;br /&gt;&lt;br /&gt;Outside the Jobcentre at noon. Everyone welcome!&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.facebook.com/event.php?eid=161332900587762" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank"&gt;http://www.facebook.com/ev&lt;wbr&gt;&lt;/wbr&gt;&lt;span class="word_break" style="display: block; float: left; margin-left: -10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;/span&gt;ent.php?eid=16133290058776&lt;wbr&gt;&lt;/wbr&gt;&lt;span class="word_break" style="display: block; float: left; margin-left: -10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;/span&gt;2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Everywhere&lt;br /&gt;&lt;br /&gt;National Troll A Tory Day 3 and Rat On A Rat!&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.facebook.com/event.php?eid=173026406078054" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank"&gt;http://www.facebook.com/ev&lt;wbr&gt;&lt;/wbr&gt;&lt;span class="word_break" style="display: block; float: left; margin-left: -10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;/span&gt;ent.php?eid=17302640607805&lt;wbr&gt;&lt;/wbr&gt;&lt;span class="word_break" style="display: block; float: left; margin-left: -10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;/span&gt;4&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-A1_Nz8sAnl0/TaHZmC0B5gI/AAAAAAAAAlw/zvFk3A0DnnA/s1600/trollatory.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-A1_Nz8sAnl0/TaHZmC0B5gI/AAAAAAAAAlw/zvFk3A0DnnA/s1600/trollatory.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;span class="text_exposed_show" style="display: inline; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;a href="http://www.facebook.com/event.php?eid=173026406078054" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank"&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Supported by:&lt;br /&gt;&lt;br /&gt;o Anti-Benefit Cuts Glasgow&lt;br /&gt;o Black Triangle Anti-Defamation Campaign&lt;br /&gt;o Brighton Benefits Campaign&lt;br /&gt;o Cardiff’s Unemployed Daytime Disco&lt;br /&gt;o Carer Watch&lt;br /&gt;o Carer Watch fb page&lt;br /&gt;o Crippen – Disabled Cartoonist&lt;br /&gt;o Diary of a Benefit Scrounger&lt;br /&gt;o Disabled People Against Cuts&lt;br /&gt;o Dundee Unemployed Workers&lt;br /&gt;o Edinburgh Coalition Against Poverty&lt;br /&gt;o Free London Listings&lt;br /&gt;o Goldsmiths in Occupation&lt;br /&gt;o Haringey Solidarity Group&lt;br /&gt;o Ipswich Unemployed Action&lt;br /&gt;o Islington Poverty Action&lt;br /&gt;o Kilburn Unemployed Workers Group&lt;br /&gt;o Lancaster and Morecambe Against the Cuts&lt;br /&gt;o London Coalition Against Poverty (LCAP)&lt;br /&gt;o London Foodbank&lt;br /&gt;o Mad Pride&lt;br /&gt;o Medway Against The Cuts&lt;br /&gt;o Mental Health Resistance Network&lt;br /&gt;o Norfolk Community Action Group&lt;br /&gt;o Nottingham Claimants' Union&lt;br /&gt;o Nuneaton Against Benefit Cuts&lt;br /&gt;o Oxford Save Our Services&lt;br /&gt;o Squattastic&lt;br /&gt;o Tyneside Claimants Union&lt;br /&gt;o Welfare Action Hackney&lt;br /&gt;o Welfare Rights 4 u (UK)&lt;br /&gt;o Work Programme &amp;amp; Flexible New Deal Scandal&lt;br /&gt;o World Homeless Day&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;div id="event_profile_wall"&gt;&lt;div class="eventsWhiteComposer"&gt;&lt;div id="feedwall_with_composer" style="padding-top: 2px;"&gt;&lt;div class="pbm" style="padding-bottom: 10px;"&gt;&lt;div class="uiComposer uiComposerHideContent stat_elem uiComposerTopBorder uiComposerOpen uiComposerHideContent uiComposerWhiteMessageBox  " id="u960523_59" style="border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-top-color: rgb(204, 204, 204); border-top-style: solid; border-top-width: 1px;"&gt;&lt;div class="focus_target" style="padding-bottom: 10px;"&gt;&lt;form action="http://www.facebook.com/" method="get" rel="async" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #3b5998;"&gt;&lt;span class="Apple-style-span" style="line-height: 22px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/form&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3597330275162483561-6284836634415795142?l=leonora-opera.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://leonora-opera.blogspot.com/feeds/6284836634415795142/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://leonora-opera.blogspot.com/2011/04/3rd-national-day-of-protest-against.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/6284836634415795142'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/6284836634415795142'/><link rel='alternate' type='text/html' href='http://leonora-opera.blogspot.com/2011/04/3rd-national-day-of-protest-against.html' title='3rd National Day of Protest against Benefit Cuts'/><author><name>leonora</name><uri>http://www.blogger.com/profile/09432898647945296611</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://2.bp.blogspot.com/_O_KPHqLSb04/Srd4_ICcJMI/AAAAAAAAAAs/SLc-amlBsgU/S220/theodoracat.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-JPSiSGdgvUQ/TZ7qkEI0i6I/AAAAAAAAAlc/nKu23KaWQ9I/s72-c/coaltionlogo_200.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3597330275162483561.post-8136589829286145769</id><published>2011-03-09T06:46:00.000-08:00</published><updated>2011-03-09T06:46:48.176-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='TUC'/><category scheme='http://www.blogger.com/atom/ns#' term='Coalition of Resistance'/><title type='text'>TUC National Demonstration, 26 March 2011</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh6.googleusercontent.com/-h0D-W9lQlr8/TXeSllbEz7I/AAAAAAAAAlU/ggmb2Dwzs0g/s1600/Mar26%2528i%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" q6="true" src="https://lh6.googleusercontent.com/-h0D-W9lQlr8/TXeSllbEz7I/AAAAAAAAAlU/ggmb2Dwzs0g/s320/Mar26%2528i%2529.jpg" width="247" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh4.googleusercontent.com/-MEfN69o7RMY/TXeSsHKUPGI/AAAAAAAAAlY/LMCOHFXWiKA/s1600/Mar26%2528ii%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" q6="true" src="https://lh4.googleusercontent.com/-MEfN69o7RMY/TXeSsHKUPGI/AAAAAAAAAlY/LMCOHFXWiKA/s320/Mar26%2528ii%2529.jpg" width="217" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3597330275162483561-8136589829286145769?l=leonora-opera.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://leonora-opera.blogspot.com/feeds/8136589829286145769/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://leonora-opera.blogspot.com/2011/03/tuc-national-demonstration-26-march.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/8136589829286145769'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/8136589829286145769'/><link rel='alternate' type='text/html' href='http://leonora-opera.blogspot.com/2011/03/tuc-national-demonstration-26-march.html' title='TUC National Demonstration, 26 March 2011'/><author><name>leonora</name><uri>http://www.blogger.com/profile/09432898647945296611</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://2.bp.blogspot.com/_O_KPHqLSb04/Srd4_ICcJMI/AAAAAAAAAAs/SLc-amlBsgU/S220/theodoracat.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh6.googleusercontent.com/-h0D-W9lQlr8/TXeSllbEz7I/AAAAAAAAAlU/ggmb2Dwzs0g/s72-c/Mar26%2528i%2529.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3597330275162483561.post-6265987273711830321</id><published>2011-02-16T08:05:00.000-08:00</published><updated>2011-02-17T16:48:33.899-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Libraries Campaign'/><category scheme='http://www.blogger.com/atom/ns#' term='Bail-in'/><category scheme='http://www.blogger.com/atom/ns#' term='Big Society'/><title type='text'>Big Society Bail-in, Saturday 19 Feb 2011</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;London #1, Sat 19th Feb 2011 &lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;"&gt;&lt;strong&gt;&lt;span style="color: #351c75;"&gt;The Big Society Bail-In&lt;/span&gt;.&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;br /&gt;&lt;span style="font-size: x-large;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;"&gt;&lt;strong&gt;&lt;span style="color: #351c75;"&gt;Turning Banks into Libraries for the Day&lt;/span&gt;.&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;strong&gt;&lt;br /&gt;&lt;span style="font-size: x-large;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-GiKNb2m3VwY/TVvzxyDs_hI/AAAAAAAAAlA/8QzxXfIsJKY/s1600/UKUncut3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" j6="true" src="http://1.bp.blogspot.com/-GiKNb2m3VwY/TVvzxyDs_hI/AAAAAAAAAlA/8QzxXfIsJKY/s1600/UKUncut3.jpg" /&gt;&lt;/a&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;On Saturday 19th February, the Big Society Bail-In will be targeting branches of Barclays bank in Central London, turning them into libraries for the day. We’ll be having poetry readings, story time (like the story of Bob, the fat cat CEO of Barclays who is getting an £8m bonus this year on top of his £1.35m salary) and educating people on the actions of the banks and the ways in which they can and should contribute more to repairing the damage caused by their negligence and greed.&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;So bring a good book, signs, banners and flyers, balloons, cakes and sweeties, a loud voice and as many people as possible. Make yourself heard, engage with the public, stay safe and have fun.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;The meeting place is the middle of &lt;span style="color: red;"&gt;Soho Square,&lt;/span&gt; just off &lt;span style="color: red;"&gt;Oxford St.&lt;/span&gt; It's just round the corner from Tottenham Court Road tube station on the &lt;span style="color: #e69138;"&gt;Central &lt;/span&gt;and &lt;u&gt;Northern &lt;/u&gt;lines (or ten minutes walk from Oxford Circus or Leicester Square stations) &lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;We’ll be meeting at 11am, then moving onto a nearby branch of Barclays. Once there we’ll be turning the bank into a library, showing the government what the ‘Big Society’ really means.&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;img border="0" j6="true" src="http://3.bp.blogspot.com/-d_MIcdYNLdY/TVvzMDdzP9I/AAAAAAAAAk4/roYCWEbBPtg/s1600/Morris1.jpg" /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;(The above was written by &lt;strong&gt;&lt;span style="color: #38761d;"&gt;William&amp;nbsp; Morris,&lt;/span&gt;&lt;/strong&gt; pioneer of Socialist thought in the UK, whose ideas many of us are trying to follow today.)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;In 2007, years of irresponsible lending, rash and reckless speculation and a lack of regulation in the banking sector came to a head, causing a global financial crisis and subsequent recession that led directly to the current program of massive cuts.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Several banks were saved from collapse by the government; the National Audit Office reported that the amount of public money used to bail them out reached almost £1tn at its peak. Yet the City continues to reward itself. Last year Barclays alone paid its bankers £2.7bn in bonuses, whilst other British banks brought the total amount of bonuses to over £7.3bn. This week Barclays is to post record annual profits of more than £11bn.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-HQ5GKMzeDYM/TVv1WQkyUII/AAAAAAAAAlI/lxDCzJakKQ0/s1600/barclays.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" j6="true" src="http://3.bp.blogspot.com/-HQ5GKMzeDYM/TVv1WQkyUII/AAAAAAAAAlI/lxDCzJakKQ0/s320/barclays.jpg" width="277" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Meanwhile the country is undergoing the harshest cuts to public services in generations. Local council and government department budgets have been slashed, thousands and thousands are losing their jobs, community centres and libraries are closing, VAT, university tuition fees and living costs have risen. Vital benefits such as Disability Living Allowance and the Educational Maintenance Allowance are being reduced, restricted or abolished, leaving the most vulnerable parts of society to bear the brunt of the crisis. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;The government, led by a Conservative party that receives half of its funding from the City, is doing nothing to reform the problems with the banking system that created a financial crisis in the first place. By lowering corporation tax, they are not only failing to ensure that the banks pay their fair share, but are actually creating a situation where some banks will be paying less than they were before the bail outs! The Coalition say that we are all in it together and that there is no option other than to make society pay for the mistakes of a small minority determined on further enriching themselves at the expensive of the country as a whole. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-YMW-FP2PyXE/TVvzmbUV79I/AAAAAAAAAk8/k2P8jT56C3o/s1600/UKUncut2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" j6="true" src="http://3.bp.blogspot.com/-YMW-FP2PyXE/TVvzmbUV79I/AAAAAAAAAk8/k2P8jT56C3o/s1600/UKUncut2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;But there are alternatives. A one-off 50% levy on bonuses over £25,000 last year raised over £2bn for the treasury, yet the government has no plans to repeat this. A ‘Robin Hood’ tax of approximately 0.05% on international transactions would raise billions and discourage the kind of excessive speculation and risk-taking that led to the recent crisis and subsequent recession. Without proper reform and regulation of the banking sector nothing will change, lessons will not have been learnt and this will all happen again.&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;What the banks are doing may be legal, but that does not make it moral. This is not right, it is not fair and we will not stand for it.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-TrAUdlYfzQo/TVv0_xUZlVI/AAAAAAAAAlE/UuO_0qAlCWI/s1600/UKUncut1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" j6="true" src="http://1.bp.blogspot.com/-TrAUdlYfzQo/TVv0_xUZlVI/AAAAAAAAAlE/UuO_0qAlCWI/s1600/UKUncut1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-yh9P6dzlRY0/TVvzFz7WEBI/AAAAAAAAAk0/YP6wCKFVRIE/s1600/ArtistsofResistance3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" j6="true" src="http://3.bp.blogspot.com/-yh9P6dzlRY0/TVvzFz7WEBI/AAAAAAAAAk0/YP6wCKFVRIE/s1600/ArtistsofResistance3.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="background-color: #351c75; color: #351c75; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3597330275162483561-6265987273711830321?l=leonora-opera.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://leonora-opera.blogspot.com/feeds/6265987273711830321/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://leonora-opera.blogspot.com/2011/02/big-society-bail-in-saturday-19-feb.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/6265987273711830321'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/6265987273711830321'/><link rel='alternate' type='text/html' href='http://leonora-opera.blogspot.com/2011/02/big-society-bail-in-saturday-19-feb.html' title='Big Society Bail-in, Saturday 19 Feb 2011'/><author><name>leonora</name><uri>http://www.blogger.com/profile/09432898647945296611</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://2.bp.blogspot.com/_O_KPHqLSb04/Srd4_ICcJMI/AAAAAAAAAAs/SLc-amlBsgU/S220/theodoracat.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-GiKNb2m3VwY/TVvzxyDs_hI/AAAAAAAAAlA/8QzxXfIsJKY/s72-c/UKUncut3.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3597330275162483561.post-1739448106986460800</id><published>2011-02-03T13:48:00.000-08:00</published><updated>2011-02-03T13:49:53.297-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Libraries Campaign'/><category scheme='http://www.blogger.com/atom/ns#' term='Coalition of Resistance'/><title type='text'>Save Libraries Campaign, Saturday 5 February</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_O_KPHqLSb04/TUse1pdw-ZI/AAAAAAAAAkM/DqyG6mo2ecM/s1600/Save-Our-Libraries-Day_202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="80" src="http://3.bp.blogspot.com/_O_KPHqLSb04/TUse1pdw-ZI/AAAAAAAAAkM/DqyG6mo2ecM/s320/Save-Our-Libraries-Day_202.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_O_KPHqLSb04/TUsf38xrjvI/AAAAAAAAAkQ/SrpNtdOCvtE/s1600/Librariesposter1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/_O_KPHqLSb04/TUsf38xrjvI/AAAAAAAAAkQ/SrpNtdOCvtE/s320/Librariesposter1.jpg" width="225" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Saving the libraries - a nationwide campaign that most of us care about passionately!! Most public libraries throughout the UK are threatened by the ConDem cuts, but we are united in our determination to preserve this lifeline; we will campaign for access to books and music for everyone.&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Libraries don't 'just lend books', this is the START of what they do....for many people, the public library has been the start of a life-long love-affair with literature, music and the arts. Our campaign is part of the campaign against cuts to the arts in general.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_O_KPHqLSb04/TUsgDBZZ6WI/AAAAAAAAAkU/PJo5qkbwGw4/s1600/librariesposter2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/_O_KPHqLSb04/TUsgDBZZ6WI/AAAAAAAAAkU/PJo5qkbwGw4/s320/librariesposter2.jpg" width="226" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_O_KPHqLSb04/TUshE92V-2I/AAAAAAAAAkY/a3P5TA2fBpE/s1600/cor_badge_300.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_O_KPHqLSb04/TUshE92V-2I/AAAAAAAAAkY/a3P5TA2fBpE/s1600/cor_badge_300.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;This is the link to the Coalition of Resistance page listing as many campaigns as possible - many towns and London Boroughs are planning read-ins.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;a href="http://www.coalitionofresistance.org.uk/2011/01/5th-feb-library-read-ins-planned-across-the-country/"&gt;http://www.coalitionofresistance.org.uk/2011/01/5th-feb-library-read-ins-planned-across-the-country/&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;La lotta continua!! We need to protect, save and - yes - PROMOTE our cultural heritage, and not allow the UK to be turned into a nation of philistines!!!&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_O_KPHqLSb04/TUsije9-idI/AAAAAAAAAkc/i6HcbUvKOp0/s1600/savelibraries1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_O_KPHqLSb04/TUsije9-idI/AAAAAAAAAkc/i6HcbUvKOp0/s1600/savelibraries1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3597330275162483561-1739448106986460800?l=leonora-opera.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://leonora-opera.blogspot.com/feeds/1739448106986460800/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://leonora-opera.blogspot.com/2011/02/save-libraries-campaign-saturday-5.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/1739448106986460800'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/1739448106986460800'/><link rel='alternate' type='text/html' href='http://leonora-opera.blogspot.com/2011/02/save-libraries-campaign-saturday-5.html' title='Save Libraries Campaign, Saturday 5 February'/><author><name>leonora</name><uri>http://www.blogger.com/profile/09432898647945296611</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://2.bp.blogspot.com/_O_KPHqLSb04/Srd4_ICcJMI/AAAAAAAAAAs/SLc-amlBsgU/S220/theodoracat.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_O_KPHqLSb04/TUse1pdw-ZI/AAAAAAAAAkM/DqyG6mo2ecM/s72-c/Save-Our-Libraries-Day_202.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3597330275162483561.post-2623250138773718243</id><published>2011-01-23T15:59:00.000-08:00</published><updated>2011-01-23T16:08:21.573-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Protests'/><category scheme='http://www.blogger.com/atom/ns#' term='Atos Origin'/><category scheme='http://www.blogger.com/atom/ns#' term='Benefit Cuts'/><title type='text'>National Day of Protest against Benefit Cuts, 24 Jan</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_O_KPHqLSb04/TTy-2K2fVdI/AAAAAAAAAjY/XL2ivyp8HcY/s1600/ArtistsofResistance3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_O_KPHqLSb04/TTy-2K2fVdI/AAAAAAAAAjY/XL2ivyp8HcY/s1600/ArtistsofResistance3.jpg" /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_O_KPHqLSb04/TTy-sLcussI/AAAAAAAAAjU/lFOtRtMGEeI/s1600/ArtsagainstCuts1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;img border="0" height="65" src="http://3.bp.blogspot.com/_O_KPHqLSb04/TTy-sLcussI/AAAAAAAAAjU/lFOtRtMGEeI/s320/ArtsagainstCuts1.jpg" width="320" /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Monday 24 Jan will see nationwide protests against cuts to benefits and services.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;In London, there will be a PARTY AND PICNIC IN TRITON SQUARE, Euston.&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_O_KPHqLSb04/TTzAR35DVXI/AAAAAAAAAjc/iqZkmEqVhjo/s1600/triton_square1__600x.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="245" src="http://2.bp.blogspot.com/_O_KPHqLSb04/TTzAR35DVXI/AAAAAAAAAjc/iqZkmEqVhjo/s320/triton_square1__600x.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="line-height: 22px;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #333333;"&gt;Come to a picnic and party in Triton Square, London on the 24th January 2011 from 2pm as part of the&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt; &lt;span class="Apple-style-span" style="color: red;"&gt;National Day of Protest Against Benefit Cuts.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #333333; font-size: 1em; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Bring music, drums, whistles, banners, food to share and let’s brighten up the faceless corporate wasteland that is home to poverty pimps Atos Origin Ltd.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #333333; font-size: 1em; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Musicians, poets, orators, ranters, shouters, all benefit claimants and supporters welcome. Please help spread the word and invite your friends.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #333333; font-size: 1em; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Triton Square is on the North side of Euston Road, a minute or so from Warren Street tube and less than five minutes from Euston/Euston Square or Great Portland Street tube stations.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #333333; font-size: 1em; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Part of the National Day of Protest Against Benefit Cuts on the 24th January 2011.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #333333; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;div style="font-family: Georgia, 'Times New Roman', Times, serif; font-size: 1em;"&gt;Facebook page at:&amp;nbsp;&lt;a href="http://www.facebook.com/event.php?eid=126713940728397" style="color: #772124; font-weight: bold; text-decoration: none;"&gt;http://www.facebook.com/event.php?eid=126713940728397&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: Georgia, 'Times New Roman', Times, serif; font-size: 1em;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia, 'Times New Roman', Times, serif; font-size: 1em;"&gt;There will be other protests throughout the UK, here are a couple of examples.&lt;/div&gt;&lt;div style="font-family: Georgia, 'Times New Roman', Times, serif; font-size: 1em;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="line-height: 22px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;In Livingston,not far from Edinburgh, protesters will be visiting Atos Origin’s Scotland Office.&amp;nbsp; Visit the&amp;nbsp;&lt;a href="http://www.facebook.com/event.php?eid=171393309560338" style="color: #772124; text-decoration: none;"&gt;facebook page&lt;/a&gt;&amp;nbsp;for more info, and be there from 10am.&amp;nbsp; There will also be&amp;nbsp;&lt;a href="http://benefitclaimantsfightback.wordpress.com/2011/01/23/national-day-of-protest-against-benefit-cuts-uk-round-up/Anti-Benefit%20Cuts%20Leafleting%20Glasgow" style="color: #772124; text-decoration: none;"&gt;anti-benefit cuts leafleting&lt;/a&gt;&amp;nbsp;outside Atos in Glasgow.&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="line-height: 22px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="line-height: 22px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Brighton – Using the 24th to publicise a bigger event against Atos Origin on the 5th Feb:&lt;a href="http://www.facebook.com/event.php?eid=181302175222578" rel="nofollow" style="color: #772124; font-weight: bold; text-decoration: none;" target="_blank"&gt;http://www.facebook.com/event.php?eid=181302175222578&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="line-height: 22px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="line-height: 22px;"&gt;&lt;b&gt;La Lotta Continua!&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3597330275162483561-2623250138773718243?l=leonora-opera.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://leonora-opera.blogspot.com/feeds/2623250138773718243/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://leonora-opera.blogspot.com/2011/01/national-day-of-protest-against-benefit.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/2623250138773718243'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/2623250138773718243'/><link rel='alternate' type='text/html' href='http://leonora-opera.blogspot.com/2011/01/national-day-of-protest-against-benefit.html' title='National Day of Protest against Benefit Cuts, 24 Jan'/><author><name>leonora</name><uri>http://www.blogger.com/profile/09432898647945296611</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://2.bp.blogspot.com/_O_KPHqLSb04/Srd4_ICcJMI/AAAAAAAAAAs/SLc-amlBsgU/S220/theodoracat.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_O_KPHqLSb04/TTy-2K2fVdI/AAAAAAAAAjY/XL2ivyp8HcY/s72-c/ArtistsofResistance3.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3597330275162483561.post-4310754945923630591</id><published>2011-01-06T03:39:00.000-08:00</published><updated>2011-01-06T03:39:28.419-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Aubrey Beardsley'/><category scheme='http://www.blogger.com/atom/ns#' term='Tannhauser'/><category scheme='http://www.blogger.com/atom/ns#' term='roses'/><category scheme='http://www.blogger.com/atom/ns#' term='Venusberg'/><title type='text'>TANNHAUSER in the Venusberg.</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_O_KPHqLSb04/TSWlPh_ADwI/AAAAAAAAAik/Cr5PDDIwO6Q/s1600/BeardsleyTitlePage.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_O_KPHqLSb04/TSWlPh_ADwI/AAAAAAAAAik/Cr5PDDIwO6Q/s1600/BeardsleyTitlePage.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_O_KPHqLSb04/TSWlVp7hXPI/AAAAAAAAAio/YIEWOjxjyu4/s1600/bearsdleyTann1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_O_KPHqLSb04/TSWlVp7hXPI/AAAAAAAAAio/YIEWOjxjyu4/s1600/bearsdleyTann1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_O_KPHqLSb04/TSWpudZu4lI/AAAAAAAAAjA/O4kSZoYawtg/s1600/peacockfeather.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_O_KPHqLSb04/TSWpudZu4lI/AAAAAAAAAjA/O4kSZoYawtg/s1600/peacockfeather.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Here is Beardsley's vision of the Venusberg - rather different from the minimalist setting of the current Covent Garden production!&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;...&lt;span class="Apple-style-span" style="color: #351c75; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;...on quaint pedestals and Terminal Gods and gracious pilasters of every sort, were shell-like vases of excessive fruits and flowers that hung about and burst over the edges and could never be restrained. The orange-trees and myrtles, looped with vermilion sashes, stood in frail porcelain pots, and the rose-trees were wound and twisted with superb invention over trellis and standard.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #351c75; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_O_KPHqLSb04/TSWoDevKs6I/AAAAAAAAAis/CCb0EQXldls/s1600/orangetree1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_O_KPHqLSb04/TSWoDevKs6I/AAAAAAAAAis/CCb0EQXldls/s1600/orangetree1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #351c75; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_O_KPHqLSb04/TSWoKqs0yvI/AAAAAAAAAiw/cIak3PzMKkk/s1600/rosetrellis1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_O_KPHqLSb04/TSWoKqs0yvI/AAAAAAAAAiw/cIak3PzMKkk/s1600/rosetrellis1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #351c75; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #351c75; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Upon one side of the terrace, a long gilded stage for the comedians was curtained off with Pagonian tapestries, and in front of it the music stands were placed. The tables arranged between the fountain and the flight of steps to the sixth terrace were all circular, covered with white damask, and strewn with irises, roses, kingcups, columbines, daffodils, carnations and lilies;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #351c75; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_O_KPHqLSb04/TSWpFAFWRQI/AAAAAAAAAi0/S6SE03NyVH4/s1600/Black-and-Silver-Lillies-Bl.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="253" src="http://1.bp.blogspot.com/_O_KPHqLSb04/TSWpFAFWRQI/AAAAAAAAAi0/S6SE03NyVH4/s320/Black-and-Silver-Lillies-Bl.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #351c75; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_O_KPHqLSb04/TSWpLt8sJAI/AAAAAAAAAi4/aEWAFTINucY/s1600/blackrose2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_O_KPHqLSb04/TSWpLt8sJAI/AAAAAAAAAi4/aEWAFTINucY/s1600/blackrose2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #351c75; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #351c75; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #351c75; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&amp;nbsp;and the couches, high with soft cushions and spread with more stuffs than could be named, had fans thrown upon them, and little amorous surprise packages.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_O_KPHqLSb04/TSWpUcD482I/AAAAAAAAAi8/Fh_QmWrh0Gw/s1600/fan4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_O_KPHqLSb04/TSWpUcD482I/AAAAAAAAAi8/Fh_QmWrh0Gw/s1600/fan4.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #351c75; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3597330275162483561-4310754945923630591?l=leonora-opera.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://leonora-opera.blogspot.com/feeds/4310754945923630591/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://leonora-opera.blogspot.com/2011/01/tannhauser-in-venusberg.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/4310754945923630591'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/4310754945923630591'/><link rel='alternate' type='text/html' href='http://leonora-opera.blogspot.com/2011/01/tannhauser-in-venusberg.html' title='TANNHAUSER in the Venusberg.'/><author><name>leonora</name><uri>http://www.blogger.com/profile/09432898647945296611</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://2.bp.blogspot.com/_O_KPHqLSb04/Srd4_ICcJMI/AAAAAAAAAAs/SLc-amlBsgU/S220/theodoracat.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_O_KPHqLSb04/TSWlPh_ADwI/AAAAAAAAAik/Cr5PDDIwO6Q/s72-c/BeardsleyTitlePage.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3597330275162483561.post-2555774232057279303</id><published>2011-01-05T12:33:00.000-08:00</published><updated>2011-01-05T12:36:07.737-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wagner'/><category scheme='http://www.blogger.com/atom/ns#' term='Tannhauser'/><category scheme='http://www.blogger.com/atom/ns#' term='Tim Albery'/><category scheme='http://www.blogger.com/atom/ns#' term='Semyon Bychkov'/><category scheme='http://www.blogger.com/atom/ns#' term='Royal Opera House'/><title type='text'>TANNHAUSER at Covent Garden, 2 Jan 2011</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_O_KPHqLSb04/TSSlIgafYaI/AAAAAAAAAhw/UQvjmMv9mkE/s1600/TannhauserTitle.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_O_KPHqLSb04/TSSlIgafYaI/AAAAAAAAAhw/UQvjmMv9mkE/s1600/TannhauserTitle.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_O_KPHqLSb04/TSSl062zRcI/AAAAAAAAAh0/t1GZCFdQeFI/s1600/Wagner3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;b&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_O_KPHqLSb04/TSSl062zRcI/AAAAAAAAAh0/t1GZCFdQeFI/s1600/Wagner3.jpg" /&gt;&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Richard Wagner, TANNHAUSER Royal Opera House, 2 January 2011&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Cast&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Venus &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;MICHAELA SCHUSTER&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Tannhauser &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; JOHAN BOTHA&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Shepherd Boy &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; ALEXANDER LEE&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Landgrave Hermann &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;CHRISTOF FISCHESSER&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Wolfram von Eschenbach &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; CHRISTIAN GERHAHER&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Walther von der Vogelweide &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; TIMOTHY ROBINSON&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Heinrich der Schreiber &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;STEVEN EBEL*&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Biterolf &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; CLIVE BAYLEY&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Reinmar von Zweter &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; JEREMY WHITE&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Elisabeth, Hermann's niece &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;EVA-MARIA WESTBROEK&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Elisabeth's attendants &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;KIERA LYNESS,&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;DEBORAH PEAKE-JONES,&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; LOUISE ARMIT,&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; KATE McCARNEY&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;(*Steven Ebel is participating in the Jette Parker Young Artists' Programme)&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Chorus and Orchestra of the Royal Opera House.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Chorus Master &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; RENATO BALSADONNA&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Conductor &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;SEMYON BYCHKOV&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;I rather liked the rather quirky production (by director Tim Albery), and the performance was of a very high standard, both musically and dramatically.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;There was a delightful conceit at the very beginning - the curtains rose to reveal - the curtains of the Royal Opera House. The&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Venusberg scene consisted of a dance sequence, performed by very beautiful, fit and athletic young people - at one point one of the girls did a flying leap of the table, to be caught in the arms of one of the boys - unfortunately, however, at no point did it seem to connect with the erotic charge of the music - and the music really did carry an incredible erotic charge! I don't think I have ever heard it performed so passionately as on this occasion by the ROH orchestra under Semyon Bychkov.&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_O_KPHqLSb04/TSSxd1DRrcI/AAAAAAAAAiA/BHvmJeHmhYA/s1600/SemyonBychkov.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_O_KPHqLSb04/TSSxd1DRrcI/AAAAAAAAAiA/BHvmJeHmhYA/s1600/SemyonBychkov.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&amp;nbsp;The dance, however, was NOT erotic - rather too sane and healthy for the Venusberg, so that one didn't really feel that Tannhauser was suffering from the surfeit of pleasure he claims to feel. This was slightly disappointing - the dance sequence was very good, but not particularly decadent!&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_O_KPHqLSb04/TSSumQTdzHI/AAAAAAAAAh4/AQ4-LRUTECY/s1600/bearsdleyTann1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_O_KPHqLSb04/TSSumQTdzHI/AAAAAAAAAh4/AQ4-LRUTECY/s1600/bearsdleyTann1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_O_KPHqLSb04/TSSuvej0PhI/AAAAAAAAAh8/_z-CZu2173w/s1600/bearsdleyTann2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_O_KPHqLSb04/TSSuvej0PhI/AAAAAAAAAh8/_z-CZu2173w/s1600/bearsdleyTann2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Michaela Schuster was a very sultry-voiced Venus, wearing a suitably slinky black dress.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_O_KPHqLSb04/TSS48UfjOmI/AAAAAAAAAiQ/x23vJ6gUp7Y/s1600/Venusberg2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_O_KPHqLSb04/TSS48UfjOmI/AAAAAAAAAiQ/x23vJ6gUp7Y/s1600/Venusberg2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;And another minor criticism of the actual production - when Tannhauser returns to the earth, and meets up with his former colleagues again, the stage is almost bare, &amp;nbsp;and there is a large gulf between Tannhauser and the others, into which at one point someone falls (don't ask!!) ....and the gulf gradually closes once Wolfram welcomes Tannhauser back, and the others follow suit. Uh - this is obviously meant to let us know that there is a PSYCHOLOGICAL GULF between the singers. Thanks, Mr. Albery, but I think most of us can work that out for ourselves!!!&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;I'll say a bit more about the production before I turn to discussing the individual performers. By and large, I did quite like it, but I wanted to get the criticisms out of the way first. The Song Contest is set in &amp;nbsp;a ruined hall - the Wartburg, but in ruins, so that Elisabeth's 'Dich, teure Halle' has the implication that not only she will start to live again now that Tannhauser has returned, but that the ruins can now be rebuilt and the Hall of Song will have a new lease of life.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_O_KPHqLSb04/TSSyRxhC0RI/AAAAAAAAAiE/OZi8fhIeYXw/s1600/Tannhauser1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="212" src="http://3.bp.blogspot.com/_O_KPHqLSb04/TSSyRxhC0RI/AAAAAAAAAiE/OZi8fhIeYXw/s320/Tannhauser1.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;People have criticised Botha's size, and he is indeed somewhat - ah - larger than life, and spends most of the time sitting down....he has a limited amount of movement and gestures which he uses when necessary. (I think it is a bit unfair to criticize Botha when Pavarotti was allowed to get away with it for decades - he sang roles like Rodolfo, Cavaradossi, the Duke of Mantua, etc. etc..... who are supposed to be young, handsome and attractive to women!!)&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_O_KPHqLSb04/TSSzErHy7oI/AAAAAAAAAiI/XjzH659HkNg/s1600/BothaTann1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/_O_KPHqLSb04/TSSzErHy7oI/AAAAAAAAAiI/XjzH659HkNg/s320/BothaTann1.jpg" width="212" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&amp;nbsp;To be honest, I don't have a problem with this - I just didn't look at him! I listened instead to the beautiful clear, bright voice, which didn't flag even during the difficult Rome Narration. I found his portrayal of the tormented artist very convincing - I must confess that I find TANNHAUSER a very disturbing work in many ways....not so much the conflict between sacred and profane, but the wallowing in guilt; it's as if Tannhauser almost ENJOYS being wracked with guilt about the time he has spent in the Venusberg. And I don't care what Botha looks like, since he managed to convey the passion and the ambiguity so convincingly.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;The Elisabeth of Eva-Maria Westbroek was an ideal contrast to the Venus of Michaela Schuster, so that one believed in Tannhauser's conflict.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_O_KPHqLSb04/TSS6V3OAv7I/AAAAAAAAAiU/JKamduE5ltY/s1600/TannElisabeth.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="180" src="http://4.bp.blogspot.com/_O_KPHqLSb04/TSS6V3OAv7I/AAAAAAAAAiU/JKamduE5ltY/s320/TannElisabeth.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;This Elisabeth isn't just a saintly virgin, although sainthood is what she achieves thanks to her sacrifice for Tannhauser's redemption - she's also a young woman with emotions, who has been genuinely in love with Tannhauser - I think we sometimes tend to overlook that Wagner's stage directions specify that, when Tannhauser contradicts Wolfram by singing in praise of sensuality, she starts to express her approval......("Elisabeth starts to make a gesture of approval, but when everyone else stays gravely silent, she shyly refrains"). &amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;The Wolfram of Christian Gerhaher &amp;nbsp;was also richly deserving of the high praise it has received from most critics. He is almost understated, in contrast to the passion that Tannhauser expresses, but one can feel the desperation of his unrequited love for Elisabeth, and his singing is very lyrical and nuanced, his 'O du, mein holder Abendstern' a shining example of lyric technique.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_O_KPHqLSb04/TSTQchfPyPI/AAAAAAAAAiY/317d3AUFOEs/s1600/Gerhaher.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_O_KPHqLSb04/TSTQchfPyPI/AAAAAAAAAiY/317d3AUFOEs/s1600/Gerhaher.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;***************************************************************************************************&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;The theme chosen by all the other singers in the Song Contest - i.e. devotion to pure virtue rather than sensuality, which Tannhauser praises - actually rather misrepresents the Minnesingers, though obviously it is necessary for Wagner's dramatic purpose. The real Walther von der Vogelweide was not such a prissy little man as Wagner makes him out to be, and would never have written so disparagingly about sensuality! (I've included a link to one of his poems, in case anyone wants to follow this up &amp;nbsp;.'&lt;a href="http://www.poemhunter.com/poem/under-der-linden/"&gt;under der linden', by Walther von der Vogelweide&lt;/a&gt;. &amp;nbsp; &amp;nbsp; And a translation! &amp;nbsp; &lt;a href="http://www.planck.com/rhymedtranslations/vogelweidelinden.htm"&gt;Translation of 'under der linden'&lt;/a&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Here is a link to a YouTube clip of a performance of &amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;a href="http://www.youtube.com/watch?v=68qbecDNr8M"&gt;Unter der Linden&lt;/a&gt;.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_O_KPHqLSb04/TSTUwMIEzhI/AAAAAAAAAic/WWnTiw2sTO0/s1600/Walther1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_O_KPHqLSb04/TSTUwMIEzhI/AAAAAAAAAic/WWnTiw2sTO0/s1600/Walther1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_O_KPHqLSb04/TSTU4FRdm2I/AAAAAAAAAig/feri_QzC-mo/s1600/Walthermusic.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_O_KPHqLSb04/TSTU4FRdm2I/AAAAAAAAAig/feri_QzC-mo/s1600/Walthermusic.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3597330275162483561-2555774232057279303?l=leonora-opera.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://leonora-opera.blogspot.com/feeds/2555774232057279303/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://leonora-opera.blogspot.com/2011/01/tannhauser-at-covent-garden-2-jan-2011.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/2555774232057279303'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/2555774232057279303'/><link rel='alternate' type='text/html' href='http://leonora-opera.blogspot.com/2011/01/tannhauser-at-covent-garden-2-jan-2011.html' title='TANNHAUSER at Covent Garden, 2 Jan 2011'/><author><name>leonora</name><uri>http://www.blogger.com/profile/09432898647945296611</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://2.bp.blogspot.com/_O_KPHqLSb04/Srd4_ICcJMI/AAAAAAAAAAs/SLc-amlBsgU/S220/theodoracat.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_O_KPHqLSb04/TSSlIgafYaI/AAAAAAAAAhw/UQvjmMv9mkE/s72-c/TannhauserTitle.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3597330275162483561.post-4443195715147321253</id><published>2010-12-08T02:06:00.000-08:00</published><updated>2010-12-08T02:49:44.444-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Royal College of Music'/><category scheme='http://www.blogger.com/atom/ns#' term='People&apos;s History Museum'/><category scheme='http://www.blogger.com/atom/ns#' term='Courtauld Institute'/><category scheme='http://www.blogger.com/atom/ns#' term='Counterfire'/><category scheme='http://www.blogger.com/atom/ns#' term='Cuts to Arts Funding'/><title type='text'>Fightback against cuts in the arts and sport</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"&gt;This is reproduced from the home page of&amp;nbsp;&lt;a href="http://www.counterfire.org/"&gt;Counterfire&lt;/a&gt;; I have added links to some of the institutions that are now threatened.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_O_KPHqLSb04/TP9YQmAzCdI/AAAAAAAAAg0/0S3sY6s7hZE/s1600/public_meeting_111210_300.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #cc0000; font-size: large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;ME&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;ETING - FIGHTBACK AGAINST CUTS IN THE ARTS AND SPORT. December 15 2010&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;If you are a writer, artist, actor, musician, filmmaker, librarian, sports teacher, or in any way involved in entertainment, the Arts or Sport, you are invited to the inaugural meeting of&amp;nbsp;&lt;strong style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;Fightback Against Cuts in the Arts &amp;amp; Sport&lt;/span&gt;&lt;/strong&gt;&amp;nbsp;(FACAS) which will take place at The Lucas Arms, 245A Greys Inn Road, WC1X 8QZ at 7 pm on WEDNESDAY 15 DECEMBER 2010&lt;br /&gt;map ref: (nearest tube Kings X)&amp;nbsp;&lt;a href="http://tinyurl.com/bufuhr" rel="nofollow" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #890000; cursor: pointer; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;" target="_blank"&gt;http://tinyurl.com/bufuhr&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;The first meeting of FACAS will discuss how we can best intervene in the campaign against cuts in the Arts and Sport and how to use our talents in support of the wider campaign against the cuts.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;This country has always had a deficit. Indeed we had a much larger deficit in 1945 and yet went on to set up the NHS and many of the welfare services which are now threatened with the axe. The Arts Council was set up a year later! The government are using the deficit to carry out ‘shock and awe’ cuts to community, health, education, welfare and the arts. They plan to cut public spending by £81 billion over four years. In that same period the rich and corporations will avoid paying £100 billion in tax.&lt;br /&gt;The effect on the Arts is catastrophic.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;ARTS COUNCIL: A £350 million cut in the Arts Council of England budget is going to decimate national, regional and local arts projects across the country. Take one example from many; the charity ‘Creativity, Culture and Education’, which is is to lose 50% of&amp;nbsp; its ACE funding. Their national&amp;nbsp; ‘Find Your Talent’ programme will go. This&amp;nbsp; encourages young people to learn a musical instrument, perform and go to concerts and has 2,500 schools in its scheme, helping 400,000 children.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;LOCAL AUTHORITY CUTBACKS&lt;br /&gt;Cuts in local council funding have already started. Lewisham Council have shown us what to expect. They voted for a massive cuts package on 29 November with the protection of the riot police and had already announced that five libraries were to close as well as extra-curricular sports activities for school kids. At the time of writing Birmingham City Council have announced that they are cutting a third of their workforce!&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;MUSIC / DRAMA SCHOOLS / MUSEUMS&lt;br /&gt;Prestigious arts institutions are not to be spared. Leeds College of Music, &lt;a href="http://www.courtauld.ac.uk/index.html"&gt;The Courtauld Institute&lt;/a&gt;, The Conservatoire for Dance and Drama, The Trinity Laban Conservatoire of Music, &lt;a href="http://www.rcm.ac.uk/"&gt;The Royal College of Music&lt;/a&gt;, The Rose Bruford College and the Central School of Speech and Drama are losing their entire teaching grants. Among museums, the Museum of Science and Industry, the Geffrye Museum, the Horniman, the National Coal Mines Museum and the &lt;a href="http://www.phm.org.uk/"&gt;People's History Museum&lt;/a&gt;&amp;nbsp;will be losing their Department of Culture, Media and Sport (DCMS) grant.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_O_KPHqLSb04/TP9a59SthKI/AAAAAAAAAg8/aKTGTV42JUM/s1600/PHS1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_O_KPHqLSb04/TP9a59SthKI/AAAAAAAAAg8/aKTGTV42JUM/s1600/PHS1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_O_KPHqLSb04/TP9bEIZ6WQI/AAAAAAAAAhA/Ltjn5JyLfl0/s1600/RCM1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_O_KPHqLSb04/TP9bEIZ6WQI/AAAAAAAAAhA/Ltjn5JyLfl0/s1600/RCM1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_O_KPHqLSb04/TP9gmMG7xYI/AAAAAAAAAhE/6RXcbpni7lw/s1600/CezanneCardPlayers.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_O_KPHqLSb04/TP9gmMG7xYI/AAAAAAAAAhE/6RXcbpni7lw/s1600/CezanneCardPlayers.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #0b5394; font-family: Times, 'Times New Roman', serif;"&gt;&lt;b&gt;(Cezanne's CARD PLAYERS, one of the many paintings held at the Courtauld Institute).&lt;/b&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;This first meeting of FACAS has to be London-based so if you are not in the SE let us know about your campaigns. If you are unable to attend, but want to get involved, let us have your contact details.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;The meeting has been called by members of the Coalition of Resistance (www.coalitionofresistance.org.uk) – a broad united national campaign against cuts and privatisation in our workplaces, community, educational and welfare services. The meeting can decide whether or not to affiliate to CoR&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;For updates on cuts to the Arts go to:&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;a href="http://falseeconomy.org.uk/cuts/sectors/type/arts-and-culture" rel="nofollow" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #890000; cursor: pointer; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;" target="_blank"&gt;http://falseeconomy.org.uk/cuts/sectors/type/arts-and-culture&lt;/a&gt;&lt;br /&gt;For news about the campaign against tax-dodgers go to:&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;a href="http://ukuncut.org.uk/" rel="nofollow" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #890000; cursor: pointer; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;" target="_blank"&gt;http://ukuncut.org.uk/&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Please let us know if you are attending the meeting.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;David Wilson&lt;br /&gt;david.wilson@talktalk.net&lt;br /&gt;07951 579 064&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.4em; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Support the students who are leading the way in the fightback. ULU, Malet Street,12 noon, Thursday 9 December and march to Parliament for lobby.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_O_KPHqLSb04/TP9Y6CbudKI/AAAAAAAAAg4/C9VCV-bdP14/s1600/public_meeting_111210_300.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/_O_KPHqLSb04/TP9Y6CbudKI/AAAAAAAAAg4/C9VCV-bdP14/s320/public_meeting_111210_300.png" width="226" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3597330275162483561-4443195715147321253?l=leonora-opera.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://leonora-opera.blogspot.com/feeds/4443195715147321253/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://leonora-opera.blogspot.com/2010/12/fightback-against-cuts-in-arts-and.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/4443195715147321253'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/4443195715147321253'/><link rel='alternate' type='text/html' href='http://leonora-opera.blogspot.com/2010/12/fightback-against-cuts-in-arts-and.html' title='Fightback against cuts in the arts and sport'/><author><name>leonora</name><uri>http://www.blogger.com/profile/09432898647945296611</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://2.bp.blogspot.com/_O_KPHqLSb04/Srd4_ICcJMI/AAAAAAAAAAs/SLc-amlBsgU/S220/theodoracat.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_O_KPHqLSb04/TP9a59SthKI/AAAAAAAAAg8/aKTGTV42JUM/s72-c/PHS1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3597330275162483561.post-2467576120266460030</id><published>2010-11-19T08:15:00.000-08:00</published><updated>2010-11-19T08:15:12.933-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='William Morris'/><category scheme='http://www.blogger.com/atom/ns#' term='Socialist League'/><category scheme='http://www.blogger.com/atom/ns#' term='Commonweal'/><title type='text'>Royal Wedding in the Nineteenth Century</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_O_KPHqLSb04/TOab8EsShNI/AAAAAAAAAgQ/nxtJjPRkthc/s1600/commonweal2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_O_KPHqLSb04/TOab8EsShNI/AAAAAAAAAgQ/nxtJjPRkthc/s1600/commonweal2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;I had intended to keep this a Royal Wedding-free zone, but could not resist reproducing this article from THE COMMONWEAL, Vol. 1, No. 7, August 1886. (Bear in mind that the sums quoted are from the late 19th. century, but the principle of the Royal Family being a drain on the public purse has hardly changed!!)&lt;br /&gt;&amp;nbsp;The Commonweal was the journal of the &lt;a href="http://www.marxists.org/archive/morris/works/1885/manifst1.htm"&gt;Socialist League&lt;/a&gt;, and was edited by William Morris, who was also one of its major contributors. I came across this in the course of my research for a paper I'm about to give on Morris. &lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_O_KPHqLSb04/TOaccBr7VMI/AAAAAAAAAgU/OSTZ5Z6ewmc/s1600/socialistleague1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="179" src="http://1.bp.blogspot.com/_O_KPHqLSb04/TOaccBr7VMI/AAAAAAAAAgU/OSTZ5Z6ewmc/s320/socialistleague1.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_O_KPHqLSb04/TOaiW7HqsfI/AAAAAAAAAgc/41T3_kZvZGo/s1600/William_Morris_Speaking.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_O_KPHqLSb04/TOaiW7HqsfI/AAAAAAAAAgc/41T3_kZvZGo/s1600/William_Morris_Speaking.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;The author signs him- or herself J.B. - it is not clear who this is, but reader would probably have recognised the identity.&lt;/b&gt;&lt;/div&gt;&lt;div style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="color: #351c75; font-family: Arial,Helvetica,sans-serif; text-align: center;"&gt;&lt;b&gt;A CONTRAST.&lt;/b&gt;&lt;/div&gt;&lt;div style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="color: #20124d;"&gt;&lt;b&gt;&lt;span style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The marriage is about to take place of a young lady of the Royal Family. The veteran manipulator of the taxes of the country obtained&amp;nbsp; &lt;span style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"&gt;for her £6,000 a year. It being subsequently discovered, apparently, that the intended husband had no money, £30,000 is proposed to buy their furniture.&lt;/span&gt; The couple have never worked, nor want to; they live on the earnings of the people.&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; In a room in Chelsea live a young man, his wife, and their child (an infant). The husband has been out of employment four months and owes rent. On Saturday night came a loud knock, followed by a timid 'Come in'. The landlord appeared. He wanted his rent. The woman answered, she had no money to buy food. "Then go on the streets and get some", replied the property-holder. The husband has sat silent, but this was too much for even a broken-spirited man. He rushed to put the landlord out - was seized; a scuffle ensued. The poor fellow being weak from want of food was easily mastered. "He might have killed me", he said afterwards; "he had me by the throat". His wife wept as she bathed his bruised face, and trembled at the cursings of the retiring landlord. This couple are workers, willing to work when work is obtainable, but compelled to assist to keep the Princes and Princesses in idleness.&lt;/b&gt;&lt;/div&gt;&lt;div style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Are there not some things to account for the spread of Socialism?&lt;/b&gt;&lt;/div&gt;&lt;div style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3597330275162483561-2467576120266460030?l=leonora-opera.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://leonora-opera.blogspot.com/feeds/2467576120266460030/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://leonora-opera.blogspot.com/2010/11/royal-wedding-in-nineteenth-century.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/2467576120266460030'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/2467576120266460030'/><link rel='alternate' type='text/html' href='http://leonora-opera.blogspot.com/2010/11/royal-wedding-in-nineteenth-century.html' title='Royal Wedding in the Nineteenth Century'/><author><name>leonora</name><uri>http://www.blogger.com/profile/09432898647945296611</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://2.bp.blogspot.com/_O_KPHqLSb04/Srd4_ICcJMI/AAAAAAAAAAs/SLc-amlBsgU/S220/theodoracat.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_O_KPHqLSb04/TOab8EsShNI/AAAAAAAAAgQ/nxtJjPRkthc/s72-c/commonweal2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3597330275162483561.post-1504188170758820210</id><published>2010-10-22T04:12:00.000-07:00</published><updated>2010-10-22T04:23:54.052-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='George Osborne'/><category scheme='http://www.blogger.com/atom/ns#' term='David Cameron'/><category scheme='http://www.blogger.com/atom/ns#' term='Housing Benefit'/><category scheme='http://www.blogger.com/atom/ns#' term='Disability Allowances'/><category scheme='http://www.blogger.com/atom/ns#' term='Coalition of Resistance'/><title type='text'>Attack on the poor- protest march 23 Oct.</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_O_KPHqLSb04/TMFskQsDVbI/AAAAAAAAAf4/DN4kwKSr20o/s1600/CameronPlebs.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" nx="true" src="http://2.bp.blogspot.com/_O_KPHqLSb04/TMFskQsDVbI/AAAAAAAAAf4/DN4kwKSr20o/s1600/CameronPlebs.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_O_KPHqLSb04/TMFsRDmxiLI/AAAAAAAAAf0/vk37jyTwrgM/s1600/OsborneCuts1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" nx="true" src="http://1.bp.blogspot.com/_O_KPHqLSb04/TMFsRDmxiLI/AAAAAAAAAf0/vk37jyTwrgM/s1600/OsborneCuts1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;The Comprehensive Spending Review has now been published, and, as we feared, the poor are going to suffer most. The people who have most need of support are having the rug pulled from under their feet. Even the&amp;nbsp;&amp;nbsp;&lt;a href="http://www.ifs.org.uk/"&gt;Institute for Fiscal Studies&lt;/a&gt; says the cuts are unfair!!! Although Clegg, predictably, says this is 'complete nonsense'. Of course, the rich and the bankers are going to be as protected as ever.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Which is worse - the cuts to benefits for the sick and disabled, or the cuts to Housing Benefit? &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;This is the position about Disability Benefits - what was previously Incapacity Benefit, and is now known as Employment Support Allowance, WILL BE STOPPED AFTER A YEAR.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #cc0000; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;ESA was brought in to replace incapacity benefit and supports people who are unable to work because of ill health or disability. These cuts mean that people who moved on to ESA and who previously worked will only be able to claim it for one year. At the moment, there is no time limit and people can claim ESA until they find another job&lt;/strong&gt;&lt;/span&gt;.&lt;br /&gt;&lt;strong&gt;&lt;span style="color: #cc0000; font-family: Arial, Helvetica, sans-serif;"&gt;After one year, people with assets, savings or partners who work will no longer receive benefits. Single people with no assets may be able to qualify for a means-tested safety net, but everyone else will have to manage on their husband or wife's salary – no matter how low it may be – or dip into any private savings they may have&lt;/span&gt;&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #cc0000; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;The change will affect hundreds of thousands of people, as 1.7 million Britons have moved from incapacity benefit to ESA. Many of them are likely to have been put on the contributory version of the benefit.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #cc0000; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Critics said the announcement penalised people who had paid national insurance contributions for years precisely to cover them in the eventuality that they are unable to work through sickness or incapacity. They also said that the decision would make it much harder for disabled people to find jobs.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: #cc0000; font-family: Arial;"&gt;(Anna Bawden, Guardian, 21 Oct 2010)&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Do they think anyone who is too ill to work is going to make a miraculous recovery after a year? Or, more likely, the Old Etonians hope they will die off, so as not to have to feed these useless mouths.&lt;/span&gt; &lt;br /&gt;&lt;span style="font-family: Arial;"&gt;&lt;/span&gt;&amp;nbsp; &lt;br /&gt;&lt;span style="font-family: Arial;"&gt;The cap on Housing Benefit is another attack on the poor - again, those in most need are the hardest hit. There should instead be a limit on THE AMOUNT OF RENT THAT PRIVATE LANDLORDS ARE ALLOWED TO CHARGE. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial;"&gt;&lt;/span&gt;&amp;nbsp; &lt;br /&gt;&lt;span style="color: #cc0000; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;On top of the widely-publicised cap on housing benefit to the equivalent of a four-bedroom property, an overall limit on benefit receipt and the limiting of Employment and Support Allowance, Chancellor George Osborne has announced that local housing allowances will be calculated by taking an average of the lowest 30% of rental values in the locality, rather than an overall average. &lt;/strong&gt;&lt;/span&gt;&lt;span style="color: #cc0000; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;He also raised the threshold whereby a single person with no dependants would only be entitled to the equivalent in housing benefit on a single room in a shared property from 25 to 35.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #cc0000; font-family: Arial;"&gt;(Information from BBC Wales, 22 Oct)&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial;"&gt;There used to be a Rent Tribunal, which was able to control rents - this seems to have been phased out years ago, leaving people at the mercy of the market. The intention seems to be to drive poorer people out of London, as it is already almost impossible to find affordable accommodation, and the new measures will make it worse. (Although presumably some of us will have to stay there to work for the rich, so that we can clean their toilets, scrub their floors and look after their kids....although I suppose we can come in from our ghettoes on the night bus).&lt;/span&gt; &lt;br /&gt;&lt;span style="font-family: Arial;"&gt;&lt;/span&gt;&amp;nbsp; &lt;br /&gt;&lt;span style="font-family: Arial;"&gt;These are two of the concerns I wanted to discuss - I haven't even STARTED on the threats the education and the arts!! But just briefly - the Arts Council of England has suffered a 30% cut, &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial;"&gt;&lt;/span&gt;&amp;nbsp; &lt;br /&gt;&lt;span style="font-family: Arial;"&gt;&lt;/span&gt;&amp;nbsp; &lt;br /&gt;&amp;nbsp; &lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_O_KPHqLSb04/TMFvw87Od-I/AAAAAAAAAf8/dosz0G3_DhI/s1600/ROHlogo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" nx="true" src="http://3.bp.blogspot.com/_O_KPHqLSb04/TMFvw87Od-I/AAAAAAAAAf8/dosz0G3_DhI/s1600/ROHlogo.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_O_KPHqLSb04/TMFv3TQZNsI/AAAAAAAAAgA/-dnj5TOM2Lc/s1600/Pappano1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" nx="true" src="http://4.bp.blogspot.com/_O_KPHqLSb04/TMFv3TQZNsI/AAAAAAAAAgA/-dnj5TOM2Lc/s1600/Pappano1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-family: Arial;"&gt;and national museums a 15% cut.&lt;/span&gt; &lt;br /&gt;&lt;span style="font-family: Arial;"&gt;&lt;/span&gt;&amp;nbsp; &lt;br /&gt;&amp;nbsp; &lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_O_KPHqLSb04/TMFv8TOmkkI/AAAAAAAAAgE/UOwhPHSjrBQ/s1600/V&amp;amp;A1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" nx="true" src="http://2.bp.blogspot.com/_O_KPHqLSb04/TMFv8TOmkkI/AAAAAAAAAgE/UOwhPHSjrBQ/s1600/V&amp;amp;A1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;******************************************************************************** &lt;span style="font-family: Arial;"&gt;&lt;/span&gt;&amp;nbsp; &lt;br /&gt;&lt;span style="font-family: Arial;"&gt;&lt;/span&gt;&amp;nbsp; &lt;br /&gt;&lt;span style="font-family: Arial;"&gt;&lt;/span&gt;&amp;nbsp; &lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;We have to start the protest and fight back now!!&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;We can start by going on the protest marches on 23 Oct.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_O_KPHqLSb04/TMFwUhn4TtI/AAAAAAAAAgI/sdzjQOXaFHU/s1600/coalitionofResistance.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" nx="true" src="http://1.bp.blogspot.com/_O_KPHqLSb04/TMFwUhn4TtI/AAAAAAAAAgI/sdzjQOXaFHU/s1600/coalitionofResistance.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;This is the info from the &lt;a href="http://www.coalitionofresistance.org.uk/"&gt;Coaltion of Resistance&lt;/a&gt;&amp;nbsp; about the Protest March.&lt;br /&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;u&gt;&lt;strong&gt;&lt;span style="color: #cc0000;"&gt;March against cuts &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="color: #cc0000;"&gt;Saturday 23 October&lt;/span&gt;&lt;/strong&gt;&lt;/u&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_O_KPHqLSb04/TMFxU4yLM3I/AAAAAAAAAgM/9tlD6cyEgBg/s1600/pcsMarch.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" nx="true" src="http://3.bp.blogspot.com/_O_KPHqLSb04/TMFxU4yLM3I/AAAAAAAAAgM/9tlD6cyEgBg/s1600/pcsMarch.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;strong&gt;&lt;br /&gt;&lt;span style="color: #cc0000;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: #cc0000;"&gt;Assemble: 11am, RMT HQ, Unity House, Chalton Street, Euston, for a march to the anti-cuts rally at Congress House&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="color: #cc0000;"&gt;RMT London Transport Region are organising a march to the TUC to support the TUC’s anti-cuts meeting. We are organising together with NUT, FBU, NSSN and CWU members and others. We are seeking support from all other unions, community organisations and individuals. Please come along and oppose the ConDem cuts.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: #cc0000;"&gt;Assemble at RMT HQ, 39 Chalton Street, London NW1 1JD at 11.00am.&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Facebook event: &lt;/strong&gt;&lt;a href="http://www.facebook.com/?sk=events#!/event.php?eid=148201075219859"&gt;&lt;strong&gt;http://www.facebook.com/?sk=events#!/event.php?eid=148201075219859&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;March to TUC, Great Russell street, London WC1B 3LS where rally will be held from 12 noon.&lt;/strong&gt;&lt;br /&gt;Invited speakers include:&lt;br /&gt;•Mark Serwotka&lt;br /&gt;•Christine Blower (NUT)&lt;br /&gt;•Billy Hayes (CWU)&lt;br /&gt;•Bob Crow (RMT)&lt;br /&gt;•Matt Wrack (FBU)&lt;br /&gt;•Linda Perks (UNISON)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3597330275162483561-1504188170758820210?l=leonora-opera.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://leonora-opera.blogspot.com/feeds/1504188170758820210/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://leonora-opera.blogspot.com/2010/10/attack-on-poor-protest-march-23-oct.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/1504188170758820210'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/1504188170758820210'/><link rel='alternate' type='text/html' href='http://leonora-opera.blogspot.com/2010/10/attack-on-poor-protest-march-23-oct.html' title='Attack on the poor- protest march 23 Oct.'/><author><name>leonora</name><uri>http://www.blogger.com/profile/09432898647945296611</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://2.bp.blogspot.com/_O_KPHqLSb04/Srd4_ICcJMI/AAAAAAAAAAs/SLc-amlBsgU/S220/theodoracat.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_O_KPHqLSb04/TMFskQsDVbI/AAAAAAAAAf4/DN4kwKSr20o/s72-c/CameronPlebs.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3597330275162483561.post-3640644901424714115</id><published>2010-09-28T10:22:00.000-07:00</published><updated>2010-09-28T10:22:58.907-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='chillies'/><category scheme='http://www.blogger.com/atom/ns#' term='nasturtium'/><category scheme='http://www.blogger.com/atom/ns#' term='garden'/><title type='text'>The Garden Today</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #38761d;"&gt;The rain has done the garden a lot of good! I wish you could see my chilli plants, and my beautiful flourishing nasturtiums! I'm about to put one of the chillies in the vegetable stew I am making.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_O_KPHqLSb04/TKIkAIRL4dI/AAAAAAAAAe0/6KLYgfpD33Y/s1600/Nasturtium.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="210" src="http://3.bp.blogspot.com/_O_KPHqLSb04/TKIkAIRL4dI/AAAAAAAAAe0/6KLYgfpD33Y/s320/Nasturtium.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_O_KPHqLSb04/TKIkFl3Ap1I/AAAAAAAAAe4/ZY_lDxoyRp0/s1600/chiliplant3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="211" src="http://2.bp.blogspot.com/_O_KPHqLSb04/TKIkFl3Ap1I/AAAAAAAAAe4/ZY_lDxoyRp0/s320/chiliplant3.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3597330275162483561-3640644901424714115?l=leonora-opera.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://leonora-opera.blogspot.com/feeds/3640644901424714115/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://leonora-opera.blogspot.com/2010/09/garden-today.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/3640644901424714115'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/3640644901424714115'/><link rel='alternate' type='text/html' href='http://leonora-opera.blogspot.com/2010/09/garden-today.html' title='The Garden Today'/><author><name>leonora</name><uri>http://www.blogger.com/profile/09432898647945296611</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://2.bp.blogspot.com/_O_KPHqLSb04/Srd4_ICcJMI/AAAAAAAAAAs/SLc-amlBsgU/S220/theodoracat.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_O_KPHqLSb04/TKIkAIRL4dI/AAAAAAAAAe0/6KLYgfpD33Y/s72-c/Nasturtium.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3597330275162483561.post-4428020554173523908</id><published>2010-09-27T14:29:00.000-07:00</published><updated>2010-09-27T14:34:14.086-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Water Resources'/><category scheme='http://www.blogger.com/atom/ns#' term='Ecosocialism'/><category scheme='http://www.blogger.com/atom/ns#' term='Indigenous Communities'/><category scheme='http://www.blogger.com/atom/ns#' term='Socialist Resistance'/><category scheme='http://www.blogger.com/atom/ns#' term='Green Left'/><category scheme='http://www.blogger.com/atom/ns#' term='Hugo Blanco'/><category scheme='http://www.blogger.com/atom/ns#' term='Mexico City'/><category scheme='http://www.blogger.com/atom/ns#' term='Peru'/><title type='text'>Latin America and the Ecosocialist Alternative</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_O_KPHqLSb04/TJibP9EzmvI/AAAAAAAAAd0/n4E5llq-_Do/s1600/HugoBlanco1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;img border="0" height="640" src="http://1.bp.blogspot.com/_O_KPHqLSb04/TJibP9EzmvI/AAAAAAAAAd0/n4E5llq-_Do/s640/HugoBlanco1.jpg" width="443" /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;Latin America and the Ecosocialist Alternative&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;University of London Union, September 18 2010&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;Organised jointly by Socialist Resistance and Green Left.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_O_KPHqLSb04/TJ3FEyQOsVI/AAAAAAAAAd8/nTocwhiXDnc/s1600/greenleftbanner1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_O_KPHqLSb04/TJ3FEyQOsVI/AAAAAAAAAd8/nTocwhiXDnc/s1600/greenleftbanner1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;The guest of honour at this conference was Hugo Blanco, who is a tireless campaigner for the rights of indigenous communities in Peru, where he led a peasant revolution in 1961. He has been imprisoned and at one point was facing the death penalty. He is the editor of&lt;span class="Apple-style-span" style="color: #990000;"&gt; &lt;/span&gt;&lt;a href="http://www.luchaindigena.com/"&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;Lucha Indigena&lt;/span&gt;&lt;/a&gt;, a journal about the struggle of the indigenous peoples of Latin America. (As far as I am aware, this journal is not yet available in English-language editions).&amp;nbsp;His campaign is based on the concept of &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;a href="http://www.ecosocialistnetwork.org/"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;Ecosocialism&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;, and we were very proud to have him among us as a guest speaker. (He spoke via an interpreter).&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_O_KPHqLSb04/TJ3NBPvgOEI/AAAAAAAAAeE/krrJ9X8SCiM/s1600/HugoBlanco3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_O_KPHqLSb04/TJ3NBPvgOEI/AAAAAAAAAeE/krrJ9X8SCiM/s1600/HugoBlanco3.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_O_KPHqLSb04/TJ3Rqy5KBEI/AAAAAAAAAeQ/MCDURU8_iaw/s1600/luchaindigena2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_O_KPHqLSb04/TJ3Rqy5KBEI/AAAAAAAAAeQ/MCDURU8_iaw/s1600/luchaindigena2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;He was introduced by&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;a href="http://another-green-world.blogspot.com/"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;Derek Wall&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;, who was formerly Principal Male Speaker of the Green Party, and is a well-known campaigner for Ecosocialism. His most recent publication is&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;a href="http://www.plutobooks.com/display.asp?K=9780745330365&amp;amp;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #660000;"&gt;The Rise of the Green Left&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;, to which Hugo Blanco has written the introduction.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_O_KPHqLSb04/TJ3Pm5MiJwI/AAAAAAAAAeI/DHoztw3adqw/s1600/Derek1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_O_KPHqLSb04/TJ3Pm5MiJwI/AAAAAAAAAeI/DHoztw3adqw/s1600/Derek1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_O_KPHqLSb04/TJ3Pr2t24pI/AAAAAAAAAeM/gSFQ6JRHcC0/s1600/Derekbook1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_O_KPHqLSb04/TJ3Pr2t24pI/AAAAAAAAAeM/gSFQ6JRHcC0/s1600/Derekbook1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;**********************************************************************************&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;A general introduction to the day was presented by&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;a href="http://www.liv.ac.uk/info/portal/pls/portal/tulwwwmerge.mergepage?p_template=sml&amp;amp;p_tulipproc=staff&amp;amp;p_params=%3Fp_func%3Dteldir%26p_hash%3DA553622%26p_url%3DLC%26p_template%3Dsml"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #660000;"&gt;Diana Raby&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;, an expert on Latin American affairs from the University of Liverpool. She spoke in general terms about the &amp;nbsp;'politics of hope' that is beginning to emerge from Latin America, for instance the fact that the&amp;nbsp;&lt;/span&gt;&lt;a href="http://flag.blackened.net/revolt/zapatista.html"&gt;&lt;span class="Apple-style-span" style="color: #660000;"&gt;Zapatistas&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&amp;nbsp;were among the first to say no to the policies of neo-liberalism. She also referred to the leadership of Evo Morales in Bolivia, and advances for the Left in Guatemala, Paraguay and Uruguay, and the fact that the right-wing dictatorship in Chile is facing growing opposition by the indigenous &lt;a href="http://www.mapuche-nation.org/english/frontpage.htm"&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;Mapuche&lt;/span&gt;&lt;/a&gt;&amp;nbsp;movement.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;Blanco began his speech by quoting from an Uruguayan writer to the effect that "In 1492, America discovered capitalism".&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;It is thought that before the 'discovery' of the Americas, there had not been a vast slave-owning society as it developed after the Conquest. This has to be qualified by acknowledging that the Aztec and Inca societies were in fact very hierarchical and stratified, and probably did own slaves - prisoners of war who were not killed. But other indigenous cultures of the Americas seem to have been more egalitarian. Blanco is of the opinion that what Marx called 'primitive communism' still exists, but has been weakened by the centralised power of the state.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;The Conquest led to a virtual genocide of indigenous peoples, not all of it intentional, many died from diseases introduced by the Europeans, to which the indigenous people had no immunity, and civil strife among some nations made the Spanish conquest easier. The resistance of indigenous communities is not a phenomenon of our days.....it has in fact been continuing for 500 years, but of course has not been well documented. The 500 years of struggle have been in defence of the indigenous communities and their relationship with Nature; the movement is sometimes known as &lt;span class="Apple-style-span" style="font-size: x-large;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span" style="color: #660000;"&gt;PACHAMAMA&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: x-large;"&gt;;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&amp;nbsp;Mother Earth in the Andean languages Aymara and Quechua.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_O_KPHqLSb04/TJ3X9qeO8YI/AAAAAAAAAeU/EIaxv-jL00o/s1600/pachamama1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_O_KPHqLSb04/TJ3X9qeO8YI/AAAAAAAAAeU/EIaxv-jL00o/s1600/pachamama1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;Some gains have been made in recent years; for instance some Latin American states, such as Panama and Peru, recognise indigenous communities. Blanco quoted the example of Chiapas state in South-Western Mexico, which is governed by indigenous communities, protected by the Zapatistas. The Zapatista army, however, does not rule in the area: the government is made up of unpaid volunteers, and their functions rotate. If members of the Zapatista army wish to take part in any of the governing boards, they have to give up their membership of the army. (There is more information about Chiapas on Wikipedia).&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #274e13; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #274e13; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;The indigenous movement in Peru is at the forefront of the struggle. Blanco's idea is that all the indigenous organisations are by definition eco-socialists, although this is not a term that is actually used - or at any rate not in indigenous languages. (I think it must exist in Spanish....Blanco was speaking through an interpreter). That is, the campaigners don't call themselves eco-socialists, just defenders of Mother Nature.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #274e13; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #274e13; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;********************************************************************************************************&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #274e13; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #274e13; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;When the time came for questions from the floor, some of the discussion was about the fact that the introduction of monoculture and European farming methods damaged the land; the indigenous cultures were familiar with the concept of crop rotation, one of the most common methods of cultivation was to grow beans, squash and maize together, not separately in plantations but in small plots.&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #274e13; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #274e13; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Many foodstuffs that we now take for granted in Europe originate in the Americas, and there is actually a close link between imperialism and exploitation and the introduction of these foodstuffs to Europe...the discussion today helped to raise our awareness of this, although it wasn't possible to discuss it in detail, due to time constraints - it would have required a whole new conference! One of the most obvious examples, though, is the introduction of the chili pepper (C&lt;i&gt;apsicum annuum&lt;/i&gt; var. &amp;nbsp;&lt;i&gt;annuum&lt;/i&gt;, &lt;i&gt;Capsicum frutescens, Capsicum chinense&lt;/i&gt;, &lt;i&gt;Capsicum baccatum&lt;/i&gt; var. &lt;i&gt;baccatum &lt;/i&gt;and &lt;i&gt;Capsicum&lt;/i&gt; &lt;i&gt;pubescens&lt;/i&gt;)&lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #274e13; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&amp;nbsp;to Europe.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_O_KPHqLSb04/TJ_GzAq_VcI/AAAAAAAAAeY/iOI5eL6t7vg/s1600/chillipepperland.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/_O_KPHqLSb04/TJ_GzAq_VcI/AAAAAAAAAeY/iOI5eL6t7vg/s320/chillipepperland.jpg" width="146" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;When Columbus landed in the Americas, he was convinced he had found a route to the spice lands of the Far East, and one of the spices he was looking for was pepper (&lt;i&gt;Piper&lt;/i&gt; &lt;i&gt;nigrum&lt;/i&gt;), which is native to India.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_O_KPHqLSb04/TJ_IUNAJz5I/AAAAAAAAAec/4eJ7HgvGCHc/s1600/BlackPepper.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_O_KPHqLSb04/TJ_IUNAJz5I/AAAAAAAAAec/4eJ7HgvGCHc/s1600/BlackPepper.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;What we now know as the Chili Pepper is unrelated to the genus P. nigrum.....however, it was one of the New World plants that was very swiftly adopted and spread into Europe and eventually Asia after what is sometimes referred to as the 'Columbian Exchange'. &amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;________________________________________________________________________&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;(&lt;span class="Apple-style-span" style="color: #38761d;"&gt;The meeting then divided into various workshops.)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;Workshop on Water Resources in Latin America&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;This was subtitled WATER POVERTY AND WATER THEFT IN LATIN AMERICA, and introduced a great deal of information about the use and exploitation of water resources in various Latin American countries.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;The first topic to be introduced was the threat to the town of Espinar in Peru, 400 miles south of Lima, which will be left without water if the Majes-Sigur dam project goes ahead. More recently (subsequent to the conference) it has transpired that residents of the city of Cuzco have staged a strike in support of the residents of Espinar; during the previous protests in Espinar, at least one person was killed.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;The next topic was the Cochabamba Water War in Bolivia.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_O_KPHqLSb04/TJ_OtIOxftI/AAAAAAAAAeg/IzhsSrPW4G4/s1600/BECHTELVSBOLIVIA2.gif" /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;This resulted from an attempt in 1999-2000 to privatise water, and to make it illegal for people to collect water in water butts, rain barrels, etc.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;**********************************************************************&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;Then some statistics were discussed; apparently about 80 million people have no access to safe, clean water, and about 100 million have no access to sanitation &lt;i&gt;of any&lt;/i&gt; &lt;i&gt;kind&lt;/i&gt;. There are 260 million dependent on latrines and septic tanks; and only about 15% of sewage is treated. Poor people pay 150%-300% MORE for their water than the better-off. Access to water is a serious problem, especially for women: after the conference, I found this link, which elaborates upon why access to water is more of a problem for women.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;&lt;a href="http://www.coha.org/water-in-latin-america-the-importance-of-gender-relations/"&gt;Water in Latin America: the importance of gender relations&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;We were also given some information about Mexico City. In the &lt;i&gt;barrios&lt;/i&gt; (shanty towns), there is no running water, or it is available for only one hour a week; the poor have to buy water. The water supply is polluted during the rainy season, and black water (untreated sewage) is used on crops as fertiliser; but untreated sewage is usually a health hazard. (In fact there are methods of treating sewage to render it harmless, but Mexico City doesn't have the infrastructure to do this). It has been found that 100% of the food sold at street stalls in the &lt;i&gt;barrios&lt;/i&gt; is contaminated with fecal matter from the sanitation ditches in the barrios; when they dry, the wind blows the contents over the city. &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_O_KPHqLSb04/TKENyhl4ULI/AAAAAAAAAew/8f6ODzsxQg0/s1600/MexicoCity_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="218" src="http://1.bp.blogspot.com/_O_KPHqLSb04/TKENyhl4ULI/AAAAAAAAAew/8f6ODzsxQg0/s320/MexicoCity_1.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;A solution to the many problems faced by Mexico City would be to change the model of agriculture in the region. Agri-business has created a huge 'surplus' rural population who are forced to migrate to the mega-city, as there is no longer any possibility of earning a living from the land.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #274e13; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Then we returned to discussion of Peru. It so happened that, a few days previous, there had been an article in The Guardian&amp;nbsp;&amp;nbsp;(click &amp;nbsp;&lt;a href="http://www.guardian.co.uk/environment/2010/sep/15/peru-asparagus-british-wells"&gt;here&lt;/a&gt;&amp;nbsp;to read it) about the threat to the Peruvian water supply by the cultivation of asparagus for the export market. It informs the reader that&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #274e13; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #274e13; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; color: #333333; font-family: arial, sans-serif; font-size: 14px; font-weight: normal; line-height: 18px;"&gt;&lt;i&gt;&lt;b&gt;The study, by the development charity Progressio, has found that industrial production of asparagus in Peru's Ica valley is depleting the area's water resources so fast that smaller farmers and local families are finding wells running dry. Water to the main city in the valley is also under threat, it says. It warns that the export of the luxury vegetable, much of it to British supermarkets, is unsustainable in its current form&lt;/b&gt;&lt;/i&gt;.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #274e13; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; color: #333333; font-family: arial, sans-serif; font-size: 14px; font-weight: normal; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_O_KPHqLSb04/TKEFhEGZ0sI/AAAAAAAAAek/1XgomZ7p7Dk/s1600/Aerial-view-of-asparagus--006.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="192" src="http://2.bp.blogspot.com/_O_KPHqLSb04/TKEFhEGZ0sI/AAAAAAAAAek/1XgomZ7p7Dk/s320/Aerial-view-of-asparagus--006.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #274e13; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; color: #333333; font-family: arial, sans-serif; font-size: 14px; font-weight: normal; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_O_KPHqLSb04/TKEIFO_qIjI/AAAAAAAAAeo/G0Vk0zgb240/s1600/IcaValley.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_O_KPHqLSb04/TKEIFO_qIjI/AAAAAAAAAeo/G0Vk0zgb240/s1600/IcaValley.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #274e13; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; color: #333333; font-family: arial, sans-serif; font-size: 14px; font-weight: normal; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #274e13; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; color: #333333; font-family: arial, sans-serif; font-size: 14px; font-weight: normal; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: 14px; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="color: #38761d;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="color: #38761d;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;This led to a discussion about the whole concept of food miles and production of cash crops for export, to the detriment of the local ecology. I had always been under the impression that asparagus could be cultivated in the UK, and that it was a seasonal vegetable, only available for a few short weeks in the summer - in fact that the short period of availability was rather the point! I mentioned this in the discussion, and someone said that Peckham, In South London, used to be a centre of asparagus production, and that it was produced locally until comparatively recently. The discussion widened to take in the idea of local produce, to some extent it was related to the previous discussion about foodstuffs from the Americas, but was more based on the fact that in Europe it seems that we no longer have 'seasonal food', as the example of asparagus shows.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="color: #38761d;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="color: #38761d;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;***************************************************************************************************&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="color: #38761d;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="color: #38761d;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Hugo Blanco delivered a final speech to the meeting, which he prefaced by saying that the indigenous peoples of Latin America are only a part of the general struggle against neo-liberalism and in defence of the planet. He reminded us also that the indigenous peoples of Latin America don't form a homogeneous unit, there is great diversity of peoples, languages and cultures. After 500 years of struggle, people are beginning to take pride in being indigenous and and trying to sustain cultures and ways of life that were more or less destroyed by the Spanish conquests. But he said he didn't want anyone to think that the indigenous peoples are in any sense the LEADERS of a movement of resistance; they are part of a movement which also includes working class people in the mega-cities of Latin America and the people of the barrios. He quoted the example of the question of the leadership of the struggle for water in Ecuador. &amp;nbsp;&lt;a href="http://www.idrc.ca/en/ev-29422-201-1-DO_TOPIC.html"&gt;Water Management in Ecuador's Andes Mountains&lt;/a&gt;. The indigenous peoples of Ecuador have said that they don't see themselves as leaders in the struggle, but as part of society as a whole.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="color: #38761d;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_O_KPHqLSb04/TKEL9UE5CmI/AAAAAAAAAes/bm4w68jGiAA/s1600/2010_0527_ecuador_colombia_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="179" src="http://4.bp.blogspot.com/_O_KPHqLSb04/TKEL9UE5CmI/AAAAAAAAAes/bm4w68jGiAA/s320/2010_0527_ecuador_colombia_m.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="color: #38761d;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="color: #38761d;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #38761d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 18px;"&gt;&lt;b&gt;He concluded by reiterating what he had said at the beginning; we are all campaigning for the construction of a new society, and although the movement in Latin America may not use the same terminology, we are all part of the same struggle, the campaign for Mother Nature - what we in Europe call Eco-Socialism.&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3597330275162483561-4428020554173523908?l=leonora-opera.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://leonora-opera.blogspot.com/feeds/4428020554173523908/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://leonora-opera.blogspot.com/2010/09/latin-america-and-ecosocialist.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/4428020554173523908'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/4428020554173523908'/><link rel='alternate' type='text/html' href='http://leonora-opera.blogspot.com/2010/09/latin-america-and-ecosocialist.html' title='Latin America and the Ecosocialist Alternative'/><author><name>leonora</name><uri>http://www.blogger.com/profile/09432898647945296611</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://2.bp.blogspot.com/_O_KPHqLSb04/Srd4_ICcJMI/AAAAAAAAAAs/SLc-amlBsgU/S220/theodoracat.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_O_KPHqLSb04/TJibP9EzmvI/AAAAAAAAAd0/n4E5llq-_Do/s72-c/HugoBlanco1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3597330275162483561.post-4616132210704930422</id><published>2010-09-11T03:07:00.000-07:00</published><updated>2010-09-11T06:31:48.191-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='George Osborne'/><category scheme='http://www.blogger.com/atom/ns#' term='Coalition of Resistance'/><category scheme='http://www.blogger.com/atom/ns#' term='Benefit Cuts'/><category scheme='http://www.blogger.com/atom/ns#' term='Pensions'/><title type='text'>My life as a 'benefit scrounger'</title><content type='html'>&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;The Chancellor, George Osborne, has excelled himself in his latest outrageous announcement.&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_O_KPHqLSb04/TItN9IbTTqI/AAAAAAAAAdM/yUWSksRjDkE/s1600/Osborne1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;b&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_O_KPHqLSb04/TItN9IbTTqI/AAAAAAAAAdM/yUWSksRjDkE/s320/Osborne1.jpg" /&gt;&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;&lt;b&gt;(And has anyone noticed that he is almost a clone of his master, David Cameron?!)&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;&lt;b&gt;In a recent BBC interview, he said the following:&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;&lt;b&gt;&lt;i&gt;Mr. Osborne told BBC political editor Nick Robinson that "those making a life-style choice to just sit on out-of-work benefits" would be affected. [by the newest welfare cuts]&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;&lt;b&gt;&lt;i&gt;Mr. Osborne said "We are going to reform out-of-work benefits so there's a strong incentive for people who can work to get work.......People who think that it's a life-style choice just to stay on out-of work benefits....that life-style choice is going to come to an end".&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_O_KPHqLSb04/TItQtzn9bFI/AAAAAAAAAdU/z7zBy8sGW34/s1600/jobcentre1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_O_KPHqLSb04/TItQtzn9bFI/AAAAAAAAAdU/z7zBy8sGW34/s320/jobcentre1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;I&lt;b&gt;n my opinion (and experience) the only people who think that unemployment is a 'lifestyle choice' are the pampered public schoolboys of the Tory Cabinet.&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;&lt;b&gt;For the record, here is the 'lifestyle choice' of the average 'benefit scrounger' - the minimum, apart from food, that even we need to buy. This only applies to single people and childless couples, parents will of course need even more frivols in order to feed their children and send them to school.&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;&lt;b&gt;(I am a pensioner, so I won't be quite so badly affected as people younger than myself, but I am not exactly about to enjoy a comfortable retirement).&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_O_KPHqLSb04/TItQ2w3VS4I/AAAAAAAAAdc/kveXfCmEohw/s1600/Hands-off-our-pensions-pl-006.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_O_KPHqLSb04/TItQ2w3VS4I/AAAAAAAAAdc/kveXfCmEohw/s320/Hands-off-our-pensions-pl-006.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;The comfortable lifestyle of the 'benefit scrounger'; basic necessities.&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;&lt;b&gt;Toilet paper&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;&lt;b&gt;Toilet cleaner&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;&lt;b&gt;Soap&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;&lt;b&gt;Shower gel&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;&lt;b&gt;Deodorant&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;&lt;b&gt;Shampoo&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: #0c343d; font-family: Arial;"&gt;Toothpaste&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;&lt;b&gt;Washing-up liquid&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;&lt;b&gt;Laundry liquid/fabric conditioner&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;&lt;b&gt;Stain remover&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;&lt;b&gt;Bleach&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Disinfectant&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Multi-purpose cleaner (to include bath/shower cleaner)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Tissues&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Light bulbs&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Polish&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Dusters&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Paper to write on&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Pens to write with&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Transport costs (so at least people can travel to job interviews!!!)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Weekly visit to the launderette (presumably a family would need a washing machine)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Gas bills&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Electricity Bills&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Phone Bills&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Housing costs (rent or mortgage repayment)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Council Tax&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Er....CLOTHES, SHOES...even if these are bought second-hand, we have to pay for them!!&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;And God forbid we should buy newspapers or ....gasp...BOOKS!! Or ever go to the theatre, or a concert, or an art exhibition, or the cinema.....that's too good for the likes of us!&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_O_KPHqLSb04/TItS1lPWW7I/AAAAAAAAAdk/5rNo5bz_Qso/s1600/300_Image_benefits_form.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_O_KPHqLSb04/TItS1lPWW7I/AAAAAAAAAdk/5rNo5bz_Qso/s320/300_Image_benefits_form.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: black; font-family: 'Times New Roman'; font-weight: normal;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;/b&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="color: black; font-family: 'Times New Roman'; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;Many of us are very angry about the way we are being treated, and we need to translate our anger into action.&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="display: inline! important; font-weight: normal;"&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="display: inline! important; font-weight: normal;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;First port of call :&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_O_KPHqLSb04/TItUJbrx9NI/AAAAAAAAAds/aenXMB1WeAY/s1600/coaltionlogo_200.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="98" src="http://4.bp.blogspot.com/_O_KPHqLSb04/TItUJbrx9NI/AAAAAAAAAds/aenXMB1WeAY/s200/coaltionlogo_200.png" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="color: black; font-family: 'Times New Roman'; font-weight: normal; text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: black; font-family: 'Times New Roman'; font-weight: normal; text-align: center;"&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="display: inline! important; font-weight: normal;"&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="display: inline! important; font-weight: normal;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #0c343d;"&gt;&amp;nbsp;&lt;a href="http://www.coalitionofresistance.org.uk/"&gt;Coalition of Resistance&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="color: black; font-family: 'Times New Roman'; font-weight: normal; text-align: center;"&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="display: inline! important; font-weight: normal;"&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="display: inline! important; font-weight: normal;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-family: 'Times New Roman'; font-weight: normal; text-align: left;"&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="display: inline! important; font-weight: normal;"&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="display: inline! important; font-weight: normal;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;We can join this either as individuals or as groups, and protest against the cuts.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="color: black; font-family: 'Times New Roman'; font-weight: normal;"&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="display: inline! important; font-weight: normal;"&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="display: inline! important; font-weight: normal;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="color: black; font-family: 'Times New Roman'; font-weight: normal; text-align: center;"&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="display: inline! important; font-weight: normal;"&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="display: inline! important; font-weight: normal;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3597330275162483561-4616132210704930422?l=leonora-opera.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://leonora-opera.blogspot.com/feeds/4616132210704930422/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://leonora-opera.blogspot.com/2010/09/my-life-as-benefit-scrounger.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/4616132210704930422'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3597330275162483561/posts/default/4616132210704930422'/><link rel='alternate' type='text/html' href='http://leonora-opera.blogspot.com/2010/09/my-life-as-benefit-scrounger.html' title='My life as a &apos;benefit scrounger&apos;'/><author><name>leonora</name><uri>http://www.blogger.com/profile/09432898647945296611</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://2.bp.blogspot.com/_O_KPHqLSb04/Srd4_ICcJMI/AAAAAAAAAAs/SLc-amlBsgU/S220/theodoracat.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_O_KPHqLSb04/TItN9IbTTqI/AAAAAAAAAdM/yUWSksRjDkE/s72-c/Osborne1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3597330275162483561.post-1688850455843752938</id><published>2010-09-06T13:56:00.000-07:00</published><updated>2010-09-07T03:08:03.338-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wagner'/><category scheme='http://www.blogger.com/atom/ns#' term='French symbolists'/><category scheme='http://www.blogger.com/atom/ns#' term='William Morris'/><category scheme='http://www.blogger.com/atom/ns#' term='Versification'/><category scheme='http://www.blogger.com/atom/ns#' term='Der Ring des Nibelungen'/><category scheme='http://www.blogger.com/atom/ns#' term='Sigurd the Volsung'/><category scheme='http://www.blogger.com/atom/ns#' term='Poetry'/><title type='text'>Wagner's Poetic Diction</title><content type='html'>&lt;div class="WordSection1"&gt;&lt;div align="center" class="m" style="margin-right: 0cm; text-align: center; text-indent: 0cm;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;&lt;i&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="-webkit-text-decorations-in-effect: none; font-style: normal; font-weight: normal;"&gt;&lt;b&gt;&lt;i&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-large;"&gt;WAGNER'S POETIC DICTION&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="m" style="margin-right: 0cm; text-align: center; text-indent: 0cm;"&gt;&lt;b&gt;&lt;u&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="m" style="margin-right: 0cm; text-align: center; text-indent: 0cm;"&gt;&lt;b&gt;&lt;u&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_O_KPHqLSb04/TIVVFpcUCgI/AAAAAAAAAdE/caDrpPMesWA/s1600/wagner2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;i&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_O_KPHqLSb04/TIVVFpcUCgI/AAAAAAAAAdE/caDrpPMesWA/s320/wagner2.jpg" /&gt;&lt;/i&gt;&lt;/a&gt;&lt;/div&gt;&lt;div align="center" class="m" style="margin-right: 0cm; text-align: center; text-indent: 0cm;"&gt;&lt;b&gt;&lt;u&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="m" style="margin-right: 0cm; text-align: center; text-indent: 0cm;"&gt;&lt;b&gt;&lt;u&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_O_KPHqLSb04/TIVTrWEQA2I/AAAAAAAAAc8/aYuFZOf9pPI/s1600/wmor.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;i&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_O_KPHqLSb04/TIVTrWEQA2I/AAAAAAAAAc8/aYuFZOf9pPI/s320/wmor.gif" /&gt;&lt;/i&gt;&lt;/a&gt;&lt;/div&gt;&lt;div align="center" class="m" style="margin-right: 0cm; text-align: center; text-indent: 0cm;"&gt;&lt;b&gt;&lt;u&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="m" style="margin-right: 0cm; text-align: center; text-indent: 0cm;"&gt;&lt;b&gt;&lt;u&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="m" style="margin-right: 0cm; text-align: center; text-indent: 0cm;"&gt;&lt;b&gt;&lt;u&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="m" style="margin-right: 0cm; text-align: left; text-indent: 0cm;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;(Explanatory note by the author.&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="m" style="margin-right: 0cm; text-align: left; text-indent: 0cm;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;&lt;i&gt;There are some references to William Morris's SIGURD THE VOLSUNG - this is a chapter from a longer monograph discussing the RING and Morris's epic poem SIGURD THE VOLSUNG).&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m" style="margin-right: 0cm; text-align: left; text-indent: 0cm;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;&lt;i&gt;Click here for further details:&amp;nbsp;&lt;/i&gt;&lt;a href="http://members.fortunecity.co.uk/leonora/ring1.html"&gt;&lt;i&gt;http://members.fortunecity.co.uk/leonora/ring1.html&lt;/i&gt;&lt;/a&gt;&lt;i&gt;&amp;nbsp;)&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 5.0pt; margin-right: 0cm; margin-top: 0cm; text-indent: 0cm;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;b&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;3.1. Wagner's poetic theories; the suitability of &lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Stabreim&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="display: none;"&gt; .&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span style="font-family: Calibri, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;In &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Oper und Drama&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp; Wagner&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: Calibri, sans-serif;"&gt;explains his poetic and litera&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Calibri, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;ry theories at some length,in particular his decision to use alliterative verse (&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Calibri, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Stabreim&lt;/i&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Calibri, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;); he discusses what he considers to be the nature of&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Calibri, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Stabreim&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Calibri, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;, (or unsuitability of end-rhyme) and its particular relevance to, and importance for,&amp;nbsp; his dramatic purposes; specifically, for the purpose of dramatising material from G&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Calibri, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;ermanic myth &lt;/span&gt;&lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn1" name="_ftnref1" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: Calibri, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;[1]&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;:&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 18.0pt; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 1.0pt; margin-right: 1.0pt; margin-top: 0cm;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="para"&gt;&lt;span style="font-family: Calibri, sans-serif;"&gt;&lt;i&gt;Der Rhythmus des modernen Verses ist ein nur gebildeter, und am deutlichsten mußte dieß der Tonsetzer empfinden, der eben nur aus diesem Verse den Stoff zur Bildung der Melodie nehmen wollte... &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="para"&gt;&lt;span style="font-family: Calibri, sans-serif;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp; (&lt;/i&gt;&lt;u&gt;&lt;i&gt;Eine Mitteilung an meine Freunde&lt;/i&gt;&lt;/u&gt;&lt;i&gt;, Gesammelte Schriften, &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Bd.IV, p.326)&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="para"&gt;&lt;span style="font-family: Calibri, sans-serif;"&gt;&lt;i&gt;Als ich den Siegfried entwarf, fühlte ich, mit vorläufigem gänzlichen Absehen von der musikalischen Ausführungsform, die Unmöglichkeit, oder mindestens die vollständige Ungeeignetheit davon, diese Deutung im modernen Verse auszuführen.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="para"&gt;&lt;span style="font-family: Calibri, sans-serif;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (ibid. p.327)&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;In speaking of “the utter impossibility of producing the poem with modern verse techniques”, Wagner refers specifically to the Germanic material (at this stage still the one poem, &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Siegfrieds Tod&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;.)&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; He also discusses the question of what would be the most suitable poetic form in which to depict Siegfried, as he conceived of him:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="para"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;der männlich&amp;nbsp; verkörperte Geist der ewig und einzig zeugenden Unwillkür, des Wirkers wirklicher Thaten, des Menschen in der Fülle höchster, unmittelbarster Kraft und zweifellosester Liebenswürdigkeit. (ibid, p.328&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Wagner states that he found modern verse-forms, especially end-rhyme, unsuitable because he feels that his Siegfried-figure would not have used such&amp;nbsp; artificial means of expression:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="para"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;So, wie dieser Mensch sich bewegte, mußte aber notwendig sein redender Ausdruck sein; hier reichte der nur gedachte moderne Vers mit seiner verschwebenden, körperlosen Gestalt nicht mehr aus.....&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="para"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;( ibid. pp.328-329&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="para"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;an dem urmythischen Quelle, wo ich den jugendlich schönen Siefgfriedmenschen fand, traf ich auch ganz von selbst auf den sinnlich vollendeten Sprachausdruck, in dem einzig dieser Mensch sich kundgeben konnte. Es was dies der, nach dem wirklichen Sprachaccente zur natürlichsten und lebendigsten Rhythmik sich fügende, zur undendlich mannigfaltigsten Kundgebung jeder Zeit leicht sich befähigende, stabgereimte Vers, in welchem einst das Volk selbst dichtete, als es eben noch Dichter und Mythenschöpfer war.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="para"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ibid., p. 239&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt; )&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Because Wagner thinks that &lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Stabreim&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp; is somehow a more "natural" or "primitive" form of poetic composition than end-rhyme, he&amp;nbsp; finds it an eminently suitable vehicle for conveying the character and personality of the &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;jugendlich schöner&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Siegfriedmensch&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;. In Wagner’s opinion, &lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Stabreim&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp; is &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="para"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;die urälteste Eigenschaft aller dichterischen Sprache.... Im Stabreime werden die verwandten Sprachwurzeln in der Weise zueinander gefügt, daß sie, wie sie sich dem sinnlichen Gehöre als ähnlich lautend darstellen, auch ähnliche Gegenstände zu einem Gesammtbilde von ihnen verbinden, in welchem das Gefühl sich zu einem Abschluße über sie äußern will.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="para"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Stabreim&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp; &lt;/i&gt;does not actually reflect or reproduce the nature of ordinary speech ; it is just as highly stylised as end-rhyming verse in iambic pentameters. Wagner is, however, making a valid point in saying:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="para"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="para"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Wie einfach ist die Erklärung und das Verständnis aller Metrik, wenn wir uns die vernünftige Mühe geben, auf die natürlichen Bedingungen alles menschlichen Kunstvermögens zurückzugehen, aus denen wir auch einzig wieder nur zur wirklichen Kunstproduktion gelangen können! &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="ny"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Wagner seems to share with Wordsworth a dislike of what the latter called the "gaudiness and inane phraseology of many modern writers" and also to believe that poetry consists in "fitting to metrical arrangement a selection of the real language of men" &lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;(Preface to the Lyrical Ballads, 1805)&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; .&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;For the &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Ring&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; , Wagner invents his own version of &lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Stabreim,&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; based on Ludwig Ettmüller’s translations of the &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Poetic Edda&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;, &lt;/span&gt;&lt;/span&gt;&lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn2" name="_ftnref2" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;[2]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; but in a form which allows him much more flexibility. Wagner reproduces hardly any of the vocabulary that he found in Ettmüller's translations, and also disregards the strophic nature of the &lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Poetic Edda.&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; Very occasionally, a character in the &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Ring&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp; will have a four-line strophe, but this is the exception rather than the rule. Ettmüller&amp;nbsp; explains in his introduction how &lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Stabreim&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp; works:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="para"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;In den zusammengehörenden Zeilen müssen drei Wörter vorkommen, die mit denselben Buchstaben anfangen. Von diesen drei Wörtern finden zwei in der ersten, das dritte jedoch in der zweiten Zeile ihre Stelle.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;(Ettmüller&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'Times New Roman', serif; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;,&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'Times New Roman', serif; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt; Introduction&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;)&amp;nbsp; &lt;/i&gt;&lt;/span&gt;&lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn3" name="_ftnref3" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;[3]&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="ny" style="text-indent: 0cm;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="ny" style="text-indent: 0cm;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Ettmüller also attempts to convey something of the nature of Old Norse poetic idioms (kennings&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;):&lt;/span&gt;&lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn4" name="_ftnref4" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;[4]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="q"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="para"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;So versteht sich denn auch von selbst, daß alle die kühnen bildlichen Ausdrücke, an denen die altnordischen Dichtungen so reich sind, in der Uebersetzung wiedergegeben werden mußten und nicht mit den durch sie ersetzten natürlichen Ausdrücken vertauscht werden durften. (ibid.)&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m" style="text-indent: 0cm;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m" style="text-indent: 0cm;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;The following passage probably had the greatest influence on&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d; font-family: 'Times New Roman', serif;"&gt;Wagner:&lt;/span&gt;&lt;/div&gt;&lt;div class="para"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;[ich] habe keine neuen Wörter gemacht...wohl aber habe ich zuweilen...gutem alten Golde, dessen Gepräge, wenn auch nicht den Schriftstellern, doch dem Volke noch gar wohl bekannt ist...... auch in der Schriftwelt aufs neue Geltung zu verschaffen gesucht. (ibid.)&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;In&amp;nbsp;&amp;nbsp; claiming&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Stabreim&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp; &lt;/i&gt;as a more suitable vehicle for his drama than end-rhyming iambic pentameters, Wagner&amp;nbsp; notes that verse and&lt;i&gt; &lt;span class="Apple-style-span" style="font-style: normal;"&gt;metre are made up of&lt;/span&gt; &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Hebung und&lt;/i&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Senkung, Ausdehnung und Kürzungen, Steigerung und Abnahme der tönenden Laute&lt;/i&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;. &lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;It is not always explicit in &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Oper und Drama&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;, but he is actually making the point specifically about his own experimentation with various verse-forms, although in some passages he generalises far too much about the suitability of one or other particular verse-form: he appears to have a particular anitpathy to iambic pentameter, which at one point he dismisses as unsuitable for drama altogether. At times he seems not to be entirely clear whether the unsuitability refers to drama as a whole, or just to opera, and he cannot be entirely absolved from the charge of inconsistency, but on one point he seems quite definite:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="para"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Die Darstellung der Verwandschaft der zu Tönen gewordenen Vokallaute an unser Gefühl kann daher nicht mehr der Wortdichter bewerkstelligen, sondern der Tondichter.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="para"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp; (&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;u&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Oper und Drama,&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt; iii ;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt; Gesammelte Schriften, Bd.IV, p.138)&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;It is the flexibility o&lt;i&gt;f &lt;/i&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Stabreim&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;which attracts Wagner, and he claims that it is much more easily adaptable to musical rhythm than more conventional metre. What he says about stress pattern does not&amp;nbsp; apply to conventional, "authentic" &lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Stabreim&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;, but it does apply to his version of it:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="para"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Der rein musikalische Takt bietet dem Dichter Möglichkeiten für den Sprachausdruck dar, denen er für den nur gesprochenen Wortvers von vornherein entsagen mußte. Im nur gesprochenen Wortvers mußte der Dichter sich darauf beschränken, die Zahl der Sylben in der Senkung nicht über zwei auszudehnen, weil bei drei Sylben der Dichter es nicht hätte vermeiden können, daß eine dieser Sylben bereits als&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Hebung zu betonen gewesen wäre, was seinen Vers natürlich sogleich über den Haufen geworfen hätte&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;.&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn5" name="_ftnref5" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: 'New York', serif; font-size: 12pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;[5]&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp; &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;(ibid.)&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/i&gt;&amp;nbsp; &amp;nbsp;Hardly any of Wagner's contemporaries or successors followed him in his claim for the superiority of alliterative verse over iambic pentameter, and the poets who did follow him most enthusisatically - the French Symbolists - were not dramatists, but lyric poets. &lt;/span&gt;&lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn6" name="_ftnref6" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: Times, serif; font-size: 8pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;[6]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;span style="font-family: Times, serif; font-size: 12pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&lt;br clear="all" style="mso-break-type: section-break; page-break-before: always;" /&gt;&lt;/i&gt;&lt;/span&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;  &lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;b&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;3.2. Wagner's use and adaptation of alliterative verse technique&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span style="display: none;"&gt;;&lt;/span&gt;&lt;b&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&lt;span class="Apple-style-span" style="font-style: normal;"&gt; It may be helpful to illustrate Wagner's procedure by quoting a few of Ettmüller's translations,&amp;nbsp; to illustrate just how flexible Wagner's verse is in comparison. Ettmüller retains as far as possible the pattern of alliteration found in the &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Poetic Edda&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;; note for instance the following lines from &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;Gripispá &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;:&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem" style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;wird der Reiche mir&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="left" class="poem" style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Rede bieten?&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="left" class="poem" style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;froh des Rathes&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="left" class="poem" style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;der Fremdling wäre;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="left" class="poem" style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;flugs gern fände&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="left" class="poem" style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;des Fürsten ich.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="left" class="poem" style="text-align: left;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem" style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Was fügt sich förderst&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="left" class="poem" style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;zur Freude mir,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="left" class="poem" style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;hub ich aus deinen&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="left" class="poem" style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Hallen mich?&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Since Wagner allows himself so much more flexibility in the pattern of alliteration, his constructions are rarely as clumsy as&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="Q2" style="text-align: left;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;wie läuft des Lebens&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="left" class="Q2" style="text-align: left;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Lauf mir ferner?&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;although in the original Old Norse, this is not a particularly clumsy stanza.&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;Ettmüller uses some archaisms that Wagner doesn’t use, for instance&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;schaff'&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;mir Stromes Strahlglut&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;- translation of a kenning. &lt;/span&gt;&lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn7" name="_ftnref7" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: Times, serif; font-size: 8pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;[7]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Those that Wagner does use, or invent, are not directly taken from Ettmüller's translations, but are words or expressions which he considered fitted best into the context of his poem. Wagner rarely uses a periphrastic expression such as &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;schaff mir Stromes Strahlglu&lt;/b&gt;t&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;,&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; but the Rhinegold is once referred to as &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;der Wassertiefe wonniger Stern&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; Occasionally Wagner adapts an expression found in Ettmüller’s translation, but always expands upon it and amplifies it; a similar procedure to that which Morris adopts, in fact. For example, Andvari's curse is rendered by Ettmüller as &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;Niemand des Goldes / genießen soll!&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;which is adapted and expanded by Wagner into the line &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;Doch keiner genieße mit Nutzen sein!&lt;/b&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Perhaps most useful for our purposes would be a comparison of the various versions of the Woodbird episode; in PE and in Morris's poem, Sigurd is warned by eagles of Regin's treacherous intent, told about the bride who awaits him on the fire-girt rock (Sigrdrifa/Brynhild), and advised to take the treasure. Wagner&amp;nbsp; alters the vocabulary and the structure of this episode;&lt;/span&gt;&lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn8" name="_ftnref8" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: Times, serif; font-size: 8pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;[8]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;the birds are reduced in number to one Woodbird, whose advice to Siegfried is delivered in three stanzas, not consecutive but arising from the dramatic situation. I quote first of all Ettmüller's translation, then&amp;nbsp; Morris's translation for purposes of comparison.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 18.0pt;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="Q2" style="margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 1.0pt; margin-right: -1.0pt; margin-top: 0cm; text-align: justify;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Als aber Fafnirs Herzblut ihm auf die Zunge kam, verstund er die Vogelsprache. Er hörte, daß Adlerinnen von den Aesten riefen;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;28.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 29.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Da sitzet Sigurd&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Da liegt Regin&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; besudelt vom Blute,&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;sinnt Rath bei sich;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Fafnirs Herz&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; will trügen, der ihm&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; er am Feuer bratet; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; traute, den Mann;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; der Kampfwarspalter&amp;nbsp; &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn9" name="_ftnref9" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;b&gt;&lt;span style="font-family: Times, serif; font-size: 8pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;[9]&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; aus Neid er denkt,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; klug mich däuchte,&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; auf nichtige Händel;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; äßt er die leuchtende&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; der Falschhart will&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Lebensfaser.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Fafnirn rächen.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;30.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Hauptes kürzer laß' er&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 36.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Die roten Ringe&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; den haarigen Schwätzer&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; reihe dir an;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; fahren hin zur Hel:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Furcht zu fühlen&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ihm dann eigen&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; nicht Fürsten ziemt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; wird alles Gold,&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Eine Maid ich weiß,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; der Hort, den Fafnir hegte.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; die minniglichste,&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;hell in Golde,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang="IT" style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;wenn du sie haben&amp;nbsp;könntest.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span lang="IT"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;38.Ein Hof steht hoch&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 39.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Auf dem Steine schläft&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; auf Hindarfiall,&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; die Streitweise,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; fest umfängt ihn&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; und ringsum lecket&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Feuer von außen;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; der Linde Feind;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; den haben hehre&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Yggur stach den Dorn&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Helden erbauet&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; einst in's Gewand&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; aus fern strahlender &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; der Maid, die Männer&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Stromesgluth.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn10" name="_ftnref10" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;b&gt;&lt;span style="font-family: Times, serif; font-size: 8pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;[10]&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; morden wollte.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="Q2"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="Q2"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="Q2"&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Morris's translation&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="Q2" style="text-align: justify;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Bind thou, Sigurd,&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; A high hall is there&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2" style="text-align: justify;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;the bright red rings!&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Reared upon Hindfell,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2" style="text-align: justify;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Not meet it is&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Without all about it&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2" style="text-align: justify;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Many things to fear.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Sweeps the red flame &amp;nbsp;aloft.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2" style="text-align: justify;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;A fair may know I&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Wise men wrought&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2" style="text-align: justify;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Fair of all the fairest&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; That wonder of halls&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2" style="text-align: justify;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Girt about with gold,&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; With the unhidden &amp;nbsp;gleam&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2" style="text-align: justify;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Good for thy getting.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Of the glory of gold.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="Q2" style="text-align: justify;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Soft on the fell&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Go, son, behold&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2" style="text-align: justify;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;A shield-may sleepeth,&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; That may under helm&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2" style="text-align: justify;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;The lime-trees' red plague &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn11" name="_ftnref11" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;b&gt;&lt;span style="font-family: Times, serif; font-size: 8pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;[11]&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; who from battle&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2" style="text-align: justify;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Playing about her;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Vinskornir bore;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2" style="text-align: justify;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;the sleep-thorn set Odin&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; From her may not turn&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2" style="text-align: justify;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Into that maiden&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; the torment of sleep,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2" style="text-align: justify;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;for her choosing in war&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; dear offspring of kings&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2" style="text-align: justify;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;the one he willed not.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; in the dread Norns' despite.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2" style="text-align: justify;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="Q2" style="text-align: justify;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="Q2"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Wagner's Woodbird has three stanzas in which it conveys&amp;nbsp; the necessary information to Siegfried, plus a three line flourish it which it explains the nature&amp;nbsp; of its song. &lt;/span&gt;&lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn12" name="_ftnref12" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: Times, serif; font-size: 8pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;[12]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;A&lt;/i&gt;lmost any section one cares to isolate, however short, will serve to illustrate the flexibility of Wagner’s alliterative verse.&amp;nbsp; Hunding's lines &lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="m" style="line-height: normal; text-align: center;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m" style="line-height: normal; margin-left: 55.0pt; text-indent: 0cm;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;die so leidig los dir beschied&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m" style="line-height: normal; margin-left: 55.0pt; text-indent: 0cm;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;nicht liebte dich die Norn ;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m" style="line-height: normal; margin-left: 55.0pt; text-indent: 0cm;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;froh nicht grüßt dich der Mann&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m" style="line-height: normal; margin-left: 55.0pt; text-indent: 0cm;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;dem fremd als Gast du nahst&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m" style="line-height: normal; margin-left: 55.0pt; text-indent: 0cm;"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;/span&gt;&lt;i&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Die Walküre &lt;/span&gt;&lt;/u&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;, Act I )&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;follow the pattern of Eddic verse and Ettmüller’s translations. Thus in &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;d&lt;b&gt;ie so &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;lei&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;dig &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;L&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;os dir beschied /nicht &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;lie&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;bte dich die Norn&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;,&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;liebte&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;could be said to function as the &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;høfu&amp;nbsp; stafr&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;, (headstave)&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; and to determine the alliterative pattern of the line. The next lines provide an example of double allliteration, without a head-stave; &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;fr&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;oh nicht &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;gr&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;üßt dich der Mann,&amp;nbsp; dem &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;fr&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;emd als &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;G&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;ast du nahst&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; Strictly speaking,&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;grüßt&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;doesn’t quite alliterate with &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Gast&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;,&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;but this is a typical example of the flexibility and freedom that Wagner allowed himself.&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The use of alliteration often produces very striking onomatopæic effects, as in the epithet &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;sch&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;äbiger &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Sch&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;uft.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;The alliteration is not always obtrusive or obvious, although this criticism has frequently been made; in the the following lines, for instance&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Vor Klugheit &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;bl&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;äht sich &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;zum Platzen der &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Bl&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;öde!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Nun plage dich Neid!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Bestimm', in welcher Ge&lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;st&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;alt&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;soll ich jach vor dir &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;st&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;eh'n?&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Das Rheingold&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;, sc. iii)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;the alliteration is hardly noticeable, it forms part of the &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;symphonisches Geweb&lt;/b&gt;e&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;,&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; as Wagner intended.&lt;/span&gt;&lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn13" name="_ftnref13" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: Times, serif; font-size: 8pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;[13]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; And on occasion, basicially factual information or lines of dialogue are as economical as possible, hardly bothering with alliteration at all:&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Halt ihn fest, bis ich ihn band.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Nun schnell hinauf; dort ist er unser.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Das Rheingold&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;, sc. iii)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;This would suggest that when Wagner gave Alberich such obtrusively alliterative lines as &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;garstig glatter glitschriger Glimmer&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;or when Wellgunde expresses her negative opinion of Alberich's appearance;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span lang="IT"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Pfui, du &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;h&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;aariger, &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;span lang="IT"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;h&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span lang="IT"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;öckriger Geck!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Sch&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;warzes, &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;sch&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;wieliges &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Sch&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;wefelgezwerg!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Das Rheingold&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;, &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ll.103-106&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;very obtrusive alliteration is deliberately used for comic effect,&amp;nbsp; in order to make a point about Alberich, and that in his use of language Wagner was at least as competent a craftsman as Morris. Much of the alliteration used by and about Alberich in the first scene of &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Das Rheingold&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;conveys his unprepossessing nature and appearance; apart from the above lines, we have Wellgunde's comment&amp;nbsp; &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Prustend naht meines Freiers Pracht!&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;in which the alliteration enables Wagner to use &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Pracht&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;ironically, to alliterate with &lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;prustend&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;,&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; so that Alberich is subject to ridicule for his efforts. &lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The same overloading of alliteration is used by Siegfried to express his revulsion at Mime's appearance:&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 53.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;seh' ich dich stehen, &lt;/i&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;g&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;angeln und &lt;/i&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;g&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;eh'n,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 53.0pt; text-align: justify;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;knicken&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt; und &lt;/i&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;nicken&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;, mit den Augen zwicken...&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 53.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Siegfried&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;, &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Act 1)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;This couplet&amp;nbsp; is also one of the rare examples in the &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Ring&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;of the use of internal rhyme, combined with alliteration. Siegfried returns to the subject of Mime's unprepossessing appearance in Act II:&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Gr&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ade so &lt;/i&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;g&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;arstig, &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;gr&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;iesig und &lt;/i&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;gr&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;au,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;kl&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ein und &lt;/i&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;kr&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;umm,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;h&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;öckrig und &lt;/i&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;h&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;inkend....&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;( &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Siegfried&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;, &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Act II &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ll.5598-5601&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Do Siegfried’s insults about Mime’s appearance parallel the Rheinmaidens’ insults about Alberich’s appearance?&amp;nbsp; These examples support the contention that Wagner deliberately chose obtrusive alliteration, with spitting consonants, to characterise the Nibelung brothers. This is carried over into the quarrel between Alberich and Mime in Act II of &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Siegfried&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;:&lt;/span&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 58.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Für des &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Kn&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;aben Zucht&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 58.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;will der &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;kn&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ickrige &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 58.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;schäbige &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Kn&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;echt&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 58.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;k&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;eck und &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;k&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ühn &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 58.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;wohl gar &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;K&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;önig sein?&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m" style="line-height: normal; margin-left: 58.0pt; text-indent: 0cm;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;/span&gt;&lt;i&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Siegfried&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;, Act II, ll.5806-5811)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Wagner gives himself constant opportunites to use cross-alliteration and double-alliteration effectively, as in the following example:&lt;/span&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;W&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ut und &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;M&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;inne, &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;w&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ild und &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;m&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ächtig,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;w&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ühlt mir den &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;M&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ut auf!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Das Rheingold&amp;nbsp; &lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ll.190-192&lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;The alliteration here allows the use of antithesis. &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Wut&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;and &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Minne&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;are linked in Alberich’s mind because of the situation in which he finds himself, but there is no natural link between the two states of mind.&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Wut&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;is linked with &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;wild&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;and &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Minne&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp; with &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;mächtig&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; This is the first link between &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Minne&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; and &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Macht&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;(and its derivative, &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;mächtig&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;), and we shall become aware that the main argument of the &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Ring&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;is the incompatibility&amp;nbsp; between power and love. There will be further close verbal links between &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Minne&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; und &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Macht&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;, most noticeably the condition under which the Rheingold can be obtained:&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Nur wer der &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Minne &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Macht&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt; entsagt,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Nur wer der Liebe &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Lust verjagt,&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Das Rheingold&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;, &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ll.269-272&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;and at the beginning of Wotan’s narration in &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Die Walküre&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;, in which he tells Brünnhilde&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Von der Liebe doch &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;mocht’ ich nicht lassen;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;in der &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Macht&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt; verlangt’ ich nach &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Minne&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Die Walküre,&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Act II, ll.2778-2780&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;The link is also found at the very end of &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Götterdämmerun&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;g&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;,&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt; &lt;/i&gt;as Brünnhilde expresses her intention to join Siegfried on his funeral pyre: &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;in &lt;b&gt;mächtigster Minne vermählt&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;ihm zu sein!&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Of course it may be a coincidence, and &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;mächtig(st)e Minne&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;is a fairly obvious epithet for any poet who has decided to use alliteration, but this functions as a demonstration of the different contexts in which the concept can be used, and I&amp;nbsp; like the way Wagner introduces it first in an ironic context.&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Further effective and striking examples of double&amp;nbsp; alliteration are found, for instance:&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;sollte die &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;gr&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;immige &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;W&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;al&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;nicht schrecken ein &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;gr&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;amvolles &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;W&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;eib?&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Die Walküre&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;, &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Act II)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;which also includes another archaism&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; - &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Wal&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;- &lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;which Wagner has to use in order for it to alliterate with&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Weib&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;as so often, the archaic vocabulary is effective in its context, the alliteration providing a balance of sounds that is satisfying to the ear. &lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Another example worth noting is Sieglinde's &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Gr&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;auen und &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Sch&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;auder ob&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;gräßlichster Schande&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;where the double alliteration emphasises the related concepts. &lt;/span&gt;What is the &lt;/i&gt;&lt;/span&gt;&lt;i&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;gräßlichste Schande&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;that Sieglinde feels? There is perhaps a deliberate ambiguity here. In the eyes of the world (i.e. of Fricka,&lt;/i&gt; who may be seen to represent respectable opinion), what Sieglinde and Siegmund have done is a shameful disgrace; but during the ecstacy of their love-duet it was her marriage that she felt as a shameful disgrace:&lt;/span&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;was je ich gelitten &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;in grimmigem Leid,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;was je mich geschmerzt &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;in Schande und Schmach,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span lang="IT"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;süßeste Rache &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span lang="IT"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;sühnte dann alles!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span lang="IT"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Die Walküre&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;, &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Act I &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ll. 2244-2249&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;A&amp;nbsp; splendid example of double alliteration followed by cross-alliteration occurs in&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Fr&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;eieste &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;L&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;iebe &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;f&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;urchtbares &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;L&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;eid&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;tr&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;aurigsten &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;M&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;utes &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;m&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ächtigster &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Tr&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;otz!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Die Walküre&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;, &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Act III)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Or again, Wotan's despair at the situation in which he finds himself during Act II of &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Die Walküre&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;is&lt;i&gt;&amp;nbsp; &lt;/i&gt;given expression&amp;nbsp; and emphasis by the skilful use of cross-alliteration: &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;O heilige Schmach! O schmählicher Harm!&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The principle of using double and/or cross-alliteration for emphasis is found again and again in Wagner's text ; in &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Götterdämmerung&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;,&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; it occurs on one occasion&amp;nbsp; in conjunction with vowel alliteration, which Wagner only uses sparingly. Siegfried here accuses Brünnhilde of having scant regard for her own honour:&lt;/span&gt;&lt;/div&gt;&lt;div class="poem"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;A&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;chtest du so&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;der eig'nen Ehre?&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span lang="IT"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Die &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Z&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;unge, die sie &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;l&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ästert,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;muß ich der &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;L&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;üge sie &lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;z&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;eihen? &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Götterdämmerung,&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Act II, ll.8104-8107&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;The Blood-brotherhood duet in &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Götterdämmerung&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;suuplies further examples of cross-alliteration and double alliteration, for instance; &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Bl&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;ühenden &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;L&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;ebens &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;l&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;abendes&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;B&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;lut&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;.&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Throughout the duet, the balance of meaning is paralleled by the balance of sound&lt;i&gt;s&lt;/i&gt;, e.g.&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Was in &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Tr&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;opfen &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;h&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;eut’ &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;h&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;old wir &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;tr&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;anken&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;,&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;(cross-alliteration), or &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;In Strahlen ström’ es dahin&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Wotan’s first words in &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Das Rheingold&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;bear a closer resemblance to the form of Old Norse verse, or at least to Ettmüller’s translations, than anything that has preceded them:&lt;/span&gt;&lt;/div&gt;&lt;div class="poem"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 58.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Der Wonne seligen Saal&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 58.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;bewachen mir Tür und Tor;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 58.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Mannes Ehre, ewige Macht&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 58.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ragen zu endlosem Ruhm!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 58.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Das Rheingold, &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ll.324-327&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;This still lacks the exactness of alliteration of Ettmüller’s translations, but it is a four-line strophe, unlike anything in the first scene, and we should note that cross-alliteration is used - &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;M&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;annes &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;E&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;hre, &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;e&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;wige &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;M&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;acht&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; We shall discover that Wotan's vocabulary, at least in &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Das Rheingold&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;and &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Die Walküre&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;,&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; is that of aggressive masculinity, consisting largely of references to power -&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Macht und Herrschaft&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;- with love coming a poor second.&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Note should also be taken of the concluding four-line strophe of &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Das Rheingold:&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Traulich und treu&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ist's nur in der Tiefe;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;falsch und feig ist,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;was dort oben sich freut!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Das Rheingold&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;, &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ll.1857-1860&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Here the balance of the alliteration allows a balanced antithesis of ideas, even though, for the sake of the alliteration, there cannot be an exact antithesis, which the nature of the ideas would seem to demand.&amp;nbsp; There is the antithesis of &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;traulich und treu&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;against &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;falsch und feig,&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;although this is not an exact antithesis: &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;treu &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;is the opposite of &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;falsch&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;,&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; but &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;traulich&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;is not the exact opposite of &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;feig&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; in the context of the alliterative verse, however, it works&amp;nbsp; effectively.&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Wotan also gets a somewhat cryptic four-line stanza after Fricka asks&amp;nbsp; him to explain the name Walhall:&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Was, mächtig der Furcht&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;mein Mut mir erfand,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;wenn siegend es lebt,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;leg' es den Sinn dir dar!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Das Rheingold,&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ll&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;.&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;1814-1817&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m" style="margin-left: 56.0pt; text-indent: 0cm;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;The occasional cryptic nature of some of Wotan's utterances is due to the compactness of Wagner's poetic language, and is deliberate - possibly as deliberate as the cryptic nature of Gripir's prophecies in &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;Sigurd the Volsun&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;g&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;. He speaks equally cryptically to Siegfried about the absence of his eye;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Mit dem Auge,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;das als eines mir fehlt,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;erblickst du selber das Auge&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;das mir zum Sehen verblieb! &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn14" name="_ftnref14" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;b&gt;&lt;span style="font-family: 'New York', serif; font-size: 8pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;[14]&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="poem" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Siegfried,&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;Act III&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;ll.6385-6388&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/i&gt;&amp;nbsp; The fact that Wagner has a&amp;nbsp; free alliterative pattern allows him the use of cross-alliteration, as in&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;M&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;annes&lt;/b&gt; &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;E&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;hre, &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;e&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;wige &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;M&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;ach&lt;/b&gt;t&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;,&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;which provides a satisfying balance of vowel and consonant alliteration. Similar use of cross-alliteration is found elsewhere, such as Fricka's &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;Dich &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;fr&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;eut die &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;B&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;urg, mir &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;b&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;angt es um &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;Fr&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;ei&lt;/b&gt;a &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;or&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;h&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;errliche&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;W&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;ohnung, &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;w&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;onniger &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;H&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;ausrat&lt;/b&gt;,&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;in which the alliteration is not obvious, still less obtrusive, but&amp;nbsp; flows naturally. &lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;Cross-alliteration is used by Loge to give weight to his sarcastic comments as the gods fade into old age: &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;Tr&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;ügt mich ein &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;N&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;ebel? &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;N&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;eckt mich ein &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;Tr&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;aum?&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Necken &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;wouldn't have been the most obvious verb to choose in relation to &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Traum&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;,&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; so it was evidently chosen for the sake of the alliteration, and it is a very effective way of conveying Loge's mocking attitude. And here, as often when specific verbal effects are to be conveyed, the scoring is quite sparse.&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; There appears to be no consistent reason for the use of cross-alliteration; that is, is it not always used in ironic contexts or for emphasis, but just where it seems to flow most naturally and be most effective, as in Wotan's interpretation of the relationship between himself and Alberich; &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;mit &lt;/span&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;n&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;eidischem &lt;/span&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;Gr&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;imm &lt;/span&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;gr&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;ollt mir der &lt;/span&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;N&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;iblung&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; (&lt;/span&gt;&lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Die Walküre&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;,&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; Act II). Alberich is characterised by his envious anger, in general terms as a personality and specifically in his struggle with Wotan. But there are many instances where cross-alliteration does seem to be used where emphasis is required, as in Wotan's &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;als mir göttlicher &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;N&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;ot &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;n&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;agende &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;G&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;alle gemisch&lt;/b&gt;t &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;or &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;w&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;ütender &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;Se&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;hnsucht &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;u&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;s&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;e&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;ngender &lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;W&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;b&gt;unsc&lt;/b&gt;h&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;(&lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;Die Walküre&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif;"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;,&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt; Act III) where a fairly complex construction is compacted into a few words, which cross-alliterate for greater emphasis.&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #20124d;"&gt;&lt;div class="WordSection1"&gt;&lt;div class="m"&gt;&lt;b&gt;&lt;u&gt;&lt;i&gt;3.3.Poetic and stylistic devices used in the &lt;/i&gt;&lt;/u&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;Ring&lt;/span&gt;&lt;/u&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="m"&gt;One of the most striking qualities of Wagner's poetic language is its compactness; a good example occurs in Siegfried's final words at the end of Act I of &lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;Götterdämmerung&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt; :&lt;/span&gt;&lt;/div&gt;&lt;div class="Q2"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;i&gt;Nun, Nothung, zeuge du,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;i&gt;daß ich in Züchten warb;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;i&gt;die Treue wahrend dem Bruder,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;span lang="IT"&gt;&lt;i&gt;trenne mich von seiner Braut!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;u&gt;&lt;i&gt;Götterdämmerung&lt;/i&gt;&lt;/u&gt;&lt;i&gt;, &lt;/i&gt;&lt;i&gt;Act I,&lt;/i&gt;&lt;i&gt; &lt;/i&gt;&lt;i&gt;ll.7727-7730&lt;/i&gt;&lt;i&gt;)&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;Wagner here expertly manipulates alliterative patterns to emphasise the ideas that his character is expressing. &lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn1" name="_ftnref1" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: Times, serif; font-size: 8pt;"&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; This compactness is a quality that Wagner shares with Gerard Manley Hopkins, and it is&amp;nbsp; a quality which Morris did not always value. Wagner claims (as did Wordsworth and Hopkins) that his poetry is closer to "the natural rhythms of speech" - this is not in fact the case, either for Wagner or for Hopkins, whatever may have been the intention.&lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn2" name="_ftnref2" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: Times, serif; font-size: 8pt;"&gt;[2]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 10pt;"&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;Wagner’s&amp;nbsp; reputation for prolixity and long-windedness&amp;nbsp; is actually not&amp;nbsp; justified; he very rarely digresses from the main theme of the plot, as Morris does, especially in &lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;The Earthly Paradise&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt; &lt;/span&gt;&amp;nbsp;and &lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;Jason&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;,&lt;/span&gt; which contain many descriptive passages, especially of landscape, which are the poetic equivalent to Pre-Raphaelite painting in their close attention to detail, but do not advance the narrative at all. &lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn3" name="_ftnref3" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: Times, serif; font-size: 8pt;"&gt;[3]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="m"&gt;Apart from the main poetic device of alliteration, Wagner uses various literary and stylistic devices. He is actually quite sp&lt;i&gt;a&lt;/i&gt;ring in his use of imagery and metaphor, which I discuss below, but there are examples of antithesis, paradox, repetition, personification, anaphora and the less common devices of hyperbaton&lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn4" name="_ftnref4" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: Times, serif; font-size: 8pt;"&gt;[4]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; and polyptoton&lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn5" name="_ftnref5" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: Times, serif; font-size: 8pt;"&gt;[5]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; throughout the text. Most interesting is Wagner's frequent use of the balanced antithesis of vocabulary to create an antithesis of ideas; the alliteration is manipulated to create this effect, as in the following striking example from &lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;Götterdämmerung&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif;"&gt;,&lt;/span&gt; in which Brünnhilde laments&amp;nbsp; Siegfried's&amp;nbsp; betrayal of her:&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;In seiner Macht &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;hält er die Maid,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;in seinen Banden &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;faßt er die Beute,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;die, jammernd ob ihrer Schmach,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;jauchzend der Reiche verschenkt!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;u&gt;&lt;i&gt;Götterdämmerung&lt;/i&gt;&lt;/u&gt;&lt;i&gt;, &lt;/i&gt;&lt;i&gt;Act II,&lt;/i&gt;&lt;i&gt; &lt;/i&gt;&lt;i&gt;ll. 8216-8224)&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;br /&gt;Here, double alliteration &lt;span style="font-family: 'New York', serif;"&gt;(&lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;j&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;ammernd / &lt;/b&gt;&lt;u&gt;&lt;b&gt;Sch&lt;/b&gt;&lt;/u&gt;&lt;b&gt;mach - &lt;/b&gt;&lt;u&gt;&lt;b&gt;j&lt;/b&gt;&lt;/u&gt;&lt;b&gt;auchzend / ver&lt;/b&gt;&lt;u&gt;&lt;b&gt;sch&lt;/b&gt;&lt;/u&gt;&lt;b&gt;enkt&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;)&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt; &lt;/span&gt;is used for emphasis, and the alliterative force of&lt;span style="font-family: 'New York', serif;"&gt; &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;jammernd / jauchzend&lt;/b&gt; &lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&amp;nbsp;&lt;/span&gt;serves to highlight the contrast between Brünnhilde's feelings and those of Siegfried.&lt;/div&gt;&lt;div class="ny"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;Skilful and effective use is made of anaphora, for instance in Siegmund's response to Brünnhilde's &lt;span style="font-size: 10pt;"&gt;Todesverkündigung&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; &lt;/span&gt;:&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="margin-left: 55.0pt; text-align: left;"&gt;&lt;i&gt;So &lt;/i&gt;&lt;u&gt;&lt;i&gt;grüße&lt;/i&gt;&lt;/u&gt;&lt;i&gt; mir Walhall,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="margin-left: 55.0pt; text-align: left;"&gt;&lt;u&gt;&lt;i&gt;grüße &lt;/i&gt;&lt;/u&gt;&lt;i&gt;mir Wotan,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="margin-left: 56.0pt; text-align: left;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="margin-left: 56.0pt; text-align: left;"&gt;&lt;u&gt;&lt;i&gt;grüße&lt;/i&gt;&lt;/u&gt;&lt;i&gt; mir Wotan und alle Helden;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="margin-left: 56.0pt; text-align: left;"&gt;&lt;u&gt;&lt;i&gt;grüß' &lt;/i&gt;&lt;/u&gt;&lt;i&gt;&amp;nbsp;auch die ho&lt;/i&gt;&lt;i&gt;lden Wunschesmädchen -&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="margin-left: 56.0pt; text-align: left;"&gt;&lt;i&gt;zu ihnen folg' ich dir nicht!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="margin-left: 56.0pt; text-align: left;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;u&gt;&lt;i&gt;Die Walküre&lt;/i&gt;&lt;/u&gt;&lt;i&gt;, &lt;/i&gt;&lt;i&gt;Act II &lt;/i&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;i&gt;ll. 3207-3214&lt;/i&gt;&lt;i&gt;) &lt;/i&gt;&lt;span style="font-size: 9pt;"&gt;&lt;i&gt;(emphasis added)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 0cm; margin-right: 3.0pt; margin-top: 0cm; text-align: justify;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;A shorter example of anaphora occurs in Siegmund's couplet in Act I:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;Mißwende folgt mir, wohin ich fliehe;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;Mißwende naht mir, wo ich mich neige&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m" style="text-indent: 0cm;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;Another example occurs&amp;nbsp; at the end of&amp;nbsp;&lt;u&gt;&lt;span style="font-size: 10pt;"&gt;Siegfried&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="font-size: 13px;"&gt;&lt;i&gt;&amp;nbsp;:&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;u&gt;&lt;i&gt;Brünnhilde&lt;/i&gt;&lt;/u&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;/b&gt;&lt;u&gt;&lt;i&gt;lachend &lt;/i&gt;&lt;/u&gt;&lt;i&gt;muß ich dich lieben,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;/b&gt;&lt;u&gt;&lt;i&gt;lachend&lt;/i&gt;&lt;/u&gt;&lt;i&gt; will ich erblinden,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;/b&gt;&lt;u&gt;&lt;i&gt;lachend &lt;/i&gt;&lt;/u&gt;&lt;i&gt;lass' uns verderben,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;/b&gt;&lt;u&gt;&lt;i&gt;lachend&lt;/i&gt;&lt;/u&gt;&lt;i&gt; zugrunde gehn!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 26.0pt; margin-right: 0cm; margin-top: 0cm; text-align: left;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;i&gt;(&lt;/i&gt;&lt;u&gt;&lt;i&gt;Siegfried&lt;/i&gt;&lt;/u&gt;&lt;i&gt;, Act III&amp;nbsp; &lt;/i&gt;&lt;i&gt;ll.6851-6854&lt;/i&gt;&lt;i&gt;) &lt;/i&gt;&lt;span style="font-size: 9pt;"&gt;&lt;i&gt;(emphasis added)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;An extended example of &lt;b&gt;anaphora&lt;/b&gt; occurs at the beginning of the Brünnhilde-Siegfried duet in Act I of &lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;Götterdämmerung&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt; :&lt;/span&gt;&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 0cm; margin-right: -1.0pt; margin-top: 0cm; text-align: left;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;u&gt;&lt;i&gt;Brünnhilde&lt;/i&gt;&lt;/u&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Willst du mir Minne schenken,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;u&gt;&lt;i&gt;gedenke&lt;/i&gt;&lt;/u&gt;&lt;i&gt; deiner nur;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;u&gt;&lt;i&gt;gedenke&lt;/i&gt;&lt;/u&gt;&lt;i&gt; deiner Taten,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;u&gt;&lt;i&gt;gedenk' &lt;/i&gt;&lt;/u&gt;&lt;i&gt;des wilden Feuers,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; das furchtlos du durchschrittest,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; da den Fels es rings umbrann!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;u&gt;&lt;i&gt;Siegfried&lt;/i&gt;&lt;/u&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Brünnhilde zu gewinnen!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;u&gt;&lt;i&gt;Brünnhilde&lt;/i&gt;&lt;/u&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;u&gt;&lt;i&gt;Gedenk' &lt;/i&gt;&lt;/u&gt;&lt;i&gt;der beschildeten Frau&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; die in tiefem Schlaf du fandest,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; der den festen Helm du erbrachst -&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;u&gt;&lt;i&gt;Siegfried&lt;/i&gt;&lt;/u&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Brünnhilde zu gewinnen!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;u&gt;&lt;i&gt;Brünnhilde&lt;/i&gt;&lt;/u&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;u&gt;&lt;i&gt;Gedenk'&lt;/i&gt;&lt;/u&gt;&lt;i&gt; der Eide, die uns einen;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 0cm; margin-right: -1.0pt; margin-top: 0cm; text-align: left;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;u&gt;&lt;i&gt;gedenk'&lt;/i&gt;&lt;/u&gt;&lt;i&gt; der Treue, die wir tragen;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;u&gt;&lt;i&gt;gedenk&lt;/i&gt;&lt;/u&gt;&lt;i&gt; der Liebe, der wir leben;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Brünnhilde brennt dann ewig,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="text-align: left;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;heilig, dir in der Brust.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="left" class="poem0" style="margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 0cm; margin-right: 2.0pt; margin-top: 0cm; text-align: left;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;i&gt;(&lt;/i&gt;&lt;i&gt;Götterdämmerung, &lt;/i&gt;&lt;i&gt;Act I,&lt;/i&gt;&lt;i&gt; &lt;/i&gt;&lt;i&gt;ll.7079-7097&lt;/i&gt;&lt;i&gt;) &lt;/i&gt;&lt;span style="font-size: 9pt;"&gt;&lt;i&gt;(emphasis added)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="q3"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;The following lines from&lt;span style="font-family: 'New York', serif;"&gt; &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;i&gt;Die Walkür&lt;/i&gt;e&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif;"&gt;&amp;nbsp; &lt;/span&gt;may serve as an example of &lt;i&gt;hyperbato&lt;/i&gt;n (words in an unfamiliar order). Hunding says to Siegmund:&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;Die so leidig Los dir beschied,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;nicht liebte dich die Norn;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;froh nicht grüßt dich der Mann,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;dem fremd als Gast du nahst.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;(&lt;/i&gt;&lt;u&gt;&lt;i&gt;Die Walküre&lt;/i&gt;&lt;/u&gt;&lt;i&gt;, Act I&amp;nbsp; &lt;/i&gt;&lt;i&gt;ll.2061-2064 &lt;/i&gt;&lt;i&gt;)&lt;/i&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="line-height: 18.0pt; margin-right: -1.0pt; text-align: center;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;It would be tempting to conclude&lt;i&gt; &lt;/i&gt;that &lt;i&gt;&amp;nbsp;&lt;/i&gt;Wagner employed this rather strange syntax in order to fit in with the exigencies of the music, but in fact th&lt;i&gt;e sco&lt;span class="Apple-style-span" style="font-style: normal;"&gt;ring is rather thin at this point. In long narrative passages such as Wotan’s crucial narration to Brünnhilde in Act II of &lt;/span&gt;&lt;u&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;Die&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/i&gt;&lt;span style="font-size: 10pt;"&gt; &lt;u&gt;Walküre&lt;/u&gt; &lt;/span&gt;&amp;nbsp;&amp;nbsp;the scoring is sparse in order to foreground the narrative, but this is only a four-line remark, made in order to draw the attention of the audience to Hunding’s instinctive antipathy to Siegmund. The syntax is twisted to fit the alliteration.&amp;nbsp;&lt;/div&gt;&lt;div class="m"&gt;Another, less complex example of hyperbaton evidently exists for the sake of the alliteration:&lt;/div&gt;&lt;div class="poem0" style="margin-left: 59.0pt; text-align: justify;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;fröhlich nicht &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 59.0pt; text-align: justify;"&gt;&lt;i&gt;hängt Freia&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 59.0pt; text-align: justify;"&gt;&lt;i&gt;den Rauhen über dem Rücken.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 59.0pt; text-align: justify;"&gt;&lt;i&gt;(Das Rheingold, &lt;/i&gt;&lt;i&gt;ll.841-843&lt;/i&gt;&lt;i&gt;)&lt;/i&gt;&lt;/div&gt;&lt;div class="m" style="margin-left: 59.0pt; text-indent: 0cm;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m"&gt;Wotan's reproach to Brünnhilde is an example of &lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;polyptoton&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;:&lt;/span&gt;&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;Durch meinen &lt;/i&gt;&lt;u&gt;&lt;i&gt;Willen&lt;/i&gt;&lt;/u&gt;&lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;warst du allein;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;gegen mich doch hast du &lt;/i&gt;&lt;u&gt;&lt;i&gt;gewollt &lt;/i&gt;&lt;/u&gt;&lt;i&gt;; &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;meine &lt;/i&gt;&lt;u&gt;&lt;i&gt;Befehle &lt;/i&gt;&lt;/u&gt;&lt;i&gt;nur&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;führtest du aus;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;gegen mich doch hast du &lt;/i&gt;&lt;u&gt;&lt;i&gt;befohlen&lt;/i&gt;&lt;/u&gt;&lt;i&gt; ;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;i&gt;Wunsch&lt;/i&gt;&lt;/u&gt;&lt;i&gt;-Maid &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;warst du mir,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;gegen mich doch hast du &lt;/i&gt;&lt;u&gt;&lt;i&gt;gewünscht&lt;/i&gt;&lt;/u&gt;&lt;i&gt;;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;i&gt;Schild&lt;/i&gt;&lt;/u&gt;&lt;i&gt;maid &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;warst du mir,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;gegen mich doch hobst du dein &lt;/i&gt;&lt;u&gt;&lt;i&gt;Schild&lt;/i&gt;&lt;/u&gt;&lt;i&gt;;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;i&gt;Loskieserin&lt;/i&gt;&lt;/u&gt;&lt;i&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;warst du mir,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;gegen mich doch &lt;/i&gt;&lt;u&gt;&lt;i&gt;kiestest du Lose&lt;/i&gt;&lt;/u&gt;&lt;i&gt;;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;i&gt;Heldenreizerin&lt;/i&gt;&lt;/u&gt;&lt;i&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;warst du mir,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;gegen mich doch &lt;/i&gt;&lt;u&gt;&lt;i&gt;reiztest du Helden.&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;u&gt;&lt;i&gt;Die Walküre&lt;/i&gt;&lt;/u&gt;&lt;i&gt;, &lt;/i&gt;&lt;i&gt;Act III &lt;/i&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;i&gt;ll. 3758-3765. emphasis added&lt;/i&gt;&lt;i&gt;)&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m"&gt;It is one of the few examples in the &lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;i&gt;Ring&lt;/i&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt; &lt;/span&gt;&amp;nbsp;of this stylistic device ;&amp;nbsp; the same root is used in varying grammatical forms, first as a noun, then as a verb deriving from, or related to, the noun. An example of similar usage occurs in &lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 58.0pt; text-align: justify;"&gt;&lt;i&gt;War es so &lt;/i&gt;&lt;u&gt;&lt;i&gt;schmählich&lt;/i&gt;&lt;/u&gt;&lt;i&gt;, &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 58.0pt; text-align: justify;"&gt;&lt;i&gt;was ich &lt;/i&gt;&lt;u&gt;&lt;i&gt;verbrach&lt;/i&gt;&lt;/u&gt;&lt;i&gt;,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 58.0pt; text-align: justify;"&gt;&lt;i&gt;daß mein &lt;/i&gt;&lt;u&gt;&lt;i&gt;Verbrechen&lt;/i&gt;&lt;/u&gt;&lt;i&gt; so &lt;/i&gt;&lt;u&gt;&lt;i&gt;schmählich&lt;/i&gt;&lt;/u&gt;&lt;i&gt; du bestrafst?&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 58.0pt; text-align: justify;"&gt;&lt;i&gt;War es so &lt;/i&gt;&lt;u&gt;&lt;i&gt;niedrig&lt;/i&gt;&lt;/u&gt;&lt;i&gt;, &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 58.0pt; text-align: justify;"&gt;&lt;i&gt;was ich dir tat,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 58.0pt; text-align: justify;"&gt;&lt;i&gt;daß du so tief mir &lt;/i&gt;&lt;u&gt;&lt;i&gt;Erneidrigung&lt;/i&gt;&lt;/u&gt;&lt;i&gt; schaffst?&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 58.0pt; text-align: justify;"&gt;&lt;i&gt;War es so &lt;/i&gt;&lt;u&gt;&lt;i&gt;ehrlos&lt;/i&gt;&lt;/u&gt;&lt;i&gt;,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 58.0pt; text-align: justify;"&gt;&lt;i&gt;&amp;nbsp;was ich beging,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 58.0pt; text-align: justify;"&gt;&lt;i&gt;daß mein Vergeh'n nun die &lt;/i&gt;&lt;u&gt;&lt;i&gt;Ehre&lt;/i&gt;&lt;/u&gt;&lt;i&gt; mir raubt?&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 58.0pt; text-align: justify;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;i&gt;(&lt;/i&gt;&lt;u&gt;&lt;i&gt;Die Walküre&lt;/i&gt;&lt;/u&gt;&lt;i&gt;, &lt;/i&gt;&lt;i&gt;Act III &lt;/i&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;i&gt;ll.3840-3848&lt;/i&gt;&lt;i&gt;)&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;where&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; &lt;/span&gt;schmählich&lt;/b&gt;&amp;nbsp; is repeated verbatim, but otherwise a word first found in one form is used in a different grammatical form in the next line.&lt;/div&gt;&lt;div class="m"&gt;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;nbsp;Floßhilde's deceptive praise of Alberich, and his response:&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;Mir zagt, zuckt &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;und zehrt sich das Herz,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;lacht mir so zierliches Lob.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;u&gt;&lt;i&gt;Das Rheingold,&lt;/i&gt;&lt;/u&gt;&lt;i&gt; &lt;/i&gt;&lt;i&gt;ll.142-144&lt;/i&gt;&lt;i&gt;)&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&amp;nbsp;works out as a sort of antithesis. &lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;zagen, zucken, zehren,&lt;/span&gt; all relate to the same basic idea of his heart being affected&lt;i&gt;, tr&lt;/i&gt;embling for joy, and in this context perhaps &lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;zierliches Lob &lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;&amp;nbsp;&lt;/span&gt;is somewhat inappropriate; &lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;zierlich &lt;/span&gt;&amp;nbsp;obviously exists for the sake of the alliteration, since it is not&amp;nbsp; what Floßhilde says that is &lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;zierlich&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;,&lt;/span&gt; but she herself, her appearance; the "praise" of Alberich is not &lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;zierlich&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; &lt;/span&gt;&amp;nbsp;at all, but hyperbolic and ironic, as she proceeds to demonstrate: &lt;/div&gt;&lt;div class="m2"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;Deinen stechenden Blick, &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;deinen struppigen Bart,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;o säh' ich ihn, faßt ich ihn stets!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;Deines stachlichen Haares &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;strammes Gelock,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;umflöß es Floßhilde ewig!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;Deine Krötengestalt, &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;deiner Stimme Gekrächz,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;o dürft ich, staunend und stumm,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;sie nur hören und sehen!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;u&gt;&lt;i&gt;Das Rheingold&lt;/i&gt;&lt;/u&gt;&lt;i&gt;, &lt;/i&gt;&lt;i&gt;ll. 153-162 &lt;/i&gt;&lt;i&gt;)&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;This could almost be&amp;nbsp; a parody of a conventional love-lyric, &lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn6" name="_ftnref6" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: Times, serif; font-size: 8pt;"&gt;[6]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; in which the man lists the qualities and beauties of his beloved and expresses the desire to spend his life in contemplation thereof; the lines seem to be a double parody, in which &lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;she&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt; &lt;/span&gt;lists &lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;his negative&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt; &lt;/span&gt;&amp;nbsp;attributes, and expresses the desire to spend her life in contemplation of his ugliness. She even explicitly concludes by saying that her &lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;song&lt;/span&gt;&amp;nbsp; comes to an end &lt;span style="font-size: 10pt;"&gt;(&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;Wie&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: 'New York', serif;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;billig an Ende vom Lied!&lt;/span&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 10pt;"&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/i&gt;&amp;nbsp;&amp;nbsp; The laughter of the Rhinemaidens is double-edged, to say the least. It is the laughter of primal innocence, but also the laughter of cruel mockery at Alberich's defects, then laughter of pure happiness when the sun lights up the gold.&lt;/div&gt;&lt;div class="m"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Further examples of antithesis in &lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;Das Rheingold&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&amp;nbsp;include&amp;nbsp; the following, which occurs after Wotan has violently wrested the Ring from Alberich:&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;i&gt;Alberich&lt;/i&gt;&lt;/u&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp; Ha! Zertrümmert! Zerknickt!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; Der Traurigsten traurigster Knecht!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;i&gt;Wotan&lt;/i&gt;&lt;/u&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Nun halt’ ich, was mich erhebt,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; der Mächtigen mächstigsten Herrn!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (&lt;/i&gt;&lt;u&gt;&lt;i&gt;Das Rheingold,&lt;/i&gt;&lt;/u&gt;&lt;i&gt; &lt;/i&gt;&lt;i&gt;ll.1473-1476&lt;/i&gt;&lt;i&gt;)&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;&lt;br /&gt;The antithesis of situation is illustrated by the antithesis of language, and there is further emphasis on Wotan's obsession with &lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;Macht&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; &lt;/span&gt;and &lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;Herrschaft.&lt;/span&gt; This&amp;nbsp;idea of antithesis/opposition - but also a link between Wotan and Alberich - is illustrated by what they both say about Siegfried; they use almost identical vocabulary, as they realise that the curse cannot affect Siegfried, but of course they interpret this fact differently. Wotan expresses his willingness for Siegfried to inherit the world, whereas Alberich tells Hagen that they must now devote their efforts to the destruction of Siegfried:&lt;/div&gt;&lt;div class="Q2"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;i&gt;Wotan&lt;/i&gt;&lt;/u&gt;&lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;dem herrlichen Wälsung&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;weis' ich mein Erbe nun an.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;.....&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;Liebesfroh, &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;ledig des Neides,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;i&gt;erlahmt an dem Edlen &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;i&gt;Alberichs Fluch;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;i&gt;denn fremd bleibt ihm die Furcht.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;u&gt;&lt;i&gt;Siegfried,&lt;/i&gt;&lt;/u&gt;&lt;i&gt; &lt;/i&gt;&lt;i&gt;Act III &lt;/i&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;i&gt;ll.6261-6262,&amp;nbsp; 6268-6272&lt;/i&gt;&lt;i&gt; &lt;/i&gt;&lt;span style="font-size: 9pt;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: 9pt;"&gt;&lt;i&gt;emphasis added&lt;/i&gt;&lt;/span&gt;&lt;i&gt;)&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;i&gt;Alberich&lt;/i&gt;&lt;/u&gt;&lt;b&gt;&lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;i&gt;An dem furchtlosen Helden&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;i&gt;erlahmt selbst mein Fluch;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;denn nicht kennt &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;er des Ringes Wert,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;zu nichts nützt er &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;die neidlichste Macht.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 55.0pt; text-align: justify;"&gt;&lt;i&gt;Lachend in liebender Brunst,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;brennt er lebend dahin.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;i&gt;Ihn zu verderben &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;i&gt;taugt uns nun einzig&lt;/i&gt;&lt;/u&gt;&lt;i&gt;.&lt;/i&gt;&lt;u&gt;&lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;i&gt;Götterdämmerung, &lt;/i&gt;&lt;i&gt;Act II ll. 7783-7792 &lt;/i&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;span style="font-size: 9pt;"&gt;&lt;i&gt;emphasis added&lt;/i&gt;&lt;/span&gt;&lt;i&gt; )&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span class="Apple-style-span" style="font-style: normal;"&gt; In Alberich's curse, effective use is made of such figures of speech as oxymoron and paradox, for instance in Alberich’s designation of &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;&lt;b&gt;Des Ringes Herr&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span style="font-family: 'New York', serif;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;als des Ringes Knecht&lt;/b&gt;!&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt;. &lt;/span&gt;The curse is built&amp;nbsp; up on use of repetition and antithesis, repetition to emphasise Alberich’s point ; he doesn’t repeat words verbatim, instead, ideas and concepts are recapitulated and expanded.&lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn7" name="_ftnref7" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: Times, serif; font-size: 8pt;"&gt;[7]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; The curse elaborates upon ideas only hinted at in the sou&lt;i&gt;r&lt;/i&gt;ce, and there is an attempt at a balanced antithesis of ideas expressed in pairs of opposites. For instance, in&lt;i&gt; &lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;Je&lt;/b&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;&lt;b&gt;der giere nach seinem Gut, /&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span style="font-family: 'New York', serif;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;doch keiner genieße mit Nutzen sein&lt;/b&gt;,&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; &lt;/span&gt;&amp;nbsp;the antithesis of &lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;j&lt;b&gt;eder&lt;/b&gt; /kei&lt;b&gt;ner&lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: 'New York', serif;"&gt; &lt;/span&gt;&amp;nbsp;&lt;/b&gt;is echoed in the antithesis of&lt;b&gt; &lt;/b&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;giere/genieße&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;b&gt;,&lt;/b&gt;&lt;/span&gt;&amp;nbsp; emphasising the impossibility of any pleasure to be had from ownership of the Ring.&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; Wotan's realisation of the paradoxical situation in which he finds himself - &lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;&lt;b&gt;der durch Verträge ich Herr&lt;/b&gt;&lt;/span&gt;, &lt;span class="Apple-style-span" style="font-style: normal;"&gt;/&lt;b&gt;den Verträgen bin ich nun Knecht!&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span style="font-family: 'New York', serif;"&gt; &lt;/span&gt;- &lt;/b&gt;is perhaps deliberately intended to recall the central threat of Alberich's curse: &lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;des Ringes Herr als des Ringes Knecht!&lt;/b&gt;&lt;/span&gt;&lt;b&gt; &lt;/b&gt;especially since much of Wotan's dispute with Fricka has been about the &lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;Herr/Knecht&lt;/b&gt;&lt;/span&gt;&lt;b&gt; &lt;/b&gt;antithesis andthe nature of freedom.These are ideas which are interpreted rather simplistically by Fricka, but which Wotan is now developing. &lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn8" name="_ftnref8" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: Times, serif; font-size: 8pt;"&gt;[8]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; In fact he now understands the situation perfectly well, but he does not yet know what to do about it; does not realise, in fact, that there is nothing left for &lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;him&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt; &lt;/span&gt;&amp;nbsp;to do, he will only begin to realise this after losing Brünnhilde, and will not come to acceptance of his impotence until his spear is shattered by Siegfried's reforged sword.&lt;/div&gt;&lt;div class="m"&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;Weibes Wert, Weibes Wonne&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif;"&gt; &lt;/span&gt;is used as antithesis to demonstrate Wotan's distorted values, as in Fasolt's words:&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;Die ihr durch Schönheit herrscht,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;schimmernd hehres Geschlecht -&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;wie töricht strebt ihr &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;nach Türmen von Stein,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;setzt um Burg und Saal&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;Weibes Wonne zum Pfand!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0" style="margin-left: 56.0pt; text-align: justify;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;u&gt;&lt;i&gt;Das Rheingold,&lt;/i&gt;&lt;/u&gt;&lt;i&gt; &lt;/i&gt;&lt;i&gt;ll.516-521)&lt;/i&gt;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m2"&gt;Running through the disagreement between Wotan and the giants in &lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;Das Rheingold&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif;"&gt; &lt;/span&gt;&lt;/u&gt;&amp;nbsp;is the idea of the antithesis &lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;Liebe/Minne&lt;/b&gt;&lt;/span&gt;&lt;b&gt;&amp;nbsp; vs. &lt;/b&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;Macht&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;,&lt;/b&gt;&lt;/span&gt;&lt;b&gt; &lt;/b&gt;and there is also a hint that the antithesis is related to the idea of male/female polarity&lt;i&gt; w&lt;span class="Apple-style-span" style="font-style: normal;"&gt;hich Wagner discusses so elaborately in &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;Oper und&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/i&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt; &lt;/span&gt;&lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;Drama&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif;"&gt;;&lt;/span&gt; not quite as crude and unsubtle as &lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;Weib/Liebe&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;opposed to &lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;Mann/Mach&lt;/b&gt;t&lt;/span&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;,&lt;/span&gt; but the idea is there, especialy in Fricka's reproach to Wotan;&amp;nbsp;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;Was ist euch Harten heilig und Wert /giert ihr Männer nach Macht? &lt;/b&gt;&lt;/span&gt;&amp;nbsp;When Wotan asks her whether she too was not lusting after power, her reply is that she was hoping for a lovely home where she and her husband could be at peace, but he will not accept this.&lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn9" name="_ftnref9" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: Times, serif; font-size: 8pt;"&gt;[9]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 10pt;"&gt; &lt;/span&gt;&amp;nbsp;This antithesis of Macht&lt;span style="font-size: 10pt;"&gt; &lt;/span&gt;&amp;nbsp;and Liebe&amp;nbsp; is spelt out again by Fricka;&lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;Um der Macht und Herrschaft &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;müßigen Tand&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;verspielst du in lästerndem Spott&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;Liebe und Weibes Wert?&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;(&lt;/i&gt;&lt;u&gt;&lt;i&gt;Das Rheingold&lt;/i&gt;&lt;/u&gt;&lt;i&gt;, &lt;/i&gt;&lt;i&gt;ll.402-405&lt;/i&gt;&lt;i&gt;)&lt;/i&gt;&lt;/div&gt;&lt;div class="poem0"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="m"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Brünnhilde’s announcement to Sieglinde ; &lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;Den hehrsten Helden der Welt / hegst du, O Weib, in schirmenden Schoß&lt;/b&gt;! &lt;/span&gt;&amp;nbsp;functions as an antithesis to the dramatic irony of Wotan's &lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;&lt;b&gt;des Hasses Frucht hegt eine Frau,/ des Neides Kraft kreißt ihr im Schoß! &lt;/b&gt;&lt;/span&gt;&amp;nbsp;It is almost the same vocabulary; Sieglinde bears the fruit of love in her womb, Grimhild&lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn10" name="_ftnref10" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: Times, serif; font-size: 8pt;"&gt;[10]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; bears the fruit of hate in her womb. &lt;/div&gt;&lt;div class="m"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;The conspirators in Act II of &lt;u&gt;&lt;span style="font-family: 'New York', serif; font-size: 10pt;"&gt;Götterdämmerung&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'New York', serif;"&gt; &lt;/span&gt;- Brünnhilde, Gunther and Hagen - utter the sort of sentiments that conspirators might be expected to utter, &lt;a href="file:///C:/Users/Leonora/Downloads/CHAPTER3.docx#_ftn11" name="_ftnref11" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: Times, serif; font-size: 8pt;"&gt;[11]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; but the last five lines contain a balanced antithesis of ideas, the finer nuances of which may sometimes be missed in performance:&lt;/div&gt;&lt;div class="m" style="line-height: normal;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="para"&gt;&lt;u&gt;&lt;i&gt;Gunther /Brünnhilde&lt;/i&gt;&lt;/u&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/i&gt;&lt;u&gt;&lt;i&gt;Hagen&lt;/i&gt;&lt;/u&gt;&lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="para"&gt;&lt;i&gt;Allrauner, rächender Gott!&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Alberich, gefallener &amp;nbsp;&amp;nbsp;&amp;nbsp;Fürst!&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;
